2 Results
Form:
journals and magazines
journals and magazines
Price:
$34.00
(available to order)
Summary:
Louise Bourgeois / Pawel Althamer / Rachel Harrison. Texts by Tracy Emin, Catherine Wood, Richard Hawkins.
$34.00
(available to order)
Summary:
Louise Bourgeois / Pawel Althamer / Rachel Harrison. Texts by Tracy Emin, Catherine Wood, Richard Hawkins.
Title:
Parkett no.82, 2008 : Louise Bourgeois/Pawel Althamer/Rachel Harrison
Actions:
Price:
$34.00
(available to order)
Summary:
Louise Bourgeois / Pawel Althamer / Rachel Harrison. Texts by Tracy Emin, Catherine Wood, Richard Hawkins.
Parkett no.82, 2008 : Louise Bourgeois/Pawel Althamer/Rachel Harrison
Actions:
Price:
$34.00
(available to order)
Summary:
Louise Bourgeois / Pawel Althamer / Rachel Harrison. Texts by Tracy Emin, Catherine Wood, Richard Hawkins.
Form:
journals and magazines
journals and magazines
Publication:
May 2008, Zürich, New York
May 2008, Zürich, New York
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Price:
$10.00
(available to order)
Summary:
“All the environmental pieces, activities, slice-of-life video works, information pieces and ‘Art Tech’ shows we’ve become accustomed to owe their existence to Duchamp’s idea about a snow shovel.” So wrote Allen Kaprow back in 1973 on the powerful legacy of the artist’s readymades. Works such as Fountain (recently voted most influential artwork of the twentieth century)(...)
$10.00
(available to order)
Summary:
“All the environmental pieces, activities, slice-of-life video works, information pieces and ‘Art Tech’ shows we’ve become accustomed to owe their existence to Duchamp’s idea about a snow shovel.” So wrote Allen Kaprow back in 1973 on the powerful legacy of the artist’s readymades. Works such as Fountain (recently voted most influential artwork of the twentieth century)(...)
Title:
Tate etc.
Actions:
Price:
$10.00
(available to order)
Summary:
“All the environmental pieces, activities, slice-of-life video works, information pieces and ‘Art Tech’ shows we’ve become accustomed to owe their existence to Duchamp’s idea about a snow shovel.” So wrote Allen Kaprow back in 1973 on the powerful legacy of the artist’s readymades. Works such as Fountain (recently voted most influential artwork of the twentieth century) essentially paved the way for 100 years of “isms”, but, as Duchamp once said, eroticism was the only “ism” in which he could truly believe. Inevitably, he forms the central axis in Tate Modern’s forthcoming exhibition ‘Duchamp, Man Ray, Picabia’, which explores the inter-relationships between this unholy trinity. All three have made their mark on many generations of artists – Bruce Nauman has paid eloquent tribute to Man Ray, while Sigmar Polke has drawn inspiration from late Picabia.
Tate etc.
Actions:
Price:
$10.00
(available to order)
Summary:
“All the environmental pieces, activities, slice-of-life video works, information pieces and ‘Art Tech’ shows we’ve become accustomed to owe their existence to Duchamp’s idea about a snow shovel.” So wrote Allen Kaprow back in 1973 on the powerful legacy of the artist’s readymades. Works such as Fountain (recently voted most influential artwork of the twentieth century) essentially paved the way for 100 years of “isms”, but, as Duchamp once said, eroticism was the only “ism” in which he could truly believe. Inevitably, he forms the central axis in Tate Modern’s forthcoming exhibition ‘Duchamp, Man Ray, Picabia’, which explores the inter-relationships between this unholy trinity. All three have made their mark on many generations of artists – Bruce Nauman has paid eloquent tribute to Man Ray, while Sigmar Polke has drawn inspiration from late Picabia.
Form:
journals and magazines
journals and magazines
Publication:
February 2008, London
February 2008, London
Subject:
Magazines
Magazines
