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Summary:
This publication brings together an array of Norway and Switzerland's 19th-century artists, who shared an interest in capturing their native dramatic alpine landscapes. This illustrated book also examines the differences that climate, character, and political regimes have imposed on artistic practices. Distinct social and political situations in Norway and Switzerland(...)
$22.00
(available to order)
Summary:
This publication brings together an array of Norway and Switzerland's 19th-century artists, who shared an interest in capturing their native dramatic alpine landscapes. This illustrated book also examines the differences that climate, character, and political regimes have imposed on artistic practices. Distinct social and political situations in Norway and Switzerland(...)
Title:
Forests, rocks, torrents: Norwegian and Swiaa landscape paintings from the Lunde collection
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$22.00
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Summary:
This publication brings together an array of Norway and Switzerland's 19th-century artists, who shared an interest in capturing their native dramatic alpine landscapes. This illustrated book also examines the differences that climate, character, and political regimes have imposed on artistic practices. Distinct social and political situations in Norway and Switzerland yielded fundamental differences in the two countries' painting traditions. As Norway endured a long struggle for freedom, Switzerland remained proudly independent. While Norway was poor, isolated, and dependent for survival on its natural resources, the Swiss enjoyed prosperity, a cosmopolitan society, and prestige as an early center of industry. The authors examine how this was manifested in the landscape paintings of such prominent artists as Johan Christian Dahl, Thomas Fearnley, Peder Balke, and Alexandra Calame. This book also supplies a helpful chronology and brief artist biographies.
Forests, rocks, torrents: Norwegian and Swiaa landscape paintings from the Lunde collection
Actions:
Price:
$22.00
(available to order)
Summary:
This publication brings together an array of Norway and Switzerland's 19th-century artists, who shared an interest in capturing their native dramatic alpine landscapes. This illustrated book also examines the differences that climate, character, and political regimes have imposed on artistic practices. Distinct social and political situations in Norway and Switzerland yielded fundamental differences in the two countries' painting traditions. As Norway endured a long struggle for freedom, Switzerland remained proudly independent. While Norway was poor, isolated, and dependent for survival on its natural resources, the Swiss enjoyed prosperity, a cosmopolitan society, and prestige as an early center of industry. The authors examine how this was manifested in the landscape paintings of such prominent artists as Johan Christian Dahl, Thomas Fearnley, Peder Balke, and Alexandra Calame. This book also supplies a helpful chronology and brief artist biographies.
Form:
books
books
Publication:
August 2011
August 2011
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
