Looking at Los Angeles
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Loved, hated, revered, scorned, real, imagined: this is Los Angeles. "Looking at Los Angeles" is a fascinating journey into the centre of the city’s heart and soul. Pictured within its pages is a Los Angeles of powerful dreams and startling realities. Editors Marla Hamburg Kennedy and Ben Stiller have gathered pictorial representations of Los Angeles from the last(...)
mai 2005, New York
Looking at Los Angeles
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$110.50
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Loved, hated, revered, scorned, real, imagined: this is Los Angeles. "Looking at Los Angeles" is a fascinating journey into the centre of the city’s heart and soul. Pictured within its pages is a Los Angeles of powerful dreams and startling realities. Editors Marla Hamburg Kennedy and Ben Stiller have gathered pictorial representations of Los Angeles from the last three-quarters of a century, resulting in this selection of more than 200 stunning, beautifully reproduced colour and duotone depictions of the city from different eras and different points of view. Along with the carefully chosen images by approximately 100 photographers who have time again turned to Los Angeles for inspiration, a preface and foreword by the editors describe their great affection for the city, while David L. Ulin’s essay offers a critical and loving look at Los Angeles. A portion of the proceeds from the sale of this book will be donated to the Los Angeles Conservancy, and the organization provides an essay about the importance of saving this city's rich architectural heritage. "Looking at Los Angeles" is at once a lesson in history, architecture, style, and culture, and a remarkable visual and written tribute to one of America’s greatest cities. Includes photographs by: Robert Adams, John Baldessari, William Claxton, Will Connell, Joe Deal, John Divola, William Eggleston, Sam Fentress, Anthony Friedkin, John Humble, Dennis Keeley, Florian Maier-Aichen, Grant Mudford, Karin A. Mueller, Catherine Opie, Ed Ruscha, Stephen Shore, Julius Schulman, Joel Sternfeld, Timothy Street-Porter, John Swope, Andy Warhol, Julian Wasser, Robert Weingarten, Garry Winogrand, Max Yavno, and others.
Newspaper
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Published by Steve Lawrence and edited alongside Peter Hujar and Andrew Ullrick, Newspaper was issued in New York City between 1968 and 1971. A wordless, picture-only periodical that replicated the scale of the New York Times, Newspaper ran for 14 issues and featured the disparate practices of over 40 artists. With an editorial focus on placing appropriated material(...)
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mars 2023
Newspaper
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Published by Steve Lawrence and edited alongside Peter Hujar and Andrew Ullrick, Newspaper was issued in New York City between 1968 and 1971. A wordless, picture-only periodical that replicated the scale of the New York Times, Newspaper ran for 14 issues and featured the disparate practices of over 40 artists. With an editorial focus on placing appropriated material alongside new artworks, the periodical sought to codify a visual language of high and low culture that represented contemporary society in the late 1960s. While largely overlooked in art-historical discourse, Newspaper showcased many of the most revered artists working in the United States at the time, as well as an emerging coterie of queer artists.
Photographie- collections
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Format Photographers launched in 1983. It was, uniquely, an agency run by women photographers, for women photographers. It closed in 2003. "From its beginning, the Format ethos and working practice were based on three key principles. The agency aimed to encourage its members to develop their creativity and careers, while remaining sensitive to the context in which their(...)
Format photographers: Greenham Common Women's Peace Camp
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Format Photographers launched in 1983. It was, uniquely, an agency run by women photographers, for women photographers. It closed in 2003. "From its beginning, the Format ethos and working practice were based on three key principles. The agency aimed to encourage its members to develop their creativity and careers, while remaining sensitive to the context in which their images were used and distributed. It portrayed people and issues that were under-represented in the mainstream media of the time. By photographing women and men in non-traditional roles, its members aimed to break down gender stereotypes, and changed the way women and other marginalised groups were seen."
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"The open book" is a traveling exhibition that tracks the history of the photographic medium in the twentieth century through printed images in book form. Afterword by Hasse Persson. With a conversation with Philip Aarons, and a photo-essay by Gerhard Steidl including a contribution by Robert Frank. Bookdesign by Steidl Design/Bernard Fischer. Scanning and printing by(...)
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janvier 1900, Göteborg
The open book : a history of the photographic book from 1878 to the present
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"The open book" is a traveling exhibition that tracks the history of the photographic medium in the twentieth century through printed images in book form. Afterword by Hasse Persson. With a conversation with Philip Aarons, and a photo-essay by Gerhard Steidl including a contribution by Robert Frank. Bookdesign by Steidl Design/Bernard Fischer. Scanning and printing by Steidl, Göttingen.
Photographie- collections
$62.00
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Snapshots, passenger lists, itineraries, and postcards: From Cairo to Burma and back again, authors Barbara Levine and Kirsten Jensen transport readers back to the dawn of world travel when the middle class toured the world for the first time. In beautifully designed pages Around the World traces the development of the travel photo album. The book features a wealth of(...)
janvier 2008, New York
Around the world: The grand tour in photo albums
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Snapshots, passenger lists, itineraries, and postcards: From Cairo to Burma and back again, authors Barbara Levine and Kirsten Jensen transport readers back to the dawn of world travel when the middle class toured the world for the first time. In beautifully designed pages Around the World traces the development of the travel photo album. The book features a wealth of turn-of-the-twentieth-century photographs and ephemera, evoking the pleasures of a time when the surroundings were taken in slowly and travel was an art of itself.
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From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments(...)
février 2004, San Francisco
Reverie and reality : nineteenth-century photographs of India from the Ehrenfeld Collection
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From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments of Egypt, Greece, and Italy were added the mysterious and exotic attractions of India. In "Reverie and Reality", a visual history of India in the 19th century unfolds. Images by some of the earliest and most significant practitioners of the medium will be on view in this exhibition, including Linnaeus Tripe, Samuel Bourne, John Murray, and the Indian Lala Din Dayal. The subject matter ranges from famous architectural monuments to images of the natural landscape. The variety of humanity that inhabited this country during the time period is recorded in a series of photographs that range from scenes of daily life in villages to sumptuous and formal visits of foreign royalty. Essays accompany the lavish illustrations in this catalogue to the exhibition drawing on images from the Ehrenfeld Collection.
Imagine Istanbul
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A striking portrait of Istanbul through the eyes of photographers and artists. Includes the works of photographers such as Ara Güler, Henri Cartier-Bresson, Bieke Depoorter.
Imagine Istanbul
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A striking portrait of Istanbul through the eyes of photographers and artists. Includes the works of photographers such as Ara Güler, Henri Cartier-Bresson, Bieke Depoorter.
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Camera Atomica
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An exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by photographers including Weegee, Barbara Kruger, Sandy Skoglund and Garry Winogrand from some of the nuclear events from 1945 onwards.
Camera Atomica
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An exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by photographers including Weegee, Barbara Kruger, Sandy Skoglund and Garry Winogrand from some of the nuclear events from 1945 onwards.
Photographie- collections
$29.95
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A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, this book highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture. Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with(...)
Outsiders: American photography and film ,1950s-1980
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A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, this book highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture. Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with their powerful films and photographs.
Photographie- collections
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The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the(...)
Provoke: between protest and performance. Photography in Japan 1960-1975
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The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the 1960s, a decade shaped by the country’s first large-scale student protests. The movement yielded a wave of new books featuring innovative graphic design combined with photography: serialized imagery, gripping text-image combinations, dynamic cropping and the use of provocatively "poor" materials. The writings and images by Provoke's members—critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yakata Takanashi and Daido Moriyama—were suffused with the tactics developed by Japanese protest photographers such as Nobuyoshi Araki, Eikoh Hosoe and Shomei Tomatsu, who pointed at and criticized the mythologies of modern life. Provoke accompanies the first exhibition ever to be held on the magazine and its creators. Illuminating the various uses of photography in Japan at the time, the catalogue focuses on selected projects undertaken between 1960 and 1975 that offer a strongly interpretative account of currents in Japanese art and society at a moment of historical collapse and renewal.
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