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In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects(...)
May 2016
Collective for a socialist architecture: proletarian building exhibition 1931
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In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects participating in the German Building Exhibition and CIAM, they cast architecture as an instrument of power, questioned capitalist solutions to the housing question, and unveiled planning approaches imported from the then-Soviet Union. A full facsimile of the exhibition manifesto/catalog and exhibition panels is featured in addition to contributing essays by contemporary architects, writers and educators, and the Collectives’ Annual Report including a proposed work program and statement of intent. Historical photos are interspersed throughout providing a full reconstruction of this significant architectural and sociopolitical event.
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Housing speaks directly to the challenges that define our times: social inequality, ecological crisis, displacement, asylum, migration and privatization. Framing the neo-liberal context as a defining condition of contemporary housing, International Case Studies consists of two parts: a series of essays by authors from architecture, anthropology, economy and literature,(...)
Collective Housing
July 2016
Housing after the neoliberal turn: international case studies
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$36.00
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Summary:
Housing speaks directly to the challenges that define our times: social inequality, ecological crisis, displacement, asylum, migration and privatization. Framing the neo-liberal context as a defining condition of contemporary housing, International Case Studies consists of two parts: a series of essays by authors from architecture, anthropology, economy and literature, and an “atlas” of global housing that takes neo-liberalism as its starting point. The essays shed light on the challenges and conflicts of contemporary housing production from Andrew Herscher’s research on the politics of “blight” in Detroit to Justin McGuirk’s text on domesticity as data and universal housing questions eclipse by the “Internet of Things.” Conceptualized and compiled by architectural critic-historian Anne Kockelkorn and Columbia professor Reinhold Martin, the illustrated “atlas” presents 33 housing examples rarely seen together and invites readers to think of housing as an unstable constellation evolving within the power relations of territorial processes.
Collective Housing
Hannes Meyer: Co-op interior
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In his Co-op Interieur (1926)—a simple corner of a room known only in a photograph— Swiss architect Hannes Meyer (1889–1954) gave expression to a radical, antibourgeois style of interior. Comprised only of a bed, a lamp, two chairs and a gramophone on a table, he imagined this room for the nomadic urban worker. Through the absence of people, objects and spatial features(...)
Architectural Theory
July 2016
Hannes Meyer: Co-op interior
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$45.00
(available to order)
Summary:
In his Co-op Interieur (1926)—a simple corner of a room known only in a photograph— Swiss architect Hannes Meyer (1889–1954) gave expression to a radical, antibourgeois style of interior. Comprised only of a bed, a lamp, two chairs and a gramophone on a table, he imagined this room for the nomadic urban worker. Through the absence of people, objects and spatial features as much as by the distinctiveness of its design, Meyer was proclaiming an alternative principle for housing, proposing that architecture and design were intended not to fulfill historically determined needs but to overcome their constraints. Historical photographs of the interior and three provocative essays on ownership, minimalism and the “unhomely,” by Brussels-based architecy Pier Vittrio, Mexican architect Raquel Franklin, and Gree architect Aristide Antonas, respectively, explore the layers of meaning within Meyer’s mise-en-scène manifesto on collectivity and utility as a counterpoint to ownership and private property.
Architectural Theory