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In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of(...)
Queer moderns: Max Ewing's jazz age New York
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In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized. In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the "Gallery of extraordinary portraits", an installation of photos of his favorite celebrities—Black and white, clothed and nude. For his "Carnival of Venice", he took portraits of more than a hundred friends—including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings—posed in front of a backdrop of Saint Mark’s Square.
Art Theory
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This book looks at some of the most well-known houses of the twentieth century designed by architects such as Wright, Le Corbusier, Mies van der Rohe, Neutra, and Venturi. In each case, the house examined was designed for a woman, and the book examines through 6 examples, the relationship between client and architect, and describes the process of collaboration between the the two.
Women and the making of the modern house
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This book looks at some of the most well-known houses of the twentieth century designed by architects such as Wright, Le Corbusier, Mies van der Rohe, Neutra, and Venturi. In each case, the house examined was designed for a woman, and the book examines through 6 examples, the relationship between client and architect, and describes the process of collaboration between the the two.
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April 1998, New York
Residential Architecture
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In this work, architectural historian Alice Friedman draws on a vast range of sources to argue that the aesthetics of mid-century modern architecture reflect an increasing fascination with “glamour,” a term widely used in those years to characterize objects, people, and experiences as luxurious, expressive, and even magical. Featuring assessments of architectural(...)
American glamour and the evolution of Modern architecture
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In this work, architectural historian Alice Friedman draws on a vast range of sources to argue that the aesthetics of mid-century modern architecture reflect an increasing fascination with “glamour,” a term widely used in those years to characterize objects, people, and experiences as luxurious, expressive, and even magical. Featuring assessments of architectural examples ranging from Mies van der Rohe’s Seagram Building to Elvis Presley’s Graceland estate, as well as vintage photographs, advertisements, and posters, this book argues that new audiences and client groups with tastes rooted in popular entertainment made their presence felt in the cultural marketplace during the postwar period.
Architecture since 1900, Europe
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Catalogue de la cinquième exposition de jouets tirés de la collection du CCA. / Catalogue of the fifth exhibition of architectural toys in the CCA collection.
Maisons de rêve, maisons jouets / Dream houses, toy homes
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Catalogue de la cinquième exposition de jouets tirés de la collection du CCA. / Catalogue of the fifth exhibition of architectural toys in the CCA collection.
CCA Publications