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Since 1955, when they were first standardized, shipping containers have had a radical effect on our physical reality. Seven million of these steel containers are now moving around the world, and their measurements have defined the design of ships, railroad cars, trucks, and cargo airplanes, as well as the landscape of ports, airports, and trucking yards. And that doesn't(...)
Architecture Monographs
June 2003, New York
Lot-ek : mobile dwelling unit
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Since 1955, when they were first standardized, shipping containers have had a radical effect on our physical reality. Seven million of these steel containers are now moving around the world, and their measurements have defined the design of ships, railroad cars, trucks, and cargo airplanes, as well as the landscape of ports, airports, and trucking yards. And that doesn't even begin to touch on the wider and much more invisible system of distribution, of just-in-time-inventory, of information networks in which the container moves. LOT/EK, the New York-based studio with a reputation for creating architecture and environments using industrial objects, here takes on the standard shipping container as medium. The Mobile DwellingUnit (MDU) is "a shipping container transformed into a dwelling that nevertheless retains the attributes of a shipping container, i.e. it remains shippable." It is a "discreet mobile element" that can be moved around the globe, to anywhere with that can receive standard shipping containers. It's full-service interior includes push-out elements with space for sleeping, storage, eating, bathing, and cooking; these elements can be pushed smoothly back into the container when the occupant moves and needs to ship his or her living space along. Consider the MDU a trailer home for travelling between global villages. LOT/EK: Mobile Dwelling Unit, the book, will not only document the MDU concept but will provide greater understanding of the work’s cultural and social context with essays by leading architectural critics, theorists, historians, and practitioners. An interview with the designers by Chris Scoates will illuminate LOT/EK’s process in the creation and development of the MDU as well as their unique approach to architecture. Henry Urbach will place the MDU project in the context of LOT/EK’s larger body of work. Professor Robert Kronenberg, a leading expert on portable architecture, will consider the project within the history of the genre. Aaron Betsky, a leading design critic and Director of NAi, will explore the meaning of the MDU within a larger contemporary cultural and social context of mobility and habitation. A visual essay by Andrew Blauvelt and LOT/EK will explore the territories of the MDU’s inspiration and related themes of nomadic travel and industrial systems of transportation.
Architecture Monographs
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Depuis la découverte de la caverne, les hommes n’ont cessé d’utiliser les formations géologiques qu’offre notre planète. Il a fallu cependant attendre une date récente pour que des avancées dans le domaine de l’ingénierie structurelle permettent de considérer la surface de la terre comme un élément architectural à part entière. La prise de conscience de la raréfaction des(...)
Lignes d'horizon : l'architecture et son site
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Depuis la découverte de la caverne, les hommes n’ont cessé d’utiliser les formations géologiques qu’offre notre planète. Il a fallu cependant attendre une date récente pour que des avancées dans le domaine de l’ingénierie structurelle permettent de considérer la surface de la terre comme un élément architectural à part entière. La prise de conscience de la raréfaction des ressources naturelles et l’influence grandissante des architectes paysagistes ont également incité certains créateurs parmi les plus prestigieux à inventer des formes qui s’intègrent à la topographie naturelle d’un lieu, la déploient, la subliment et à créer ce que l’on pourrait appeler des gratteterre en opposition aux gratte-ciel. Du terminal de tramway de Zaha Hadid en France à la bibliothèque d’Alexandrie de Snøhetta en Egypte, de la maison nichée dans une colline du Pays de Galles de Future Systems au Spencer Theatre d’Antoine Predock aux Etats- Unis, les cinquante projets présentés dans ce livre révèlent l’importance de cette nouvelle voie architecturale.
Architecture since 1900, Europe
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This book showcases three architecturally private residences, now owned by and home to the art collections of Max Palevsky. Each house has either been restored or reworked by a well-known contemporary architect to make a showplace for the artwork. The three houses together encapsulate the twentieth-century architectural history of Southern California. Presented in(...)
Three California houses : the homes of Max Palevsky
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This book showcases three architecturally private residences, now owned by and home to the art collections of Max Palevsky. Each house has either been restored or reworked by a well-known contemporary architect to make a showplace for the artwork. The three houses together encapsulate the twentieth-century architectural history of Southern California. Presented in detail are the Palm Spring House, by Craig Ellwood; the extravagant Malibu Spanish-style House with interior renovations Ettore Sottsass; and the opulent Beverly Hills House of the 1920s by George Washington Smith, with interiors reworked recently Coy Howard.
Residential Architecture
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Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games.(...)
The monster Leviathan: Anarchitecture
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Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games. In The Monster Leviathan, Aaron Betsky traces anarchitecture through texts, design, and art of the twentieth and early twenty-first century, and suggests that these ephemeral evocations are concrete proposals in and of themselves. Neither working models nor suggestions for new forms, they are scenes just believable enough to convince us they exist, or just fantastical enough to open our eyes.
Architectural Theory
Don't build, rebuild
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to(...)
Don't build, rebuild
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to maximize profits rather than resources, often soulless in its feel—is not the answer. Whenever possible, it is better to repair, recycle, renovate, and reuse—not only from an environmental perspective, but culturally and artistically as well.
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Large bunk beds line the walls of a luminous all-white basement; "elephant drum" tables double as dancing podiums; a huge bed (for 45 people) fills the "Bed Baroque" room: this is the Supperclub nightclub and restaurant in Rome, designed by the Dutch design firm Concrete. The group's design concept has been a success in Amsterdam, Rome and San Francisco, and will land(...)
Architecture Monographs
July 2007, Rotterdam
The world according to concrete
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Large bunk beds line the walls of a luminous all-white basement; "elephant drum" tables double as dancing podiums; a huge bed (for 45 people) fills the "Bed Baroque" room: this is the Supperclub nightclub and restaurant in Rome, designed by the Dutch design firm Concrete. The group's design concept has been a success in Amsterdam, Rome and San Francisco, and will land soon in New York City. It has also mutated into Supperclub on Location and the Supperclub Cruise. Over the past decade, Concrete has set tongues wagging with their subtle amalgamation of architecture, advertising, fashion and product design for clients including De Lairesse Pharmacy in Amsterdam (winner, along with Supperclub, of the Lensvelt-de Architect Interior Prize), Rituals Home & Body Cosmetics, Australian Homemade, The Coffee Company, London's Laundry Industry, the Centraal Museum in Utrecht and the Van Gogh Museum, Amsterdam. It has also made its mark with projects for Hyundai in Seoul, the UberFluss design hotel in Bremen and the recently completed designs for the restaurants and shops at the Mercedes-Benz Museum Stuttgart (a building designed by UN Studio architects), which have already garnered much critical admiration. The World According to Concrete examines this chic young bureau's working methods and its position within the world of (interior) architecture. Featuring 300 color images and essays by esteemed design critic Timo de Rijk among others, it provides a timely appraisal of one of the boldest and most innovative design companies on the international scene.
Architecture Monographs
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Bare facts
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The AM NAI Prize aims to highlight the unique position and quality of young architects in the Netherlands. The nominated projects for 2006 are documented in detail in the Bare Facts publication, which also explores the context in which the buildings were created. With contributions by various critics and members of the jury, including Aaron Betsky, Mariet Schoenmakers and(...)
Bare facts
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The AM NAI Prize aims to highlight the unique position and quality of young architects in the Netherlands. The nominated projects for 2006 are documented in detail in the Bare Facts publication, which also explores the context in which the buildings were created. With contributions by various critics and members of the jury, including Aaron Betsky, Mariet Schoenmakers and Lara Schrijver, this book - like the first and second editions - provides a snapshot of the youngest generation of architects and a barometer for Dutch architecture of the future.
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November 2006, Rotterdam
Architecture since 1900, Europe
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Architecture in Detail series.
Drager house : Berkeley, California 1994, Frankllin D. Israel
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Architecture in Detail series.
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May 1996, London
Architecture Monographs
books
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Introduction by William Mitchell.
Architecture Monographs
October 1996, New York
Koning Eizenberg : buildings and projects
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Introduction by William Mitchell.
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October 1996, New York
Architecture Monographs
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''50 Lessons to learn from Frank Lloyd Wright'' presents the work and imaginings of this beloved architect in an accessible and compelling form. Here we may glean insight from an American master and find inspiration for the thoughtful design of our own homes. By means of succinct examples, text and visuals, the authors share fifty lessons, or 'learning points,' with an(...)
50 lessons to learn from Frank Lloyd Wright
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''50 Lessons to learn from Frank Lloyd Wright'' presents the work and imaginings of this beloved architect in an accessible and compelling form. Here we may glean insight from an American master and find inspiration for the thoughtful design of our own homes. By means of succinct examples, text and visuals, the authors share fifty lessons, or 'learning points,' with an eye to Wright-designed houses and interiors, ranging from 'Inspired by nature,' 'Make a room flexible with screens,' and 'Creating liveable interiors with textiles,' to 'Learning from the East,' 'Green design' and 'Seeking harmony and balance.' Each lesson is accompanied by pearls of wisdom gathered from the master's trove of writings on architecture and design.
Architecture Monographs