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Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be(...)
Amp - the mark of the volcano : artengo + pastrana
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Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be considered neither minimalist nor traditionalist, was the congenial mixture of four elements: their expressionist creative impulse, their deep roots in their home environment, the Canary Islands, their sculptural approach to architecture and the creative use of concrete as design element in combination with local materials. These vital aspects of their architecture also characterize the latest works of AmP, which are always the result of exact observations of space and locality. The Aedes exhibition’s focus is on the athletics stadium in Tenerife which was completed this year. Fitted like a giant earth and stone embankment into the suburban context, it represents at the same time a master piece of modern high-tech architecture. The two residential towers in Añaza, 2007, which have already gained landmark character and are an example of an offbeat approach to council housing in Spain, appear like giant concrete sculptures with their slightly bent shape and their odd-sized windows irregularly dispersed throughout the façade. Other projects are the court house in Santa Cruz, 2007 (competition entry), the extension building Cabildo, 2007 and a school in Orotawa, 2005. The competition entry for the harbour area in Los Cristianos, 2007, illustrates the sensitive approach of Felipe Artengo Rufino und José Pastrana within the urban context, achieving a user- friendly transformation of this area where the city meets the sea, for residents as well as for tourist. A fundamental principle of AmP would be to understand a place as a sediment of geological and climatic forces, of industrial, agrarian and urban residue, permeated by sociological and cultural components. Closeness to their environment and the means at their disposal enable Felipe Artengo Rufino and José Pastrana to do research in situ and thus create a clearly defined architecture. The scenic variety of the islands, in which light plays an essential role, has a strong influence on their design process. The effects of time on their work are vital to AmP. The aging process of their favourite materials concrete, stone and timber fosters a continuous natural change which accentuates the power of architecture and makes the formal and structural aspects become even more evident in the course of time.
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The exhibition is a cooperation with ifa – Institut für Auslandsbeziehungen e.V., which also organizes the international tournee. After the presentation in Berlin the installation will be presented at numerous locations in North America. The exhibition project “Redefining Comfort - Rethinking Conventions” presents combined outstanding architectural and engineering performances.
Ecology, design, synergy : behnisch architekten + transsolar climate engineering
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The exhibition is a cooperation with ifa – Institut für Auslandsbeziehungen e.V., which also organizes the international tournee. After the presentation in Berlin the installation will be presented at numerous locations in North America. The exhibition project “Redefining Comfort - Rethinking Conventions” presents combined outstanding architectural and engineering performances.
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November 2006, Berlin
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Graftworld
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In addition to Graft’s the widely published projects, like the prize-winning Hotel Q in Berlin, Restaurants Fix and Stack in Las Vegas and several international houses, the exhibition will focus on the new and unpublished work of Graft, including numerous high-rise buildings, special hotel designs and private residences, research installations as well as public(...)
Graftworld
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In addition to Graft’s the widely published projects, like the prize-winning Hotel Q in Berlin, Restaurants Fix and Stack in Las Vegas and several international houses, the exhibition will focus on the new and unpublished work of Graft, including numerous high-rise buildings, special hotel designs and private residences, research installations as well as public projects. Graftworld refers to Graft’s specific method of work process, which fuses syntactic, semantic and phenomenological aspects into architecture. Graft uses narrative elements of cinema, exploiting space - time interconnections through storyboarding with progressive technical research of long term collaborations with various companies. The exhibit will showcase this methodology in an accessible, usable exhibition sculpture, an interactive lounge displaying not only projects of all three office locations but providing chillout zones to relax as well. Classical distinctive architecture elements like floor, wall and ceiling will be fused into a lounge-display-hybrid. Graftworld is thought to be inclusive and rather crosses and blurs boundaries than accepting their exclusive nature. This approach also touches on the increasing transition of distinct modern mono-functional living and working environments, that are blending into new urban lifestyles of the metropolitan nomads. Graftworld proposes architecture that can evolve to be sculpture, be furniture, be a product, be an urban scenario, be landscape at the same time. Design, methodology and technology are not classically “displayed”, but are integrated in the Graftworld.
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January 2007, Berlin
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
Das Märkische Viertel : idee - wirklichkeit - vision
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
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The successful conversion and expansion of abandoned buildings and relics from the industrial past have been the mission of Atelier Deshaus from Shanghai since 2001. The question of how formerly closed industrial complexes can be transformed into new, attractive places for the public is the core theme of this exhibition. It focuses on the transformation along the Huangpu(...)
Atelier Deshaus, Shanghai: Common Landscape, Re-Cultivating Industrial Sites
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The successful conversion and expansion of abandoned buildings and relics from the industrial past have been the mission of Atelier Deshaus from Shanghai since 2001. The question of how formerly closed industrial complexes can be transformed into new, attractive places for the public is the core theme of this exhibition. It focuses on the transformation along the Huangpu River in Shanghai, whose seamless accessibility as a public space was heralded by Expo 2010 Better City - Better Life. Aedes is showing seven projects that have used the potential of former industrial sites to bring new functions to the riverbank and to which the residents attach both emotional and cultural significance. Abandoned production sites and relics of inner-city heavy industry, warehouses, and port facilities can be a huge burden on the sustainable development of a city, especially if they are seen as waste to be disposed of. With its projects, Atelier Deshaus shows how the grey energy used in them can be preserved, at least in parts, through conversion and reconstruction, and how new functions can be assigned. In the face of climate change and the generally far too energy-hungry construction industry, it is also an obvious necessity in China to take an unbiased look at existing buildings. Nevertheless, demolition is still often the priority. Atelier Deshaus counters this with a strategy of minimal intervention that sensitively heralds the transformation of the existing buildings without destroying the historical reminders.
Architecture Monographs
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''Primitive future: Everything is circulating'' is dedicated to twelve projects by Sou Fujimoto Architects that have either been realised or are in planning. In the first room of the exhibition, twelve films provide insights into the process of designing the multifaceted typologies and forms. The reference to Fujimoto’s architectural philosophy is presented in the second(...)
Sou Fujimoto Architects: Primitive future. Everything is circulating
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''Primitive future: Everything is circulating'' is dedicated to twelve projects by Sou Fujimoto Architects that have either been realised or are in planning. In the first room of the exhibition, twelve films provide insights into the process of designing the multifaceted typologies and forms. The reference to Fujimoto’s architectural philosophy is presented in the second room of the exhibition: an expansive installation expresses the notion of an connected world based on twelve floating wire objects. They can be read in a line as people, nature, geography and architecture, circulating as a metamorphosis. Depending on the viewpoint, various scales and scenes can appear as a three-dimensional drawing in a space that is connected and stands in harmony with various things.
Architecture Monographs
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The construction of the Stuttgart-Ulm railway line is one of the largest infrastructure projects in Europe. The centrepiece is the new Stuttgart Main Station, which replaces the former 16-track terminus station as an underground 8-track through station. As part of this, the aboveground tracks in the city centre are being removed and the areas thus freed up open up new(...)
Christoph Ingenhoven: Stuttgart Main Station
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The construction of the Stuttgart-Ulm railway line is one of the largest infrastructure projects in Europe. The centrepiece is the new Stuttgart Main Station, which replaces the former 16-track terminus station as an underground 8-track through station. As part of this, the aboveground tracks in the city centre are being removed and the areas thus freed up open up new urban-development perspectives. Stuttgart-East and Stuttgart-North – city districts previously separated by tracks – will be connected with each other again after over 150 years and travel time shortened. Christoph Ingenhoven (advised by, et al., Frei Otto) won the competition for the new design for the Stuttgart Main Station in 1997. After the financing agreement was concluded in April 2009, construction work was begun on 2 February 2010. The new main station is supposed to go into operation for the change in timetables in December 2026. Christoph Ingenhoven explains: "This project will have enormous significance for the development of Stuttgart, Baden-Württemberg, and southwest Germany. The building must also do justice to this significance with its design – must show what Stuttgart is today and will be in future."
Architecture Monographs
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Water plays a key role in times of the climate change – both as an essential resource and as a potential threat. Rising sea levels, floods, and droughts demand innovative approaches in architecture and urban planning. ''Wind Blows, Water Rises'' is dedicated to the research-based work of Doreen Heng Liu and her office NODE, which focuses intensively on the Pearl River(...)
Doreen Heng Liu + NODE with GBA Lab/ SZU, Shenzhen: Wind blows, water rises
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Water plays a key role in times of the climate change – both as an essential resource and as a potential threat. Rising sea levels, floods, and droughts demand innovative approaches in architecture and urban planning. ''Wind Blows, Water Rises'' is dedicated to the research-based work of Doreen Heng Liu and her office NODE, which focuses intensively on the Pearl River Delta in China – one of the world’s most densely populated metropolitan regions.
Architecture Monographs
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In "Democratic design – Space for cooperation, collaboration and compromise," Aedes explores how architecture, planning processes and public spaces can foster democratic engagement and social cohesion – both more urgent than ever in times of profound societal uncertainty. The programme consists of an exhibition, a series of four Lab Talks and a catalogue featuring(...)
Democratic design: Space for cooperation, collaboration and compromise
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In "Democratic design – Space for cooperation, collaboration and compromise," Aedes explores how architecture, planning processes and public spaces can foster democratic engagement and social cohesion – both more urgent than ever in times of profound societal uncertainty. The programme consists of an exhibition, a series of four Lab Talks and a catalogue featuring contributions from practitioners in Berlin, Germany and across Europe, selected through an open call in collaboration with European architecture centres and through research conducted by the Aedes team. The presented projects amplify marginalised voices, encourage participation and inspire collective visions for the future. Dialogue and exchange are essential conditions for democracy, cultivating the ability to accept differing viewpoints and to compromise – the very foundations of democratic culture.
books
December 2025
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What if we were no longer allowed to build new structures? Questions like this — and many others — are raised in the exhibition "What If: A Change of Perspective by the German Sustainable Building Council (DGNB)." The DGNB is a non-profit association based in Stuttgart that has been advocating for future-oriented and responsible building for 18 years. With the DGNB(...)
What if: A change of perspective. Deutsche Gesellschaft für Nachhaltiges Bauen DGNB
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What if we were no longer allowed to build new structures? Questions like this — and many others — are raised in the exhibition "What If: A Change of Perspective by the German Sustainable Building Council (DGNB)." The DGNB is a non-profit association based in Stuttgart that has been advocating for future-oriented and responsible building for 18 years. With the DGNB Certification System, it has developed an internationally recognised planning and optimisation tool for assessing sustainable buildings and districts. The exhibition invites visitors to question conventional ways of thinking and to rediscover the essence of sustainable architecture: buildings and districts that offer people a good home, remain affordable, and provide design-driven answers to the climate crisis. A central narrative traces the evolution of sustainable building, accompanied by six thematic sections and the award-winning projects of the German Sustainability Award for Architecture.
books
December 2025
Green Architecture