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Offering a rare opportunity to explore the largest and most luxurious house designed by Walter Gropius, founder of the Bauhaus, and Marcel Breuer, leading architect and furniture designer of the twentieth century, this volume celebrates the Alan I W Frank House in Pittsburgh, Pennsylvania. Built in 1939-40, the house embodies the Bauhaus "total work of art" philosophy,(...)
Architecture Monographs
November 2019
Alan I Frank House: The modernist masterwork by Walter Gropius and Marcel Breuer
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Offering a rare opportunity to explore the largest and most luxurious house designed by Walter Gropius, founder of the Bauhaus, and Marcel Breuer, leading architect and furniture designer of the twentieth century, this volume celebrates the Alan I W Frank House in Pittsburgh, Pennsylvania. Built in 1939-40, the house embodies the Bauhaus "total work of art" philosophy, with Gropius and Breuer having designed every aspect of the building and its site. Illustrations including new and archival images and the architects' plans and sketches highlight an exquisite balance of proportions and colours. Accompanying essays place this house firmly within the American modernist canon just as the Bauhaus celebrates its one-hundreth anniversary in 2019.
Architecture Monographs
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Long a pioneer in architecture, Emilio Ambasz has retained a belief in the environment, or rather the larger ecology, as fundamental in viewing the world: as the author notes in the introduction, "his philosophy of ‘green over gray’ may often have fallen on deaf ears at the height of Postmodernism, but it today seems profoundly relevant." And it is in the context of today(...)
Emilio Ambasz: Curating a new nature
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Long a pioneer in architecture, Emilio Ambasz has retained a belief in the environment, or rather the larger ecology, as fundamental in viewing the world: as the author notes in the introduction, "his philosophy of ‘green over gray’ may often have fallen on deaf ears at the height of Postmodernism, but it today seems profoundly relevant." And it is in the context of today that the book considers his work and its three main areas of concentration—architecture, industrial design, curating—with an aim of shining a light on the interdisciplinary nature of the work as a whole. Featuring built and manufactured designs that have achieved iconic fame and challenged others to approach new ways of reconciling architecture and nature, the book also considers Ambasz’s work as curator at MoMA and his ongoing influence and legacy.
Architecture Monographs
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Ce livre présente l'histoire du Panthéon de Paris et se veut une réflexion sur les relations entre l'architecture monumentale et le changement politique. Textes de Gérard Auguier, Hervé Baptiste, Barry Bergdoll, Michel Colardelle, Mark K. Deming, Jacques Guillerme, Valérie-Noëlle Jouffre, Isabelle Lemaistre, Anne Pingeot, Daniel Rabreau et Pierre Vaisse.
Le Panthéon, symbole de révolutions : de l'église de la nation au temple des grands hommes
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Ce livre présente l'histoire du Panthéon de Paris et se veut une réflexion sur les relations entre l'architecture monumentale et le changement politique. Textes de Gérard Auguier, Hervé Baptiste, Barry Bergdoll, Michel Colardelle, Mark K. Deming, Jacques Guillerme, Valérie-Noëlle Jouffre, Isabelle Lemaistre, Anne Pingeot, Daniel Rabreau et Pierre Vaisse.
CCA Publications
Édouard Baldus, photographe
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Première étude détaillée de l'ensemble de l'oeuvre d'un pionnier de la photographie d'architecture. En effet, Baldus doit être considéré comme le plus grand photographe français d'architecture pour les années 1850. Si sa façon de concevoir et de rendre l'architecture, soit sous forme de monument isolé soit sous forme de panorama urbain, peut paraître(...)
CCA Publications
January 1995, Montréal / Paris
Édouard Baldus, photographe
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Première étude détaillée de l'ensemble de l'oeuvre d'un pionnier de la photographie d'architecture. En effet, Baldus doit être considéré comme le plus grand photographe français d'architecture pour les années 1850. Si sa façon de concevoir et de rendre l'architecture, soit sous forme de monument isolé soit sous forme de panorama urbain, peut paraître relever d'une longue tradition, Baldus sait aussi se montrer extrêmement d'avant-garde non seulement par son sens du volume, mais aussi par sa façon d'aborder l'architecture des ingénieurs, ponts ou voies ferrées.
CCA Publications
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The photographer Édouard Baldus (1813-1889), a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with(...)
CCA Publications
October 1994, Montréal / New York
The photographs of Edouard Baldus
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The photographer Édouard Baldus (1813-1889), a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with magnificent authority, he enjoyed high patronage in the 1850s and 1860s. Yet, despite the artist's renown during his lifetime, his name is all but unknown today, his work savored only by connoisseurs. This book, the first to chronicle the life and career of this important artist, brings his work once more before the public. The superb quality of the reproductions captures the subtle tones and soft matte surfaces of the original prints, many of which are published here for the first time. Baldus made his reputation with views of the monuments of Paris and the south of France, with dramatic landscape of the Auvergne, with photographs of the New Louvre, and with a poignant record of the devastating floods of 1856. But it is his two railroad albums -- the first commissioned in 1855 by Baron James de Rothschild for presentation to Queen Victoria, the second in 1861 by the Paris-Lyon-Méditerranée railroad company -- that are his greatest achievement. Here he brought together his earlier architectural and scenic images with bold geometric views of the modern landscape -- railroad tracks, stations, bridges, viaducts, and tunnels -- to address the influence of technology (of which both the railroad and the camera are prime examples). In so doing, Baldus anticipated the concerns of Impressionnist painters a decade later and those of many artists of our own day, meeting his task with a clarity and directness not since surpassed.
CCA Publications
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The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl--in an(...)
Bauhaus 1919-1933: workshops for modernity
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The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl--in an extraordinary conversation on the nature of art in the industrial age. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany, this book examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany.
Modernism