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février 2024
'A'A L'Architecture d'Aujourd'hui, Hors-série n.48: Atelier Pierre Thibault
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Le dernier numéro est maintenant disponible à la librairie.
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Ce livre ouvre une discussion à propos des motifs visuels les plus reproduits pour figurer l'espace de Los Angeles dans les productions audiovisuelles, à la télévision et sur les écrans. Que l'on soit immobilisé à la maison à cause d'une jambe dans le plâtre comme Jeff Jefferies dans Fenêtre sur cour, ou que l'on soit enfermé chez soi et contraint d'observer sur un écran(...)
Écologies visuelles de Los Angeles
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Ce livre ouvre une discussion à propos des motifs visuels les plus reproduits pour figurer l'espace de Los Angeles dans les productions audiovisuelles, à la télévision et sur les écrans. Que l'on soit immobilisé à la maison à cause d'une jambe dans le plâtre comme Jeff Jefferies dans Fenêtre sur cour, ou que l'on soit enfermé chez soi et contraint d'observer sur un écran son pays frappé par une pandémie, voir le monde à travers une fenêtre n'a jamais pris autant de sens qu'aujourd'hui. Mais si nous pouvons « voir à distance » pouvons-nous réellement « prendre de la distance » sur les images que nous voyons ? Par exemple, que nous disent les séries dont elle est l'héroïne de Los Angeles et de ses habitants ? Existe-t-il une culture visuelle angeline ? Les multiples images dont elle est l'objet depuis plusieurs décennies font circuler des motifs récurrents. Ces derniers participent d'un certain regard porté sur la ville qui n'est pas sans poser quelques conflits idéologiques. Diffusées en masse, certains d'entre-eux renforcent les stéréotypes urbains, mais aussi sociaux. Transmédiatiques, ces motifs se comportent comme des organismes autonomes qui forment des écologies visuelles. En s'appuyant sur l'approches écologiques de l'historien anglais Reyner Banham, ce livre ouvre une discussion à propos des motifs visuels qui dominent pour figurer les espaces physiques et sociaux de Los Angeles à la télévision et sur les écrans. Et vise à identifier quelles sont les contre-visions imaginées comme des alternatives aux lieux communs, comme des fictions émancipatrices de Los Angeles.
Théorie de l’urbanisme
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You may have found an old Konica at the thrift store or inherited a Leica, or you may be one of the many younger photographers who are being drawn to analogue for the first time, as a way to enrich and expand their practice. In either case, this book provides all the information needed to help you understand your camera and get out and start using it. The fundamental(...)
Analogue photography: Refence manual for shooting film
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You may have found an old Konica at the thrift store or inherited a Leica, or you may be one of the many younger photographers who are being drawn to analogue for the first time, as a way to enrich and expand their practice. In either case, this book provides all the information needed to help you understand your camera and get out and start using it. The fundamental technical sides of both cameras and photography are covered. There are, however, no tips on how to take "better" photos, no sections on lines and shapes, silhouettes, texture or composition. This is purely a technical manual: once you have mastered the mechanics of photography, you will have total creative control over your camera, a tool for taking photos exactly as you want them. Whether as a primer or a reference manual, this is the perfect book to (re)kindle your love of analogue photography.
Théorie de la photographie
Noema IV : Passage
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Noema is a magazine exploring the transformations sweeping our world, seeking a deeper understanding of the most pressing challenges of the 21st century.
Noema IV : Passage
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Noema is a magazine exploring the transformations sweeping our world, seeking a deeper understanding of the most pressing challenges of the 21st century.
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BOMB #166
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BOMB, the artist’s voice - publishes artists in conversation with other artists. This unique format means that in every issue, we bring our readers original, thought-provoking work from the most influential contemporary writers, actors, directors, musicians, architects, choreographers, and visual artists.
BOMB #166
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BOMB, the artist’s voice - publishes artists in conversation with other artists. This unique format means that in every issue, we bring our readers original, thought-provoking work from the most influential contemporary writers, actors, directors, musicians, architects, choreographers, and visual artists.
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NOIA #2 : reassemblage
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NOIA the Italian word for boredom - is an independent magazine born from a creative reaction to lockdown and isolation. Rooted in collaborations between artists, designers, photographers, writers, and other creatives, NOIA sources a diverse range of expressions and perspectives to create visual responses toward contemporary critical issues.
NOIA #2 : reassemblage
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NOIA the Italian word for boredom - is an independent magazine born from a creative reaction to lockdown and isolation. Rooted in collaborations between artists, designers, photographers, writers, and other creatives, NOIA sources a diverse range of expressions and perspectives to create visual responses toward contemporary critical issues.
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Umbigo Magazine features editorials, art shows and global artists. The English language edition consists of special art projects, conversations and essays, exhibition reviews, in-depth interviews, and much more. The covers are the result of art projects specially made for the magazine.
Umbigo #86 : Connection/Disconnection
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Umbigo Magazine features editorials, art shows and global artists. The English language edition consists of special art projects, conversations and essays, exhibition reviews, in-depth interviews, and much more. The covers are the result of art projects specially made for the magazine.
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"On extinction" takes us on a breathtaking philosophical journey through desperate territory. As we face "the end of all things," Ben Ware argues we must face our apocalyptic future without flinching. In fact, extinction is the very lens through which we should examine our current reality. Radical politics today should not be concerned with merely averting the worst(...)
On extinction: Begining again at the end
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"On extinction" takes us on a breathtaking philosophical journey through desperate territory. As we face "the end of all things," Ben Ware argues we must face our apocalyptic future without flinching. In fact, extinction is the very lens through which we should examine our current reality. Radical politics today should not be concerned with merely averting the worst but rather with beginning again at the end. To think about the future in this way is itself a form of liberation that might incubate the necessary radical solutions we need. Combining lessons from Kant, Hegel, Adorno, and Lacan, as well as drawing on popular culture and ecology, Ware recasts the most urgent issue of our times and resolves that we can only consider our collective end by treating it as a starting point.
Belgian architects today
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Architecture writer Agata Toromanoff introduces Belgium's 40 most influential contemporary architects and a selection of their most celebrated buildings in full color photography. Belgian architects have been doing well for years and have international allure. This volume showcases works from the most famous Belgian architect-designers such as Vincent Van Duysen and(...)
Belgian architects today
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Architecture writer Agata Toromanoff introduces Belgium's 40 most influential contemporary architects and a selection of their most celebrated buildings in full color photography. Belgian architects have been doing well for years and have international allure. This volume showcases works from the most famous Belgian architect-designers such as Vincent Van Duysen and EPRICUM to emerging architects such as Oyo Architects. Several pages are dedicated to each architect, outlining their influences and ideas and revealing the designs that have brought them fame. With this reference work, you can discover the true extent of the creative achievements that lie within the careers of these architectural giants.
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In ''The Deorhord'', Hana Videen presents a glittering Old English bestiary of animals real and imaginary, big and small, ordinary and extraordinary—the good, the bad, and the downright baffling. The curious stories behind these words provide vivid insights into the language, literature, and lives of those who spoke Old English—the language of Beowulf—more than a thousand years ago.
The deorhord: An Old English bestiary
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In ''The Deorhord'', Hana Videen presents a glittering Old English bestiary of animals real and imaginary, big and small, ordinary and extraordinary—the good, the bad, and the downright baffling. The curious stories behind these words provide vivid insights into the language, literature, and lives of those who spoke Old English—the language of Beowulf—more than a thousand years ago.
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