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Cette publication collective examine les points de rencontre multiformes qui existent dans l'histoire de l'art du XXe siècle entre les artistes et l'archéologie mais aussi entre les archéologues et l'art contemporain. Elle rassemble des textes scientifiques mais aussi des entretiens menés auprès d'artistes et de chercheurs des deux disciplines.
Vestiges des temps - Dialogue entre l'art contemporain
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Cette publication collective examine les points de rencontre multiformes qui existent dans l'histoire de l'art du XXe siècle entre les artistes et l'archéologie mais aussi entre les archéologues et l'art contemporain. Elle rassemble des textes scientifiques mais aussi des entretiens menés auprès d'artistes et de chercheurs des deux disciplines.
Théorie de l’art
Festina Lente n. 01
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Le premier numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée » à Rennes, imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises, écologiques, postcoloniales, politiques et sociales, qui rythment et(...)
Festina Lente n. 01
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Le premier numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée » à Rennes, imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises, écologiques, postcoloniales, politiques et sociales, qui rythment et affectent notre présent.
Revues
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Philip K. Dick, one of the most prolific and visionary authors of the 20th century, crafted compelling visions of possible futures and dystopian realities teeming with humans, artificial intelligences, and more. Yet, the Dickian universe is more than just its characters—it’s a realm intricately built with technological devices, machines, and objects entirely conceived by(...)
juillet 2024
Towards the realm of materiality: Designing Philip K. Dick's non-existing technologies
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Philip K. Dick, one of the most prolific and visionary authors of the 20th century, crafted compelling visions of possible futures and dystopian realities teeming with humans, artificial intelligences, and more. Yet, the Dickian universe is more than just its characters—it’s a realm intricately built with technological devices, machines, and objects entirely conceived by this brilliant mind. How did Philip K. Dick envision these technologies, and through them, the future? And now, decades after his time, how should we perceive and interpret these tools? More intriguingly, how can we decode and reconstruct the creative process that led to the creation and "materialization" of these devices? Grounded in a multidisciplinary framework, this volume explores alternative designs and projects for some of the non-existing technologies described in Philip K. Dick’s oeuvre.
livres
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Le ve´lo est a` nouveau un mode de de´placement central dans la me´tropole parisienne. Le de´veloppement d’ame´nagements et de services stimule´s par les mobilisations citoyennes a permis de multiplier par dix l’usage du ve´lo au cours des trente dernie`res anne´es. Ce renouveau cycliste rappelle que Paris et le ve´lo entretiennent une relation e´troite depuis plus de(...)
À vélo: Paris métropole1818-2030 / Cycling: Paris metropolis 1818-2030
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Le ve´lo est a` nouveau un mode de de´placement central dans la me´tropole parisienne. Le de´veloppement d’ame´nagements et de services stimule´s par les mobilisations citoyennes a permis de multiplier par dix l’usage du ve´lo au cours des trente dernie`res anne´es. Ce renouveau cycliste rappelle que Paris et le ve´lo entretiennent une relation e´troite depuis plus de deux sie`cles. Ce lien remonte d’ailleurs a` son invention puisqu’en 1818, son cre´ateur choisit la capitale pour sa premie`re de´monstration mondiale.
livres
juin 2024
Théorie de l’urbanisme
Geologic listening
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Author Sukhdev Sandhu and filmmaker Deborah Stratman explore critical debates around the Anthropocene, monumentality, and the politics of audibility by turning to geology as an experimental pedagogy and an archive. Drawing on speculative fiction and forensic non-fiction, contributors extend Stratman’s long standing engagement with the politics of landscape and,(...)
Geologic listening
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Author Sukhdev Sandhu and filmmaker Deborah Stratman explore critical debates around the Anthropocene, monumentality, and the politics of audibility by turning to geology as an experimental pedagogy and an archive. Drawing on speculative fiction and forensic non-fiction, contributors extend Stratman’s long standing engagement with the politics of landscape and, collectively, ask, How can we begin to formulate a progressive politics—or even a vision of the future—by listening to the Earth?
Théorie de l’art
Forms of Errantry
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How can the form of experimental documentary address the legacies of colonization as they are lived today? Between India and Haiti, Scholar Lakshmi Padmanabhan and filmmaker Miryam Charles follow the routes opened up by this question to explore histories of survival and the aesthetics of errantry. Contributors offer poetic responses explored in the fissures between image(...)
Forms of Errantry
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How can the form of experimental documentary address the legacies of colonization as they are lived today? Between India and Haiti, Scholar Lakshmi Padmanabhan and filmmaker Miryam Charles follow the routes opened up by this question to explore histories of survival and the aesthetics of errantry. Contributors offer poetic responses explored in the fissures between image and sound, personal narrative and political history, and in the juxtapositions between the dream of an anticolonial future, and the nightmare of our globalized present.
Théorie de l’art
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What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s(...)
The organic line: Toward a topology of modernism
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What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations.
Théorie de l’art
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The ports of the Swahili coast-- Zanzibar and Mombasa among them-- have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. "The surface of things" examines the complex maritime dynamics(...)
The surface of things: A history of photography from the Swahili Coast
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The ports of the Swahili coast-- Zanzibar and Mombasa among them-- have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. "The surface of things" examines the complex maritime dynamics that shaped the photography of coastal Africa, exploring the pleasure and power of beautiful things and the ways people and their pictures transcended the boundaries of the colonial world. Immersing readers in the globally interconnected networks of eastern Africa’s port cities, Prita Meier demonstrates how photographs are not static images but mobile objects with remarkable shape-shifting qualities.
Photographie- collections
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According to Anna Heringer, "Beauty has nothing to do with money or finance, but everything to do with creativity and love". With statements like this she clearly has her finger on the pulse of our time, judging by the packed lecture halls, international awards such as the 2007 Aga Kahn Award or the 2020 OBEL Award, and exhibitions at MoMA, MAM Sao Paulo, and the Venice(...)
Théorie de l’architecture
septembre 2024
Form follows love: Building by intuition - From Bangladesh to Europe and beyond
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According to Anna Heringer, "Beauty has nothing to do with money or finance, but everything to do with creativity and love". With statements like this she clearly has her finger on the pulse of our time, judging by the packed lecture halls, international awards such as the 2007 Aga Kahn Award or the 2020 OBEL Award, and exhibitions at MoMA, MAM Sao Paulo, and the Venice Biennale. In "Form follows love," Anna Heringer talks to author Dominique Gauzin-Müller about her career as an architect, her studies, her experiences during a workshop by Martin Rauch, her practice in the Global South, and current projects in the Global North.
Théorie de l’architecture
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This collection of poems by Alberto Balestrieri is the first of three volumes. Limited edition of 199 copies
45th parallel - 3/4 profiling : Poems
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This collection of poems by Alberto Balestrieri is the first of three volumes. Limited edition of 199 copies