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During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable(...)
Paul Graham: Paris 11-15th, November 2015
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During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable longing for the safe, the everyday, the known.
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Originally self-published in 1985, Paul Graham’s renowned series, ‘Beyond Caring’, was made in the waiting rooms and corridors of the Social Security and Unemployment offices around the UK, documenting the long waits, queues and poor conditions of an overburdened system, to produce a powerful series of photographs conveying the hardship people experienced. Denied official(...)
Paul Graham: Beyond caring, New edition
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Originally self-published in 1985, Paul Graham’s renowned series, ‘Beyond Caring’, was made in the waiting rooms and corridors of the Social Security and Unemployment offices around the UK, documenting the long waits, queues and poor conditions of an overburdened system, to produce a powerful series of photographs conveying the hardship people experienced. Denied official permission to make the work, Graham’s photographs were taken discreetly, usually without looking through the camera, resulting in a spatial disorientation that emphasised the unmoored distress of vulnerable citizens. The work shocked many on its release – leading Magnum photographers were outraged by its use of colour in a classic documentary topic, while others celebrated how it straddled the world of activism and art (it was exhibited at both Trade Union conferences and the Museum of Modern Art, New York). Graham forged a fresh form of engaged photography, mixing elements of social documentary, ‘new colour’ and reportage to create a striking body of work that endures to this day. Many decades have passed since their making in 1984, but these images have grown not only in photographic importance, but also as a unique historic record of the mid-1980s unemployment crisis in the UK.
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Paul Graham: Troubled land
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An iconic project made at the height of the ''Troubles'', ''Troubled land'' deals with the small but insistent signs of political division embedded in the landscape of Northern Ireland. At the heart of the Irish conflict lays the land — who owns it, who controls it, whose history it expresses. Paul Graham’s quietly radical book keeps this material truth in mind as it(...)
Paul Graham: Troubled land
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An iconic project made at the height of the ''Troubles'', ''Troubled land'' deals with the small but insistent signs of political division embedded in the landscape of Northern Ireland. At the heart of the Irish conflict lays the land — who owns it, who controls it, whose history it expresses. Paul Graham’s quietly radical book keeps this material truth in mind as it uniquely combines landscape and conflict photography, seducing us with bucolic views in which telling details only gradually appear: painted kerbs, distant soldiers or helicopters, flags and graffiti, paint-splattered roads, each tacitly aligning that location to its Republican or Loyalist allegiance. Pastoral photographs of green fields and hedgerows reveal themselves to be images of conflict and dispute — despite the steadiness of the photographic frame and the clarity of Graham’s vision, this is unsettled land. Originally published in 1986, ''Troubled land'' is reprinted here for the first time in thirty-five years. Controversial then for its use of colour and refusal to follow the clichéd tropes of photojournalism, the book was pivotal in providing a fresh perspective on Northern Ireland’s ''Troubles'' and left a lasting impact on landscape photography, suggesting how it might engage with politics and society rather than escape from them. Together with ''A1 – The Great North Road'' and ''Beyond Caring,'' it completes a new edition of the remarkable trilogy of books Graham made in 1980s UK.
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Does yellow run forever?
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Paul Graham’s Does Yellow Run Forever? comprises a series of photographs touching upon the ephemeral question of what we seek and value in life – love, wealth, beauty, clear-eyed reality or an inner dream world? The work weaves in and out of three groups of images: photographs of rainbows from Western Ireland, a sleeping dreamer, and gold stores in the United States.(...)
Does yellow run forever?
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Paul Graham’s Does Yellow Run Forever? comprises a series of photographs touching upon the ephemeral question of what we seek and value in life – love, wealth, beauty, clear-eyed reality or an inner dream world? The work weaves in and out of three groups of images: photographs of rainbows from Western Ireland, a sleeping dreamer, and gold stores in the United States. The imagery leads us from reality to dream and illusion, between fact and spectral phenomena, each entwined one within the other. Does Yellow Run Forever? refuses to reduce the world to a knowable schema, but instead embraces the puzzle - that there are no singular meanings, direct answers, or gold waiting at the end of the rainbow. Yet, there are startling visions in the everyday, be they ‘beautiful’ or ‘ugly’, that there are dreams worth dreaming, magical scenes to be seen, and true moments of wonder to be found as we shiver the mirror of life.
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But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell(...)
But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is.
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Paul Graham : 1981-2011
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In 2011 Paul Graham released The Present, which embraces street photography, a genre unique to photography where the artist works with the ceaseless flow of life. These images break with the traditional approach of locking the world into frozen instants and instead brings us each scene together with its double, the briefest fraction of time apart, so that we glimpse the(...)
Paul Graham : 1981-2011
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In 2011 Paul Graham released The Present, which embraces street photography, a genre unique to photography where the artist works with the ceaseless flow of life. These images break with the traditional approach of locking the world into frozen instants and instead brings us each scene together with its double, the briefest fraction of time apart, so that we glimpse the continuum, the before/after and coming/ going of life's dazzling dance. Designed by Paul Graham and MACK, printed in colour throughout, 1981 & 2011 aligns these two bodies of Graham's work across the 3 decades spanning his career. With David Campany's incisive essay, we can piece together and explore the concerns that link and bind an artist over the years making this a salient book on the passage of creativity in the observable world.
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Paul Graham: The Present
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The Present is Paul Graham's contribution to street photography. It also completes Graham's trilogy project on America (with American Night (2003) and a shimmer of possibility (2007)). Most of the photographs were taken in the busiest parts of Manhattan (Penn Station, China Town, Times Square) between 2009 and 2011. At the first look, the photographs might seem boring(...)
Paul Graham: The Present
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The Present is Paul Graham's contribution to street photography. It also completes Graham's trilogy project on America (with American Night (2003) and a shimmer of possibility (2007)). Most of the photographs were taken in the busiest parts of Manhattan (Penn Station, China Town, Times Square) between 2009 and 2011. At the first look, the photographs might seem boring and dull. In a way The Present is about nothingness, "nothing moments of life". The present is a period of time between the past and the future, also referred to as now. The images capture the same places, shot from the same position, with just few moments apart. While the street photography is about a perfect frozen moment, Paul Graham shifts it by creating a combinations before/after.
Monographies photo
Paul Graham: films
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Graham presents us a timely tribute to the passing of film. The grains, color dye clouds, the black and white silver crystals, make images of stunning beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photography in the 20th century.
Paul Graham: films
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Graham presents us a timely tribute to the passing of film. The grains, color dye clouds, the black and white silver crystals, make images of stunning beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photography in the 20th century.
The whiteness of the whale
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The Whiteness of the Whale brings together Paul Graham’s three bodies of American photographs: American Night, a shimmer of possibility and The Present, made from 1998 to 2011. These 3 remarkable photographic series reflect upon the social fabric of contemporary America, whilst trying to find something closer to the experience of being and seeing in the world today.
The whiteness of the whale
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The Whiteness of the Whale brings together Paul Graham’s three bodies of American photographs: American Night, a shimmer of possibility and The Present, made from 1998 to 2011. These 3 remarkable photographic series reflect upon the social fabric of contemporary America, whilst trying to find something closer to the experience of being and seeing in the world today.
Monographies photo