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First published in 1996, "The eyes of the skin" is a classic of architectural theory. It asks the far-reaching question why, when there are five senses, is one single sense-- sight-- so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, the subject is all the more pressing and topical(...)
The eyes of the skin, 4th edition
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First published in 1996, "The eyes of the skin" is a classic of architectural theory. It asks the far-reaching question why, when there are five senses, is one single sense-- sight-- so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, the subject is all the more pressing and topical since the first edition’s publication. Juhani Pallasmaa argues that the suppression of the other four sensory realms has led to the overall impoverishment of our built environment, often diminishing the emphasis on the spatial experience of a building and architecture’s ability to inspire, engage and be wholly life enhancing. For a student reading this text for the first time, "The eyes of the skin" is a revelation. It provides a fresh, compelling insight into architectural culture which continues to inspire more than a quarter-century after its initial publication.
Théorie de l’architecture
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"The labyrinth of rooms" is a story about how the shape of architecture can change the way we think, and how the shape of our thoughts can change the way we see architecture. Stated otherwise, the story conceives of the human life as a series of settings that stage the coevolution of mental space and physical space. Human, the story’s protagonist, can be any one of us,(...)
The labyrinth of rooms: An architectural allegory
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"The labyrinth of rooms" is a story about how the shape of architecture can change the way we think, and how the shape of our thoughts can change the way we see architecture. Stated otherwise, the story conceives of the human life as a series of settings that stage the coevolution of mental space and physical space. Human, the story’s protagonist, can be any one of us, and their journey from the first room to the last room is the journey of a lifetime: it has its ups and downs, moments of clarity and moments of confusion, but overall it bends toward greater knowledge and wisdom.
Théorie de l’architecture
livres
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"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to(...)
Suspensions of perception : attention, spectacle, and modern culture
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"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century. Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle. Crary approaches these issues through multiple analyses of single works by three key modernist painters--Manet, Seurat, and Cézanne--who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices. Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception--in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture.
livres
octobre 1999, Cambridge
Théorie de l’architecture
livres
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In this book, Richard Hill examines the many-faceted relationship between aesthetic theory and architecture. Grounding his arguments in the practical issues related to building - the demands of site, materials, labor force, the nature of the commission - Hill expands our understanding and enjoyment of architecture. The book opens with an analysis of the relationship(...)
Designs and their consequences
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In this book, Richard Hill examines the many-faceted relationship between aesthetic theory and architecture. Grounding his arguments in the practical issues related to building - the demands of site, materials, labor force, the nature of the commission - Hill expands our understanding and enjoyment of architecture. The book opens with an analysis of the relationship between buildings, drawings, and designs. Hill suggests that architectural drawings are essentially pictures of physical objects, although initially they may be imagined ones, and he considers the implications of this for architects and builders. He discusses the notion of "architectural experience" that has been important in the development of modern architecture, and the notion of "seeing as" that has been developed for other visual arts and that illuminates a range of architectural meaning. Asking how architecture can be expressive of a range of human states and qualities, Hill tests the idea that our ability to see the expressive aspects of buildings relates to our ability to see meaning in the faces and demeanor of other people. In the final section of the book, the author focuses on modern architecture's central aim to deepen the connection between usefulness and design, explores recent intense criticism of this outlook, and assesses the strengths and weaknesses of this body of criticism.
livres
août 1999, New Haven
Théorie de l’architecture
livres
The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin(...)
Théorie de l’architecture
novembre 1999, Cambridge, Mass.
The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris, glass-roofed rows of shops that were early centers of consumerism, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things, a process in which he locates the decisive shift to the modern age. "The Arcades Project" is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.
livres
novembre 1999, Cambridge, Mass.
Théorie de l’architecture
livres
Grace and architecture
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Through a constructive way of looking at the timing of architecture, this reference explores the myths of a critical history. The featured ideas are made more concrete and specific by focusing the enquiry on a forgotten building outside Helsinki — Espoonlahti Church — designed by the architects Timo and Tuomo Suomalainen.
Grace and architecture
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Through a constructive way of looking at the timing of architecture, this reference explores the myths of a critical history. The featured ideas are made more concrete and specific by focusing the enquiry on a forgotten building outside Helsinki — Espoonlahti Church — designed by the architects Timo and Tuomo Suomalainen.
livres
février 1998, Helsinki
Théorie de l’architecture
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Terminal architecture
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In this book, British architecture critic Martin Pawley argues that design innovation and notions of obsolescence and replacement have been subordinated to rules for the benefit of heritage and tourism, resulting in cities which appear classical or Victorian. He claims that only by redefining our values can architecture continue to evolve and remain innovative.
Terminal architecture
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In this book, British architecture critic Martin Pawley argues that design innovation and notions of obsolescence and replacement have been subordinated to rules for the benefit of heritage and tourism, resulting in cities which appear classical or Victorian. He claims that only by redefining our values can architecture continue to evolve and remain innovative.
livres
septembre 1998, London
Théorie de l’architecture
livres
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Conception and birth, growth and maturity, aging and death--these are important moments in the human life story. They are also stages in the existence of a building, says the author of this unconventional history of the rituals and practices that surround built structures in America. Drawing on sources as varied as Masonic manuals, promotional brochures, janitorial(...)
Building lives : constructing rites and passages
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Conception and birth, growth and maturity, aging and death--these are important moments in the human life story. They are also stages in the existence of a building, says the author of this unconventional history of the rituals and practices that surround built structures in America. Drawing on sources as varied as Masonic manuals, promotional brochures, janitorial contracts, tourist guidebooks, and religious texts, cultural historian Neil Harris explores the rites of building passage over the past one hundred and fifty years. In this generously illustrated volume, he offers fascinating new insights into the social and cultural roles of buildings. This book suggests that architecture is a performing art as well as a fine art. Harris provides entertaining accounts of building introductions and presentations; celebrations, including groundbreakings, cornerstone layings, dedication ceremonies, and milestone anniversaries; efforts by builders, designers, real estate agents, photographers, and users to endow buildings with personality; debates over the naming of buildings; and attempts to document the erection and aging of buildings. Harris details recent strenuous efforts to prolong building life and vitality, and the increasing concern over "sick" and endangered buildings. Observing the difficulty that people experience in saying goodbye to old buildings that feel like friends, he calls for ceremony to mark the end as well as the beginning of a building's life.
livres
octobre 1998, New Haven
Théorie de l’architecture
livres
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To concentrate only on the profession of architecture is to ignore the much larger field of architecture, which structures the entire social universe of the architect and of which architects are only one part. This book critically surveys that field, exposing(...)
The favored circle : the social foundations of architectural distinction
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To concentrate only on the profession of architecture is to ignore the much larger field of architecture, which structures the entire social universe of the architect and of which architects are only one part. This book critically surveys that field, exposing many myths and debunking a number of heroes in the process. Using the conceptual apparatus of French sociologist Pierre Bourdieu, Stevens describes the field of architecture on two levels. First, he provides a detailed account of the field as it is at any given point in time, describing the different components and their relationships. Second, he analyzes the dynamics of the field through time, from the Renaissance to the present. He discusses the system of architectural education, as well as everyday aspects such as the competition for reputation. He concludes that throughout history, the most eminent architects have been connected to each other by master-pupil and collegiate relations. These networks, which still exist, provide a mechanism for architectural influence that runs parallel to that of the university-based schools.
livres
novembre 1998, Cambridge, Mass.
Théorie de l’architecture
livres
BorderLine
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"BorderLine" highlights a particularly troubled site in Europe, the town and harbor of Kraljevica, just south of Rijeka, Croatia, where the failing ship-building industry and pollution from a large oil refinery threaten both the ecology and the prospects (...)
Théorie de l’architecture
septembre 1998, Vienna
BorderLine
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"BorderLine" highlights a particularly troubled site in Europe, the town and harbor of Kraljevica, just south of Rijeka, Croatia, where the failing ship-building industry and pollution from a large oil refinery threaten both the ecology and the prospects of tourism. Drawing on the results of a workshop organized, funded and conducted by the Research Institute for Experimental Architecture (RIEA) in the Frankopan Castle in Kraljevica, "BorderLine" presents essays and projects by leading thinkers and architects addressing the contemporary problems such regions have within rapidly evolving European and global landscapes. "BorderLine" includes essays by Lebbeus Woods, Gabriela Seifert, Manuel Delanda, Aleksandra Wagner, Heinz Foerster, and Ekkehard Rehfeld; it also includes architectural projects and conceptual proposals by Lebbeus Woods, Peter Cook, Will Alsop, Per Kartredt, Masihiko Yendo, and Guy Lafranchi . This title is the first in the RIEAconcepts series, edited by Lebbeus Woods. These books will present innovative research and experimental projects initiated and implemented by both RIEA and individual architects.
livres
septembre 1998, Vienna
Théorie de l’architecture