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This book showcases three architecturally private residences, now owned by and home to the art collections of Max Palevsky. Each house has either been restored or reworked by a well-known contemporary architect to make a showplace for the artwork. The three houses together encapsulate the twentieth-century architectural history of Southern California. Presented in(...)
Three California houses : the homes of Max Palevsky
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This book showcases three architecturally private residences, now owned by and home to the art collections of Max Palevsky. Each house has either been restored or reworked by a well-known contemporary architect to make a showplace for the artwork. The three houses together encapsulate the twentieth-century architectural history of Southern California. Presented in detail are the Palm Spring House, by Craig Ellwood; the extravagant Malibu Spanish-style House with interior renovations Ettore Sottsass; and the opulent Beverly Hills House of the 1920s by George Washington Smith, with interiors reworked recently Coy Howard.
Residential Architecture
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from(...)
Landscrapers : building with the land
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from around the world are building into the earth and merging man-made forms with the contours of the land. The results are at once preternatural and breathtaking. From Zaha Hadid’s Tram Terminal in France to Snøhetta’s Bibliotheca Alexandrina in Egypt, from Future System’s hill-burrowing house in Wales to Antoine Predock’s Spencer Theater in the United States, over fifty projects displayed here expose the breadth and depth of this new direction in architecture. Aaron Betsky first considers our historical preoccupation with communing with the land through building, then four central chapters – ‘Engineered Utopias’, ‘Caves and Caverns’, ‘Unfolding the Land’ and ‘A New Nature’ – explore the ways in which ‘geotecture’ responds to, becomes a part of and yet remains distinctive within our natural landscape.
Architecture since 1900, Europe
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Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games.(...)
The monster Leviathan: Anarchitecture
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Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games. In The Monster Leviathan, Aaron Betsky traces anarchitecture through texts, design, and art of the twentieth and early twenty-first century, and suggests that these ephemeral evocations are concrete proposals in and of themselves. Neither working models nor suggestions for new forms, they are scenes just believable enough to convince us they exist, or just fantastical enough to open our eyes.
Architectural Theory
Don't build, rebuild
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to(...)
Don't build, rebuild
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to maximize profits rather than resources, often soulless in its feel—is not the answer. Whenever possible, it is better to repair, recycle, renovate, and reuse—not only from an environmental perspective, but culturally and artistically as well.
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Large bunk beds line the walls of a luminous all-white basement; "elephant drum" tables double as dancing podiums; a huge bed (for 45 people) fills the "Bed Baroque" room: this is the Supperclub nightclub and restaurant in Rome, designed by the Dutch design firm Concrete. The group's design concept has been a success in Amsterdam, Rome and San Francisco, and will land(...)
Architecture Monographs
July 2007, Rotterdam
The world according to concrete
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Large bunk beds line the walls of a luminous all-white basement; "elephant drum" tables double as dancing podiums; a huge bed (for 45 people) fills the "Bed Baroque" room: this is the Supperclub nightclub and restaurant in Rome, designed by the Dutch design firm Concrete. The group's design concept has been a success in Amsterdam, Rome and San Francisco, and will land soon in New York City. It has also mutated into Supperclub on Location and the Supperclub Cruise. Over the past decade, Concrete has set tongues wagging with their subtle amalgamation of architecture, advertising, fashion and product design for clients including De Lairesse Pharmacy in Amsterdam (winner, along with Supperclub, of the Lensvelt-de Architect Interior Prize), Rituals Home & Body Cosmetics, Australian Homemade, The Coffee Company, London's Laundry Industry, the Centraal Museum in Utrecht and the Van Gogh Museum, Amsterdam. It has also made its mark with projects for Hyundai in Seoul, the UberFluss design hotel in Bremen and the recently completed designs for the restaurants and shops at the Mercedes-Benz Museum Stuttgart (a building designed by UN Studio architects), which have already garnered much critical admiration. The World According to Concrete examines this chic young bureau's working methods and its position within the world of (interior) architecture. Featuring 300 color images and essays by esteemed design critic Timo de Rijk among others, it provides a timely appraisal of one of the boldest and most innovative design companies on the international scene.
Architecture Monographs
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Bare facts
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The AM NAI Prize aims to highlight the unique position and quality of young architects in the Netherlands. The nominated projects for 2006 are documented in detail in the Bare Facts publication, which also explores the context in which the buildings were created. With contributions by various critics and members of the jury, including Aaron Betsky, Mariet Schoenmakers and(...)
Bare facts
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The AM NAI Prize aims to highlight the unique position and quality of young architects in the Netherlands. The nominated projects for 2006 are documented in detail in the Bare Facts publication, which also explores the context in which the buildings were created. With contributions by various critics and members of the jury, including Aaron Betsky, Mariet Schoenmakers and Lara Schrijver, this book - like the first and second editions - provides a snapshot of the youngest generation of architects and a barometer for Dutch architecture of the future.
books
November 2006, Rotterdam
Architecture since 1900, Europe
books
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Architecture in Detail series.
Drager house : Berkeley, California 1994, Frankllin D. Israel
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Architecture in Detail series.
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May 1996, London
Architecture Monographs
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Introduction by William Mitchell.
Architecture Monographs
October 1996, New York
Koning Eizenberg : buildings and projects
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Introduction by William Mitchell.
books
October 1996, New York
Architecture Monographs
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''50 Lessons to learn from Frank Lloyd Wright'' presents the work and imaginings of this beloved architect in an accessible and compelling form. Here we may glean insight from an American master and find inspiration for the thoughtful design of our own homes. By means of succinct examples, text and visuals, the authors share fifty lessons, or 'learning points,' with an(...)
50 lessons to learn from Frank Lloyd Wright
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''50 Lessons to learn from Frank Lloyd Wright'' presents the work and imaginings of this beloved architect in an accessible and compelling form. Here we may glean insight from an American master and find inspiration for the thoughtful design of our own homes. By means of succinct examples, text and visuals, the authors share fifty lessons, or 'learning points,' with an eye to Wright-designed houses and interiors, ranging from 'Inspired by nature,' 'Make a room flexible with screens,' and 'Creating liveable interiors with textiles,' to 'Learning from the East,' 'Green design' and 'Seeking harmony and balance.' Each lesson is accompanied by pearls of wisdom gathered from the master's trove of writings on architecture and design.
Architecture Monographs
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'NOWHERE' shows a world in which Instagrammability is first and foremost, in which the new reality is dictated by the seductive image that may (later) be made from it. Architecture, design, and urban landscape are directed by the mechanisms of global big business, and the same antiseptic beauty exists all over the world. 'NOWHERE—Imagining the Global City' presents the(...)
Frank van der Salm: Nowhere: imagining the global city
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'NOWHERE' shows a world in which Instagrammability is first and foremost, in which the new reality is dictated by the seductive image that may (later) be made from it. Architecture, design, and urban landscape are directed by the mechanisms of global big business, and the same antiseptic beauty exists all over the world. 'NOWHERE—Imagining the Global City' presents the work of Dutch photographer Frank van der Salm from the past twenty-five years. Designed by Irma Boom, the book shows a consumer-oriented, imaginary metropolis. Images, sometimes deliberately upside down, challenge the reality they represent. Seen together they form the image of a city that suddenly seems to be simultaneously everywhere and nowhere: both here and now and nowhere. The essays by Shumon Basar, Aaron Betsky, and Urs Stahel link Frank van der Salm’s oeuvre to the world of design, architecture, urban development, art, and photography.
Photography monographs