355 Résultats
Classification:
livres
livres
Actions:
Prix:
$40.95
(disponible en magasin)
Résumé:
Au-delà des théories classiques dont il retrace l’histoire en remontant à Platon ou à Vitruve, cet essai propose une philosophie politique — et non pas simplement esthétique ou symbolique — de l’architecture. Là où Michel Foucault avait étudié l’architecture en tant que technologie de pouvoir, Ludger Schwarte tente de cerner son rôle dans les mouvements d’émancipation. Si(...)
$40.95
(disponible en magasin)
Résumé:
Au-delà des théories classiques dont il retrace l’histoire en remontant à Platon ou à Vitruve, cet essai propose une philosophie politique — et non pas simplement esthétique ou symbolique — de l’architecture. Là où Michel Foucault avait étudié l’architecture en tant que technologie de pouvoir, Ludger Schwarte tente de cerner son rôle dans les mouvements d’émancipation. Si(...)
Titre:
Philosophie de l'architecture
Actions:
Prix:
$40.95
(disponible en magasin)
Résumé:
Au-delà des théories classiques dont il retrace l’histoire en remontant à Platon ou à Vitruve, cet essai propose une philosophie politique — et non pas simplement esthétique ou symbolique — de l’architecture. Là où Michel Foucault avait étudié l’architecture en tant que technologie de pouvoir, Ludger Schwarte tente de cerner son rôle dans les mouvements d’émancipation. Si l’on conçoit les espaces publics comme des théâtres de l’action collective, alors la question est de savoir si leur configuration permet des interactions événementielles, des expérimentations créatrices. En ce sens, tout espace public authentique est fondamentalement anarchique.
Philosophie de l'architecture
Actions:
Prix:
$40.95
(disponible en magasin)
Résumé:
Au-delà des théories classiques dont il retrace l’histoire en remontant à Platon ou à Vitruve, cet essai propose une philosophie politique — et non pas simplement esthétique ou symbolique — de l’architecture. Là où Michel Foucault avait étudié l’architecture en tant que technologie de pouvoir, Ludger Schwarte tente de cerner son rôle dans les mouvements d’émancipation. Si l’on conçoit les espaces publics comme des théâtres de l’action collective, alors la question est de savoir si leur configuration permet des interactions événementielles, des expérimentations créatrices. En ce sens, tout espace public authentique est fondamentalement anarchique.
Classification:
livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Prix:
$47.95
(disponible sur commande)
Résumé:
La terre a conquis le champ de l’architecture contemporaine et les centaines de bâtiments d’une exceptionnelle qualité esthétique et technique qui émergent sur toute la planète éveillent l’intérêt des médias et de la profession. Habitat, équipements, bâtiments d’activités ou aménagements intérieurs et extérieurs… les 40 projets décrits dans ce livre ont été choisis parmi(...)
$47.95
(disponible sur commande)
Résumé:
La terre a conquis le champ de l’architecture contemporaine et les centaines de bâtiments d’une exceptionnelle qualité esthétique et technique qui émergent sur toute la planète éveillent l’intérêt des médias et de la profession. Habitat, équipements, bâtiments d’activités ou aménagements intérieurs et extérieurs… les 40 projets décrits dans ce livre ont été choisis parmi(...)
Titre:
Architecture en terre d'aujourd'hui
Actions:
Prix:
$47.95
(disponible sur commande)
Résumé:
La terre a conquis le champ de l’architecture contemporaine et les centaines de bâtiments d’une exceptionnelle qualité esthétique et technique qui émergent sur toute la planète éveillent l’intérêt des médias et de la profession. Habitat, équipements, bâtiments d’activités ou aménagements intérieurs et extérieurs… les 40 projets décrits dans ce livre ont été choisis parmi les 357 candidats du TERRA Award, premier Prix mondial des architectures en terre crue, lancé en 2015 sous l’égide de la chaire UNESCO « Architectures de terre ».
Architecture en terre d'aujourd'hui
Actions:
Prix:
$47.95
(disponible sur commande)
Résumé:
La terre a conquis le champ de l’architecture contemporaine et les centaines de bâtiments d’une exceptionnelle qualité esthétique et technique qui émergent sur toute la planète éveillent l’intérêt des médias et de la profession. Habitat, équipements, bâtiments d’activités ou aménagements intérieurs et extérieurs… les 40 projets décrits dans ce livre ont été choisis parmi les 357 candidats du TERRA Award, premier Prix mondial des architectures en terre crue, lancé en 2015 sous l’égide de la chaire UNESCO « Architectures de terre ».
Classification:
livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Architecture écologique
Architecture écologique
Classification:
livres
livres
Prix:
$39.95
(disponible en magasin)
Résumé:
Né en 1928 en Hongrie, Gabor Szilasi est l'un des photographes vivants les plus connus du Québec. Peu après s'être établi à Montréal en 1959, Szilasi commence à photographier les nombreux vernissages d'expositions artistiques auxquels il assiste avec sa femme, l'artiste Doreen Lindsay. Pendant plus de deux décennies, il produit de vastes archives photographiques des(...)
$39.95
(disponible en magasin)
Résumé:
Né en 1928 en Hongrie, Gabor Szilasi est l'un des photographes vivants les plus connus du Québec. Peu après s'être établi à Montréal en 1959, Szilasi commence à photographier les nombreux vernissages d'expositions artistiques auxquels il assiste avec sa femme, l'artiste Doreen Lindsay. Pendant plus de deux décennies, il produit de vastes archives photographiques des(...)
Titre:
Gabor Szilasi : le monde de l'art à Montréal, 1960-1980
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Né en 1928 en Hongrie, Gabor Szilasi est l'un des photographes vivants les plus connus du Québec. Peu après s'être établi à Montréal en 1959, Szilasi commence à photographier les nombreux vernissages d'expositions artistiques auxquels il assiste avec sa femme, l'artiste Doreen Lindsay. Pendant plus de deux décennies, il produit de vastes archives photographiques des personnages constituant la communauté montréalaise des arts visuels, dont un certain nombre va façonner l'histoire de l'art au Canada. Prolongement d'une exposition solo des photographies de Szilasi au Musée McCord en 2017, cet ouvrage renferme trois essais, une entrevue et plus d'une centaine d'images qui saisissent, avec la franchise, la perspicacité et l'esprit caractéristiques du photographe, certains des changements radicaux qu'a connus le monde de l'art à Montréal au cours des années 1960 et 1970. La remarquable collection de travaux de Szilasi – environ 3 600 négatifs en tout – offre un rare aperçu de la vie sociale des artistes canadiens au cours d'une période de grande effervescence et de possibilités de création exceptionnelles.
Gabor Szilasi : le monde de l'art à Montréal, 1960-1980
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Né en 1928 en Hongrie, Gabor Szilasi est l'un des photographes vivants les plus connus du Québec. Peu après s'être établi à Montréal en 1959, Szilasi commence à photographier les nombreux vernissages d'expositions artistiques auxquels il assiste avec sa femme, l'artiste Doreen Lindsay. Pendant plus de deux décennies, il produit de vastes archives photographiques des personnages constituant la communauté montréalaise des arts visuels, dont un certain nombre va façonner l'histoire de l'art au Canada. Prolongement d'une exposition solo des photographies de Szilasi au Musée McCord en 2017, cet ouvrage renferme trois essais, une entrevue et plus d'une centaine d'images qui saisissent, avec la franchise, la perspicacité et l'esprit caractéristiques du photographe, certains des changements radicaux qu'a connus le monde de l'art à Montréal au cours des années 1960 et 1970. La remarquable collection de travaux de Szilasi – environ 3 600 négatifs en tout – offre un rare aperçu de la vie sociale des artistes canadiens au cours d'une période de grande effervescence et de possibilités de création exceptionnelles.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$74.95
(disponible en magasin)
Résumé:
Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace.(...)
$74.95
(disponible en magasin)
Résumé:
Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace.(...)
Titre:
Photographic literacy: cameras in the hands of Russian authors
Actions:
Prix:
$74.95
(disponible en magasin)
Résumé:
Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in "Photographic Literacy," authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself. For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers—including Sergei Prokudin-Gorsky and Alexander Rodchenko—used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer.
Photographic literacy: cameras in the hands of Russian authors
Actions:
Prix:
$74.95
(disponible en magasin)
Résumé:
Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in "Photographic Literacy," authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself. For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers—including Sergei Prokudin-Gorsky and Alexander Rodchenko—used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer.
Classification:
livres
livres
Publication:
décembre 2018
décembre 2018
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Actions:
Prix:
$29.95
(disponible en magasin)
Résumé:
First published in 1976, issued in a new edition in 2008, and now back in print, “And It Came to Pass—Not to Stay” brings together a selection of Buckminster Fuller's (1895–1983) lyrical and philosophical best, including seven "essays" that address global crises and his predictions for the future—"to make the world work for 100% of humanity in the shortest possible time(...)
$29.95
(disponible en magasin)
Résumé:
First published in 1976, issued in a new edition in 2008, and now back in print, “And It Came to Pass—Not to Stay” brings together a selection of Buckminster Fuller's (1895–1983) lyrical and philosophical best, including seven "essays" that address global crises and his predictions for the future—"to make the world work for 100% of humanity in the shortest possible time(...)
Titre:
And it came to pass not to stay
Actions:
Prix:
$29.95
(disponible en magasin)
Résumé:
First published in 1976, issued in a new edition in 2008, and now back in print, “And It Came to Pass—Not to Stay” brings together a selection of Buckminster Fuller's (1895–1983) lyrical and philosophical best, including seven "essays" that address global crises and his predictions for the future—"to make the world work for 100% of humanity in the shortest possible time through spontaneous cooperation without ecological offence or the disadvantage of anyone." These essays, comprising "How Little I Know," "Complexion 1976," "What I Am Trying to Do," "A Definition of Evolution," "'And It Came to Pass' (Not to Stay)," "Soft Revolution" and "Ethics," pursue the task of ushering in a new era for humanity by "always starting with the universe." Each of the texts is written in Fuller's "ventilated prose," an essayistic poem form that breaks up his thinking into lines and stanzas.
And it came to pass not to stay
Actions:
Prix:
$29.95
(disponible en magasin)
Résumé:
First published in 1976, issued in a new edition in 2008, and now back in print, “And It Came to Pass—Not to Stay” brings together a selection of Buckminster Fuller's (1895–1983) lyrical and philosophical best, including seven "essays" that address global crises and his predictions for the future—"to make the world work for 100% of humanity in the shortest possible time through spontaneous cooperation without ecological offence or the disadvantage of anyone." These essays, comprising "How Little I Know," "Complexion 1976," "What I Am Trying to Do," "A Definition of Evolution," "'And It Came to Pass' (Not to Stay)," "Soft Revolution" and "Ethics," pursue the task of ushering in a new era for humanity by "always starting with the universe." Each of the texts is written in Fuller's "ventilated prose," an essayistic poem form that breaks up his thinking into lines and stanzas.
Classification:
livres
livres
Publication:
août 2019
août 2019
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Actions:
Prix:
$34.95
(disponible en magasin)
Résumé:
Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of(...)
$34.95
(disponible en magasin)
Résumé:
Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of(...)
Titre:
David Goldblatt: the last interview
Actions:
Prix:
$34.95
(disponible en magasin)
Résumé:
Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of Lithuanian-Jewish migrants who settled in South Africa after escaping persecution in Europe. After the death of his father in 1962, Goldblatt sold the family clothing business to become a full-time photographer. In this candid conversation with writer Alexandra Dodd, Goldblatt shares his views about land and landscape, the dangerous lure of repetition in portrait photography, Johannesburg, the solipsism of life as a photographer, staying sharp, his visceral intolerance of censorship, his abiding interest in structures and his observation of instances of dominion under democracy, among other key themes.
David Goldblatt: the last interview
Actions:
Prix:
$34.95
(disponible en magasin)
Résumé:
Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of Lithuanian-Jewish migrants who settled in South Africa after escaping persecution in Europe. After the death of his father in 1962, Goldblatt sold the family clothing business to become a full-time photographer. In this candid conversation with writer Alexandra Dodd, Goldblatt shares his views about land and landscape, the dangerous lure of repetition in portrait photography, Johannesburg, the solipsism of life as a photographer, staying sharp, his visceral intolerance of censorship, his abiding interest in structures and his observation of instances of dominion under democracy, among other key themes.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$45.00
(disponible en magasin)
Résumé:
Composed of lectures given by Buckminster Fuller throughout the world in the 1960s, “Utopia or Oblivion” presents the thesis that humanity, for the first time in its history, has the opportunity to create a world where the needs of 100% of humanity are met. Fuller's grandson, in the introduction, refers to this selection as "hardcore Bucky," as these essays display(...)
$45.00
(disponible en magasin)
Résumé:
Composed of lectures given by Buckminster Fuller throughout the world in the 1960s, “Utopia or Oblivion” presents the thesis that humanity, for the first time in its history, has the opportunity to create a world where the needs of 100% of humanity are met. Fuller's grandson, in the introduction, refers to this selection as "hardcore Bucky," as these essays display(...)
Titre:
Utopia or oblivion: the prospects for humanity
Actions:
Prix:
$45.00
(disponible en magasin)
Résumé:
Composed of lectures given by Buckminster Fuller throughout the world in the 1960s, “Utopia or Oblivion” presents the thesis that humanity, for the first time in its history, has the opportunity to create a world where the needs of 100% of humanity are met. Fuller's grandson, in the introduction, refers to this selection as "hardcore Bucky," as these essays display Fuller's investigations into mathematics, geometry and how they intersect with the arts, music and world peace. In Fuller's words, "This is what man tends to call utopia. It's a fairly small word, but inadequate to describe the extraordinary new freedom
Utopia or oblivion: the prospects for humanity
Actions:
Prix:
$45.00
(disponible en magasin)
Résumé:
Composed of lectures given by Buckminster Fuller throughout the world in the 1960s, “Utopia or Oblivion” presents the thesis that humanity, for the first time in its history, has the opportunity to create a world where the needs of 100% of humanity are met. Fuller's grandson, in the introduction, refers to this selection as "hardcore Bucky," as these essays display Fuller's investigations into mathematics, geometry and how they intersect with the arts, music and world peace. In Fuller's words, "This is what man tends to call utopia. It's a fairly small word, but inadequate to describe the extraordinary new freedom
Classification:
livres
livres
Publication:
août 2019
août 2019
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Actions:
Prix:
$95.00
(disponible en magasin)
Résumé:
“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual(...)
$95.00
(disponible en magasin)
Résumé:
“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
février 2019
février 2019
Titre:
Contested spaces, counter-narratives, and culture from below in Canada and Quebec
Actions:
Prix:
$95.00
(disponible en magasin)
Résumé:
“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual subject in reproducing space, particularly in times of global hegemony and neocolonialism? And in what ways do marginalized individuals and communities represent, contest, or appropriate spaces through counter-narratives and expressions of culture from below? Focusing on discord rather than harmony and consensus, this collection disturbs the idealized space of Canadian multicultural pluralism to carry literary analysis and cultural studies into spaces often undetected and unforeseen – including flophouses and "slums," shantytowns and urban alleyways, underground spaces and peep shows, and inner-city urban parks as they are experienced by minorities and other marginalized groups. These essays are the products of sustained, high-level collaboration across French and English academic communities in Canada to facilitate theoretical exchange on the topic of space and contestation, uncover geographies of exclusion, and generate new spaces of hope in the spirit of pioneering works by Henri Lefebvre, Michel Foucault, Michel de Certeau, Doreen Massey, David Harvey, and other prominent theorists of space.
Contested spaces, counter-narratives, and culture from below in Canada and Quebec
Actions:
Prix:
$95.00
(disponible en magasin)
Résumé:
“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual subject in reproducing space, particularly in times of global hegemony and neocolonialism? And in what ways do marginalized individuals and communities represent, contest, or appropriate spaces through counter-narratives and expressions of culture from below? Focusing on discord rather than harmony and consensus, this collection disturbs the idealized space of Canadian multicultural pluralism to carry literary analysis and cultural studies into spaces often undetected and unforeseen – including flophouses and "slums," shantytowns and urban alleyways, underground spaces and peep shows, and inner-city urban parks as they are experienced by minorities and other marginalized groups. These essays are the products of sustained, high-level collaboration across French and English academic communities in Canada to facilitate theoretical exchange on the topic of space and contestation, uncover geographies of exclusion, and generate new spaces of hope in the spirit of pioneering works by Henri Lefebvre, Michel Foucault, Michel de Certeau, Doreen Massey, David Harvey, and other prominent theorists of space.
Classification:
livres
livres
Publication:
février 2019
février 2019
Sujet:
Architecture du Canada
Architecture du Canada
Classification:
livres
livres
Titre:
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of(...)
$39.95
(disponible en magasin)
Résumé:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of(...)
Titre:
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of the first English translation of Guy Debord’s "Society of the Spectacle" and journals like "Radical America," produced by the Students for a Democratic Society; books such as "The Political Thought of James Forman" printed by the League of Revolutionary Black Workers; and the occasional broadsheet, such as Judy Campbell’s stirring indictment, "Open letter from ‘white bitch’ to the black youths who beat up on me and my friend."F redy Perlman was not a printer or a designer by training, but was deeply engaged in the ideas, issues, processes and materiality of printing. While at the Detroit Printing Co-op, he radically rethought the possibilities of print by experimenting with overprinting, collage techniques, different kinds of papers and so on. Behind the calls to action and class consciousness written in his publications, there was an innate sense of the politics of design, experimentation and pride of craft.
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of the first English translation of Guy Debord’s "Society of the Spectacle" and journals like "Radical America," produced by the Students for a Democratic Society; books such as "The Political Thought of James Forman" printed by the League of Revolutionary Black Workers; and the occasional broadsheet, such as Judy Campbell’s stirring indictment, "Open letter from ‘white bitch’ to the black youths who beat up on me and my friend."F redy Perlman was not a printer or a designer by training, but was deeply engaged in the ideas, issues, processes and materiality of printing. While at the Detroit Printing Co-op, he radically rethought the possibilities of print by experimenting with overprinting, collage techniques, different kinds of papers and so on. Behind the calls to action and class consciousness written in his publications, there was an innate sense of the politics of design, experimentation and pride of craft.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Classification:
livres
livres
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts(...)
$39.95
(disponible en magasin)
Résumé:
Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts(...)
Titre:
Gabor Szilasi: the art world in Montréal 1960-1980
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts community, a number of whom would shape the history of art in Canada. Expanding on a solo exhibition of Szilasi's photographs that took place at the McCord Museum in 2017, the book features three essays, an interview, and over one hundred images that capture, with characteristic candour, perspicacity, and wit, some of the radical changes that affected Montreal's art world throughout the 1960s and 1970s. Szilasi's significant body of work - totalling approximately 3,600 negatives - provides a rare look at the social lives of Canadian artists during a time of great effervescence and creative possibility.
Gabor Szilasi: the art world in Montréal 1960-1980
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts community, a number of whom would shape the history of art in Canada. Expanding on a solo exhibition of Szilasi's photographs that took place at the McCord Museum in 2017, the book features three essays, an interview, and over one hundred images that capture, with characteristic candour, perspicacity, and wit, some of the radical changes that affected Montreal's art world throughout the 1960s and 1970s. Szilasi's significant body of work - totalling approximately 3,600 negatives - provides a rare look at the social lives of Canadian artists during a time of great effervescence and creative possibility.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Monographies photo
Monographies photo
