C magaine 163: chorus
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Summary:
C’s Chorus issue marks the beginning of our new print look, shaped by Hwa-Jin Jun, where we also ask what becomes possible if we embrace changing physical formats and materials as an ethos. We think of chorus as a collective noun: for voices, noises, expressions (of rage, solidarity, and otherwise). This issue embraces polyphony, or simultaneity, a chorus that does not(...)
C magaine 163: chorus
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Price:
$15.00
(available in store)
Summary:
C’s Chorus issue marks the beginning of our new print look, shaped by Hwa-Jin Jun, where we also ask what becomes possible if we embrace changing physical formats and materials as an ethos. We think of chorus as a collective noun: for voices, noises, expressions (of rage, solidarity, and otherwise). This issue embraces polyphony, or simultaneity, a chorus that does not dissolve distinction within the collective. From voice as infrastructure, a way of rehearsing coordination and collective power amidst spreading fascist logics, to the dispersal of seeds, anti-colonial cosmologies, melancholic sound in the colour blue, attuning to ancestors in museum collections, and the subtle accumulations in working-class time, we bring a cacophony of grievance and desire.
Magazines
C Magazine 161 : Stop!
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Summary:
This issue of C Magazine considers what it might mean to stop. Rather than denote absence, the stop offers an opening for something else to emerge. Across these pages, contributors explore stopping in: forms of rest, blockades, town halls, and critiques of the temporality and archives of empire. From blockades on Wet’suwet’en land to an underground hub in Jakarta, from(...)
C Magazine 161 : Stop!
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$12.00
(available to order)
Summary:
This issue of C Magazine considers what it might mean to stop. Rather than denote absence, the stop offers an opening for something else to emerge. Across these pages, contributors explore stopping in: forms of rest, blockades, town halls, and critiques of the temporality and archives of empire. From blockades on Wet’suwet’en land to an underground hub in Jakarta, from moccasins cradling lichen to Lebanon’s El-Mina port, each work gathers its own form of interruption. With contributors: Whess Harman, Hung Duong and Grace Samboh, Svetlana Romanova, Fan Wu, Meagan Christou, Mitra Fakhrashrafi, Emma Steen, Charlene K. Lau, Dot Tuer, Joyce Joumaa, Ali El-Darsa, Kay Rangel, Jasmine Sihra.
Magazines
C magazine 160: extra life
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Summary:
In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances,(...)
C magazine 160: extra life
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$12.00
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Summary:
In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances, unfinished revolutionary histories, artists’ data storage, and more, contributors to C160 reflect on extra life as a state both surplus and sacred—what persists in age-old cycles of decay.
Magazines
C magazine 162 : Tidal
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Summary:
This issue begins from the tidal as literal image and metaphor for ceaseless movement and its force. We think alongside the inseparability of ocean and land, inspired by Barbadian poet and scholar Kamau Brathwaite’s idea of tidalectics that moves away from easy binaries—the ones that continually justify colonial and capital expansion. From Turtle Island to the Caribbean(...)
C magazine 162 : Tidal
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$12.00
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Summary:
This issue begins from the tidal as literal image and metaphor for ceaseless movement and its force. We think alongside the inseparability of ocean and land, inspired by Barbadian poet and scholar Kamau Brathwaite’s idea of tidalectics that moves away from easy binaries—the ones that continually justify colonial and capital expansion. From Turtle Island to the Caribbean archipelago, Palestine, Central America, and Bidong Island in Malaysia, artists wade through interconnected and overlapping struggles across multiple shores, times, and material inheritances.
Magazines