In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
15 September 1982 to 16 October 1982
Photography and Architecture: 1839–1939
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In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Hall cases
25 January 1995 to 4 June 1995
Photography and French Architectural Practice, 1839-1870
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Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Hall cases
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Octagonal gallery
30 January 2014 to 25 May 2014
Photographing the Arab City in the Nineteenth Century
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By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Octagonal gallery
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Main galleries
15 May 2003 to 14 September 2003
Traces of India: Photography, Architecture, and the Politics of Representation
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Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Main galleries
Curated by Stefano Graziani and Bas Princen, The Lives of Documents—Photography as Project is the first of a trilogy of research and exhibition projects produced by the Canadian Centre for Architecture on the medium of photography—between work of art, research tool, and document—as a means to investigate the built environment.
Main galleries Keyword(s):
Stefano Graziani, Bas Princen, Hester Keijser, photography, The Lives of Documents—Photography as Project
3 May 2023 to 7 April 2024
The Lives of Documents—Photography as Project
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Curated by Stefano Graziani and Bas Princen, The Lives of Documents—Photography as Project is the first of a trilogy of research and exhibition projects produced by the Canadian Centre for Architecture on the medium of photography—between work of art, research tool, and document—as a means to investigate the built environment.
Main galleries Keyword(s):
Stefano Graziani, Bas Princen, Hester Keijser, photography, The Lives of Documents—Photography as Project
The decay and neglect of polluted industrial sites on the edges of cities became a worldwide phenomenon by the end of the twentieth century. The industrial site of Marghera lies on the waterfront overlooking the historical city of Venice, confronting La Serenissima as its titanic alter ego. This exhibition presents the complex and changing reality of Marghera through the(...)
Main galleries
9 December 1998 to 25 April 1999
Photography and Transformations of the Contemporary City: Venezia – Marghera
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The decay and neglect of polluted industrial sites on the edges of cities became a worldwide phenomenon by the end of the twentieth century. The industrial site of Marghera lies on the waterfront overlooking the historical city of Venice, confronting La Serenissima as its titanic alter ego. This exhibition presents the complex and changing reality of Marghera through the(...)
Main galleries
Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
11 October 1995 to 4 February 1996
Architects of the Image: Photography in the Heroic Age of Construction
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Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
Hall cases
22 April 2015 to 30 November 2015
The CCA in Photographs, 1987–2015
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When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
Hall cases
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Hall cases
17 January 1990 to 22 April 1990
Process as Interpretation: Photographs from the CCA
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Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Hall cases
articles
7 July 2017
The Architecture of Photography in an Age of Obsolescence
Text and photographs by Robert Burley
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