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This catalogue is published by the San Francisco Museum of Modern Art in the occasion of the exhibition Brought to Light: Photography and the Invisible, 1840-1900, organized by Corey Keller.
novembre 2008, San Francisco
Brought to light: photography and the invisible 1840-1900
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This catalogue is published by the San Francisco Museum of Modern Art in the occasion of the exhibition Brought to Light: Photography and the Invisible, 1840-1900, organized by Corey Keller.
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Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a(...)
What you see- Luciano Rigolini
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Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a grammar of seeing and perception. Les instantanés anonymes sont des surfaces de projection idéales : ils incitent l'imagination à inventer des histoires. Artiste photographe, Luciano Rigolini révèle que, même détachées de leur contexte, ces images peuvent transmettre une expérience visuelle. En fouillant dans les marchés aux puces, les archives et l'Internet, il trouve tout un matériel qu'il assemble ensuite pour en faire une œuvre nouvelle, autonome, une grammaire de la vision et de la perception.
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Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. "Light Years" offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and(...)
Light years: conceptual art and the photograph 1964-1977
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Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. "Light Years" offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha.
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how(...)
août 2010
The original copy: photography of sculpture, 1839 to today
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how photography informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies.
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By collecting and documenting her passport photographs over some 60 years, the woman in this book demarcated her life in black and white. It is difficult to imagine a more minimalist autobiography, a lifetime compressed into just 75 extremely similar photographs.
octobre 2007, Amsterdam
Erik Kessels: In almost every picture
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By collecting and documenting her passport photographs over some 60 years, the woman in this book demarcated her life in black and white. It is difficult to imagine a more minimalist autobiography, a lifetime compressed into just 75 extremely similar photographs.
Le Bar Floréal
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Le collectif des onze photographes « Le Bar Floréal », installé à Belleville et présent dans le monde entier, a vingt ans en 2005. A cette occasion, un livre regroupe des travaux des membres du groupe et retrace sa trajectoire. L'ouvrage, structuré autour de thèmes de prédilection du collectif, ville, rue, banlieue, travail, savoir-faire, usine, sans-abri, ici, ailleurs,(...)
Le Bar Floréal
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Le collectif des onze photographes « Le Bar Floréal », installé à Belleville et présent dans le monde entier, a vingt ans en 2005. A cette occasion, un livre regroupe des travaux des membres du groupe et retrace sa trajectoire. L'ouvrage, structuré autour de thèmes de prédilection du collectif, ville, rue, banlieue, travail, savoir-faire, usine, sans-abri, ici, ailleurs, image dans l'image, témoigne d'une aventure humaine, à la fois artistique, sociale et politique
Useful photography # 005
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A standard method is used worldwide to photograph cows and bulls. These photographs allow farmers to examine the qualities of different types of breeds in order to facilitate mating and the propagation of different family lines. Useful Photography #005 presents the legendary bull Lord Lily, alongside a small selection of his more than 150.000 descendants.
janvier 2006, Amsterdam
Useful photography # 005
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A standard method is used worldwide to photograph cows and bulls. These photographs allow farmers to examine the qualities of different types of breeds in order to facilitate mating and the propagation of different family lines. Useful Photography #005 presents the legendary bull Lord Lily, alongside a small selection of his more than 150.000 descendants.
livres
La ciudad
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Exhibition catalogue tracing the photographic interpretation of the city throughout the history of the medium.
janvier 1996, Valencia
La ciudad
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Exhibition catalogue tracing the photographic interpretation of the city throughout the history of the medium.
livres
janvier 1996, Valencia
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From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
mars 2013
Color rush: american color photography from Stieglitz to Sherman
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From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
avril 2013
Bending the frame : photojournalism, documentary, and the citizen
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.