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Summary:
How to deal with transformation and degrowth in a city whose boundaries have been shaped by its medieval history? How to question dominant histories, use underutilised public space and set in motion new cohabitations in the city? This book is published on the occasion of Bruges Triennial 2024: ''Spaces of Possibility'', curated by Shendy Gardin and Sevie Tsampalla.(...)
Humans and cities
March 2025
Futuring spaces of possibility: Contemporary art and architecture in a world heritage city
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Summary:
How to deal with transformation and degrowth in a city whose boundaries have been shaped by its medieval history? How to question dominant histories, use underutilised public space and set in motion new cohabitations in the city? This book is published on the occasion of Bruges Triennial 2024: ''Spaces of Possibility'', curated by Shendy Gardin and Sevie Tsampalla. Featuring contributions by the twelve artists and architects in the exhibition, it offers insights into the research processes behind the commissions, through texts, archival images, preparatory sketches and interviews. Newly commissioned essays address issues of urban transformation and the role that contemporary art, architecture and exhibition-making can play for futuring cities marked by their heritage.
Humans and cities
The cabinet of traces
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Summary:
''The Cabinet of Traces'' is a collection of 73 traces that were left behind by various artists in residency at Air Antwerp from 2012 onwards. The traces presented in this publication form a diverse collection of objects, drawings, little art works, letters, and clothes. Likewise a catalogue of an ethnographic collection, this publication provides all standard technical(...)
September 2018
The cabinet of traces
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$37.95
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Summary:
''The Cabinet of Traces'' is a collection of 73 traces that were left behind by various artists in residency at Air Antwerp from 2012 onwards. The traces presented in this publication form a diverse collection of objects, drawings, little art works, letters, and clothes. Likewise a catalogue of an ethnographic collection, this publication provides all standard technical details with each trace: material, dimensions, title and the artist who created it. Each trace bears its own story. ''The Cabinet of Traces'' remembers these stories, while feeding new ones. Memories are constructions and the traces in the publication form the basis from which these memories can be created. ''The Cabinet of Traces'' is a tool that feeds the imagination. It will be passed on to future artists in residency in order to evoke a reaction. New artists will extend the collection.