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San Rocco 05 : scary architects
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périodiques
San Rocco 10: ecology
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San Rocco 10: ecology
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périodiques
novembre 2014
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San Rocco 06: Collaborations
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San Rocco proposes the possibility of reusing architectural traditions that lie outside of private memory without erasing personal contributions. In San Rocco, common does not mean dry, and personal does not mean egomaniacal. It seems to suggest the possibility of an architecture that is both open and personal, both monumental and fragile, both rational and questioning.
San Rocco 06: Collaborations
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San Rocco proposes the possibility of reusing architectural traditions that lie outside of private memory without erasing personal contributions. In San Rocco, common does not mean dry, and personal does not mean egomaniacal. It seems to suggest the possibility of an architecture that is both open and personal, both monumental and fragile, both rational and questioning.
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San Rocco 14: 66
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1966 was a promising year. Aldo Rossi published "The Architecture of the City" and Robert Venturi came out with "Complexity and Contradiction in Architecture". The stage seemed set for a productive critique of modernism and the development of a more mature approach to the intricacies of architecture. Architecture seemed on the verge of rediscovering its collective nature(...)
San Rocco 14: 66
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1966 was a promising year. Aldo Rossi published "The Architecture of the City" and Robert Venturi came out with "Complexity and Contradiction in Architecture". The stage seemed set for a productive critique of modernism and the development of a more mature approach to the intricacies of architecture. Architecture seemed on the verge of rediscovering its collective nature and about to redefine its knowledge by starting from the city.
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San Rocco 12: clients
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The issue with the client is that the reasons why clients should pay for architecture (i.e., the reasons why rich or powerful individuals could become clients) seem to be disappearing. In fact, architecture corresponds to a singular mixture of exhibitionism and shame that leads people to try to acquire public renown (and at the same time erase the memory of how they used(...)
San Rocco 12: clients
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The issue with the client is that the reasons why clients should pay for architecture (i.e., the reasons why rich or powerful individuals could become clients) seem to be disappearing. In fact, architecture corresponds to a singular mixture of exhibitionism and shame that leads people to try to acquire public renown (and at the same time erase the memory of how they used to make money) by contributing to the construction of the spaces of public life. And while there is no shortage of exhibitionism nowadays...
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San Rocco 15 : muerte
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San Rocco 15 - Muerte, Spring 2019
San Rocco 15 : muerte
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San Rocco 15 - Muerte, Spring 2019
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San Rocco 08: what's wrong with the primitive hut?
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San Rocco 13
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Issue 13 available
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San Rocco 07: Indifference
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Indifference is editing. In architecture - as in any other activity - good work does not mean caring about everything. Indifference is a strategic judgement. In this issue: among others, essays on Richard Meier, Lacaton & Vassal, Deleuze, fake Gothic, and primitive huts.
San Rocco 07: Indifference
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Indifference is editing. In architecture - as in any other activity - good work does not mean caring about everything. Indifference is a strategic judgement. In this issue: among others, essays on Richard Meier, Lacaton & Vassal, Deleuze, fake Gothic, and primitive huts.
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San Rocco 09: monks and monkeys
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