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As photosynthetic organisms, seaweeds and other algae transfer billions of tons of carbon globally from the atmosphere to the deep ocean each year. Coming in all manner of colors, shapes, and sizes, from bioluminescent single-celled algae to giant kelps, they form the basis of most marine food webs, and are found in almost all environments on the planet. Touted as the(...)
novembre 2023
The lives of seaweeds: A natural history of our planet's seawees and other algae
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As photosynthetic organisms, seaweeds and other algae transfer billions of tons of carbon globally from the atmosphere to the deep ocean each year. Coming in all manner of colors, shapes, and sizes, from bioluminescent single-celled algae to giant kelps, they form the basis of most marine food webs, and are found in almost all environments on the planet. Touted as the biofuel of the future, seaweeds and algae also hold promise for biodegradable packaging, offer a nutritious food source, and exhibit antiviral and antitumor properties. Combining accessible text with stunning images and graphics, this book takes a deep dive to explore the unique characteristics of seaweeds and other algae, outlining their extraordinary evolution as well as their morphology, life histories, ecology, and uses. Offering rare insights into the algal world, ''The lives of seaweeds'' is essential reading for naturalists and marine life enthusiasts.
Richard Misrach: Notations
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Since 2006, coinciding with his shift away from analog film to working exclusively with a digital camera, Richard Misrach has been exploring the aesthetic possibilities of the negative image. His latest body of work, debuted in this deluxe, oversize (16.75 by 13 inches), landscape-format volume, comprises dazzling, sublime photographs of landscapes and natural scenes—in(...)
Richard Misrach: Notations
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Since 2006, coinciding with his shift away from analog film to working exclusively with a digital camera, Richard Misrach has been exploring the aesthetic possibilities of the negative image. His latest body of work, debuted in this deluxe, oversize (16.75 by 13 inches), landscape-format volume, comprises dazzling, sublime photographs of landscapes and natural scenes—in negative, but using color with great dexterity and nuance. Inspired by Ansel Adams’ comparison of the photographic negative to a musical score, and John Cage’s 1969 book, "Notations," which compiles music scores as art, Misrach here envisages the photographic image as a score-like negative, teetering on abstraction, that invites a diversity of interpretations. The result is a series of immense beauty unlike any previous Misrach publication.
Expositions en cours
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Cette nouvelle édition augmentée des écrits de Jeff Wall présente des essais, des conférences et des entretiens, ainsi que deux longs dialogues avec Jean-François Chevrier. Jeff Wall revient sur sa formation et l'évolution de son travail et analyse celui d'autres artistes, comme Dan Graham, Stephan Balkenhol, Roy Arden ou On Kawara. Ces textes plongeront le lecteur dans(...)
février 2015
Jeff Wall: essais et entretiens
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Cette nouvelle édition augmentée des écrits de Jeff Wall présente des essais, des conférences et des entretiens, ainsi que deux longs dialogues avec Jean-François Chevrier. Jeff Wall revient sur sa formation et l'évolution de son travail et analyse celui d'autres artistes, comme Dan Graham, Stephan Balkenhol, Roy Arden ou On Kawara. Ces textes plongeront le lecteur dans une réflexion qui porte sur la photographie et son histoire ainsi que sur les questions essentielles de la tradition critique et de l'écriture sur l'art. Ils lui permettront de comprendre comment un artiste-photographe peut être peintre et narrateur.
Gabriele Basilico: Metropoli
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This book gathers the most important series by Italian photographer Gabriele Basilico (1944-2013), one of the best-known urban photographers in the world. Published in conjunction with a retrospective in Rome, this monograph presents contributions by Roberta Valtorta, Marc Augé, Luca Doninelli, Giovanna Calvenzi and Filippo Maggia.
Gabriele Basilico: Metropoli
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This book gathers the most important series by Italian photographer Gabriele Basilico (1944-2013), one of the best-known urban photographers in the world. Published in conjunction with a retrospective in Rome, this monograph presents contributions by Roberta Valtorta, Marc Augé, Luca Doninelli, Giovanna Calvenzi and Filippo Maggia.
Expositions en cours
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During their 40-year career, Bernd and Hilla Becher created their own architectural typology as they photographed buildings in a unique style. Basic Forms represents the culmination of their career. Although the subject matter is unglamorous--mine shafts, blast furnaces, cooling towers, water towers, silos, and gas tanks--the Bechers' passion for their work imbues these(...)
Bernd & Hilla Becher: Basic forms
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During their 40-year career, Bernd and Hilla Becher created their own architectural typology as they photographed buildings in a unique style. Basic Forms represents the culmination of their career. Although the subject matter is unglamorous--mine shafts, blast furnaces, cooling towers, water towers, silos, and gas tanks--the Bechers' passion for their work imbues these photographs with beauty and solemnity. The Bechers restricted the conditions of each photograph--taking them early in the morning, on overcast days, so as to eliminate shadow and distribute light evenly. Each image is centered and frontally framed, its parallel lines set on an even plane. There are no human figures, nor are there birds in the sky. The result is a treasury of precisely functional architectural forms, a sublime example of conceptual artistic practices, and a series of "perfect sculptures of a bygone industrial age."
Expositions en cours
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paru en 1967. Guy Debord (1931-1994) a suivi dans sa vie, jusqu'à la mort qu'il s'est choisie, une seule règle. Celle-là même qu'il résume dans l'avertissement pour la troisième édition française de son livre "La Société du Spectacle". « Il faut lire ce livre en considérant qu'il a été sciemment écrit dans l'intention de nuire à la société spectaculaire. Il n'a jamais(...)
janvier 2002, Paris
La société du spectacle, ancienne version
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paru en 1967. Guy Debord (1931-1994) a suivi dans sa vie, jusqu'à la mort qu'il s'est choisie, une seule règle. Celle-là même qu'il résume dans l'avertissement pour la troisième édition française de son livre "La Société du Spectacle". « Il faut lire ce livre en considérant qu'il a été sciemment écrit dans l'intention de nuire à la société spectaculaire. Il n'a jamais rien dit d'outrancier. »
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York(...)
août 2016
Gordon Matta-Clark: Experience becomes the object
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.
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Out of print for almost a decade, this cult book is finally back. In 1994, the first English-language translation of the classic French edition of 1975 - which accompanied an exhibition of Virilio's photographs at the Centre Pompidou -, was published.
avril 2006, New York
Paul Virilio: bunker archeology
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Out of print for almost a decade, this cult book is finally back. In 1994, the first English-language translation of the classic French edition of 1975 - which accompanied an exhibition of Virilio's photographs at the Centre Pompidou -, was published.
$57.00
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This long-awaited book, nearly 10 years in the making, combines photography and Denari's texts with his trademark computer renderings of over 20 architectural projects. Three of the most important discussed are the addition and renovation of the (...)
octobre 1999, New York
Neil Denari : gyroscopic horizons - prototypical buildings and other works
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This long-awaited book, nearly 10 years in the making, combines photography and Denari's texts with his trademark computer renderings of over 20 architectural projects. Three of the most important discussed are the addition and renovation of the Arlington Museum of Art, the construction of an experimental space at Gallery MA in Tokyo, and the first Microsoft retail store.
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From January to April 2000 historian David Irving brought a high-profile libel case against Penguin Books and Deborah Lipstadt in the British High Court, charging that Lipstadt’s book, ''Denying the Holocaust'' (1993), falsely labeled him a Holocaust denier. The question about the evidence for Auschwitz as a death camp played a central role in these proceedings. In(...)
The case for Auschwitz: evidence from the Irving trial
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From January to April 2000 historian David Irving brought a high-profile libel case against Penguin Books and Deborah Lipstadt in the British High Court, charging that Lipstadt’s book, ''Denying the Holocaust'' (1993), falsely labeled him a Holocaust denier. The question about the evidence for Auschwitz as a death camp played a central role in these proceedings. In connection with their defense, Penguin and Lipstadt engaged architectural historian Robert Jan van Pelt to present evidence for our knowledge that Auschwitz had been an extermination camp where up to one million Jews were killed, mainly in gas chambers. Employing painstaking historical scholarship, van Pelt prepared and submitted an exhaustive forensic report that he successfully defended in cross-examination in court.
Expositions en cours