Fear, reverence, terror
$55.50
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Summary:
We are surrounded by images, fairly drowning in them. From our cell phones to our computers, from our televisions at home to the screens that light up while we wait in the grocery store checkout line, images of all kinds are seducing us, commanding us to buy!, scaring us, dazzling us. "Fear, reverence, terror" invites us to look at images slowly, with the help of a few(...)
Fear, reverence, terror
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$55.50
(available to order)
Summary:
We are surrounded by images, fairly drowning in them. From our cell phones to our computers, from our televisions at home to the screens that light up while we wait in the grocery store checkout line, images of all kinds are seducing us, commanding us to buy!, scaring us, dazzling us. "Fear, reverence, terror" invites us to look at images slowly, with the help of a few examples: Picasso’s Guernica, the “Lord Kitchener wants you” World War I recruitment poster, Jacques-Louis David’s Marat, the frontispiece of Thomas Hobbes’s Leviathan, a cup of gilded silver with scenes from the conquest of the New World. Are these political images, Carlo Ginzburg asks? Yes, because every image is, in a sense, political—an instrument of power. Tacitus once wrote, unforgettably, that we are enslaved by lies of which we ourselves are the authors. Is it possible to break this bond? Fear, Reverence, Terror will answer this question.
Art Theory
The soul of brutes
$44.00
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Summary:
Carlo Ginzburg has been at the forefront of the discipline of microhistory ever since his earliest works were published to great acclaim in the 1970s. This volume brings together four of Ginzburg’s recent scintillating essays and lectures that testify to the diversity of his thoughts on history and philosophy. With several beautifully reproduced color illustrations, the(...)
The soul of brutes
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$44.00
(available to order)
Summary:
Carlo Ginzburg has been at the forefront of the discipline of microhistory ever since his earliest works were published to great acclaim in the 1970s. This volume brings together four of Ginzburg’s recent scintillating essays and lectures that testify to the diversity of his thoughts on history and philosophy. With several beautifully reproduced color illustrations, the book will interest not only scholars of history, philosophy, and art, but also general intellectual readers.
Critical Theory
$34.95
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Summary:
The Cheese and the Worms is an incisive study of popular culture in the sixteenth century as seen through the eyes of one man, the miller known as Menocchio, who was accused of heresy during the Inquisition and sentenced to death. Carlo Ginzburg uses the trial records to illustrate the confusing political and religious conditions of the time.
The cheese and the worms: the cosmos of a sixteenth-century miller
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$34.95
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Summary:
The Cheese and the Worms is an incisive study of popular culture in the sixteenth century as seen through the eyes of one man, the miller known as Menocchio, who was accused of heresy during the Inquisition and sentenced to death. Carlo Ginzburg uses the trial records to illustrate the confusing political and religious conditions of the time.
Critical Theory