L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique(...)
L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique créateur d'univers. Sexy pour les uns, sexiste pour les autres, l'excentricité érotique de ses penthouses cache en réalité une cosmétique bien plus vaste. Avec son jet privé Big Bunny, ses hôtesses, ses clubs, ses Manoirs Est et Ouest, sa Grotte, son zoo, son lit connecté et ses filiales multimédias, Hefner a finalement inventé un monde illusoire à l'image de l'Amérique : le sien.
Architectural Theory
X-Ray architecture
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How our medical obsessions and the image of the body influence modern architecture. This book explores the impact of medical discourse and diagnostic technologies on the formation, representation and reception of modern architecture. It challenges the normal understanding of modern architecture by proposing that the architecture of the early 20th century was shaped by the(...)
X-Ray architecture
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How our medical obsessions and the image of the body influence modern architecture. This book explores the impact of medical discourse and diagnostic technologies on the formation, representation and reception of modern architecture. It challenges the normal understanding of modern architecture by proposing that the architecture of the early 20th century was shaped by the dominant medical obsession of its time: tuberculosis and its primary diagnostic tool, the X-ray.
Contemporary Architecture
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''Superhumanity'' seeks to explore and challenge our understanding of ''design'' by engaging with and departing from the concept of the ''self.'' This volume brings together more than fifty essays by leading scientists, artists, architects, designers, philosophers, historians, archaeologists, and anthropologists, originally disseminated online via e-flux Architecture(...)
Architectural Theory
January 2018
Superhumanity: design of the self. E-Flux Classics
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''Superhumanity'' seeks to explore and challenge our understanding of ''design'' by engaging with and departing from the concept of the ''self.'' This volume brings together more than fifty essays by leading scientists, artists, architects, designers, philosophers, historians, archaeologists, and anthropologists, originally disseminated online via e-flux Architecture between September 2016 and February 2017 on the invitation of the Third Istanbul Design Biennial. Probing the idea that we are and always have been continuously reshaped by the artifacts we shape, this book asks: Who designed the lives we live today? What are the forms of life we inhabit, and what new forms are currently being designed? Where are the sites, and what are the techniques, to design others?
Architectural Theory
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Focused on post-labor, psychopathology, and plasticity of human mind and body, this book introduces insight, critiques, and propositions in the area of “self-design,” ranging from design and architecture to science, media, history, philosophy, and contemporary art. The field of design has radically expanded. As a practice, design is no longer limited to the world of(...)
Superhumanity: Post-labor, psychopathology, plasticity
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Focused on post-labor, psychopathology, and plasticity of human mind and body, this book introduces insight, critiques, and propositions in the area of “self-design,” ranging from design and architecture to science, media, history, philosophy, and contemporary art. The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects, but rather extends from carefully crafted individual looks and online identities, to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes.
Architectural Theory
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For this book, Danish artist and photographer Kasper Akhøj documented the ongoing restoration of E-1027, Eileen Gray's modernist villa in France. Based on photographs taken by Gray which were first published in 1929, Akhøj's photographs are a kind of remake, recreating the perspective and composition of the originals. During several visits to the villa between 2009 and(...)
Photography monographs
December 2017
Kasper Akhøj: Welcome (to the Teknival) E-1027 Eileen Gray
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For this book, Danish artist and photographer Kasper Akhøj documented the ongoing restoration of E-1027, Eileen Gray's modernist villa in France. Based on photographs taken by Gray which were first published in 1929, Akhøj's photographs are a kind of remake, recreating the perspective and composition of the originals. During several visits to the villa between 2009 and 2017, he produced up to six versions of each of Gray's images, but only included one of them here. The overlap of chronologies emphasises the restoration process and references the fascinating influence of a succession of occupants. With essays by Beatriz Colomina and Amy Zion, plus an interview with Akhøj.
Photography monographs
Das Andere (the other)
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In 1903, Adolf Loos edited the journal Das Andere – Ein Blatt zur Einführung abendländischer 'Kunst in Österreich', in which he expressed his thoughts on, and theories of, contemporary architecture, fashion, and design. The publication was born out of Loos’ aversion to a superficial aestheticization of life in Austria, which he saw embodied by the “Wiener Secession” and(...)
Das Andere (the other)
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In 1903, Adolf Loos edited the journal Das Andere – Ein Blatt zur Einführung abendländischer 'Kunst in Österreich', in which he expressed his thoughts on, and theories of, contemporary architecture, fashion, and design. The publication was born out of Loos’ aversion to a superficial aestheticization of life in Austria, which he saw embodied by the “Wiener Secession” and later on “Wiener Werkstätte” and “Werkbund”. As a counterbalance, in Das Andere he showed his admiration especially for the fashion and culture of England and America. Contemporary advertisements on these subjects were included in the journal, which ran for just two issues. Beatriz Colomina supplements the reprint of Das Andere with an extensive commentary.
Architecture Monographs
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Du gazon "américain"?! Une pelouse en guerre?! De Pearl Harbor à la Crise des missiles cubains?! Pour Beatriz Colomina, historienne de l'architecture à l'université de Princeton, le mythe patriotique du carré de pelouse (lawn) et le combat jardinier quotidien pour le maintien et l'embellissement de cette interface domestique de la famille et de la communauté reflètent une(...)
La pelouse américaine en guerre de Pearl Harbour à la Crise des Missiles, 1941-1961
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Du gazon "américain"?! Une pelouse en guerre?! De Pearl Harbor à la Crise des missiles cubains?! Pour Beatriz Colomina, historienne de l'architecture à l'université de Princeton, le mythe patriotique du carré de pelouse (lawn) et le combat jardinier quotidien pour le maintien et l'embellissement de cette interface domestique de la famille et de la communauté reflètent une certaine conception du sol américain et de son paysage. Mais ils révèlent surtout une conception de la démocratie et de ses valeurs associées : libertés fondamentales, propriété privée et poursuite du bonheur, trilogie littéralement boostée durant la phase d'émergence de l'Americain Way of Life et de la Cold War. En menant une enquête visuelle et culturelle aussi serrée que passionnante, l'historienne répond à ces trois questions.
Architectural Theory
Global design
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and(...)
Global design
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and of production processes. The focus is on the formation of global networks in the areas of communication, production, commerce, finance, and mobility. The diverse phenomena of globalization are visualized through film, products, clothing, images, and models by well-known artists such as Armin Linke, Fischli Weiss, Didier Faustino, and Thomas Demand. Alongside the shipping container, an indispensable element of globalization, the presentation provides insights into cultural transfer both in the present day and historically, and presents -globalization in relationship to regionalism as well as to worldwide trends.
Industrial Design
The century of bed
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The Century of the Bed addresses the use of the bed as an office and workspace. How can we define and reexamine the bed as an architectural space? This publication offers insight into the diverse artistic research on this topic.
Architectural Theory
February 2015
The century of bed
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The Century of the Bed addresses the use of the bed as an office and workspace. How can we define and reexamine the bed as an architectural space? This publication offers insight into the diverse artistic research on this topic.
Architectural Theory
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Deux ans après la mise en orbite du Spoutnik (1957), Nixon et Khrouchtchev inaugurent l'Exposition nationale américaine à Moscou. Auprès de la maison « Splitnik » exposant les articles et les valeurs de la société de consommation « à l'américaine », les designers Charles et Ray Eames sont chargés d'offrir un aperçu flatteur des USA. En un blitz de 12 minutes projeté sur 7(...)
Cernés par les images: l'architecture de l'après-spoutnik
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Deux ans après la mise en orbite du Spoutnik (1957), Nixon et Khrouchtchev inaugurent l'Exposition nationale américaine à Moscou. Auprès de la maison « Splitnik » exposant les articles et les valeurs de la société de consommation « à l'américaine », les designers Charles et Ray Eames sont chargés d'offrir un aperçu flatteur des USA. En un blitz de 12 minutes projeté sur 7 rétroviseurs géants abrités sous un dôme géodésique doré de Buckminster Fuller, cette pacifique guerre-éclair consiste à « cerner par les images » des Soviétiques ébahis. Prologue au pop art américain, le succès est total et immédiat. Les USA lancent le premier satellite de télécommunications Telstar et la mondovision en 1962. L'architecture de l'après-Spoutnik vient de naître...
Architectural Theory