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journals and magazines
journals and magazines
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Guest edited by architect Greg Lynn, Log 36: ROBOLOG explores the challenges and potentials posed to architecture by the rapidly accelerating field of robotics. Tossing aside the usual fabrication-focused discourse around robots, the 23 contributors to ROBOLOG investigate topics ranging from hyperrealistic robotic drag queens to machine vision to buildings that move.
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Summary:
Guest edited by architect Greg Lynn, Log 36: ROBOLOG explores the challenges and potentials posed to architecture by the rapidly accelerating field of robotics. Tossing aside the usual fabrication-focused discourse around robots, the 23 contributors to ROBOLOG investigate topics ranging from hyperrealistic robotic drag queens to machine vision to buildings that move.
Title:
Log 36
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Summary:
Guest edited by architect Greg Lynn, Log 36: ROBOLOG explores the challenges and potentials posed to architecture by the rapidly accelerating field of robotics. Tossing aside the usual fabrication-focused discourse around robots, the 23 contributors to ROBOLOG investigate topics ranging from hyperrealistic robotic drag queens to machine vision to buildings that move.
Log 36
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$19.95
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Summary:
Guest edited by architect Greg Lynn, Log 36: ROBOLOG explores the challenges and potentials posed to architecture by the rapidly accelerating field of robotics. Tossing aside the usual fabrication-focused discourse around robots, the 23 contributors to ROBOLOG investigate topics ranging from hyperrealistic robotic drag queens to machine vision to buildings that move.
Form:
journals and magazines
journals and magazines
Publication:
March 2016
March 2016
Subject:
Magazines
Magazines
Form:
books
books
Price:
$13.00
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Summary:
At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious (...)
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At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious (...)
Subject:
Architectural Theory
Architectural Theory
Publication:
September 2000, Cambridge, Mass.
September 2000, Cambridge, Mass.
Title:
Anymore
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At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious period known as modernism. Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in "Anymore" are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhaas, Rosalind Krauss, Ignasi de Solà-Morales, Mark C. Taylor, Bernard Tschumi, and Anthony Vidler, as well as young architects from France whose work many American readers will encounter here for the first time. Anymore is the ninth book in the ongoing series that began in 1991 with "Anyone" and was followed by "Anywhere", "Anyway", "Anyplace", "Anywise", "Anybody", "Anyhow", and "Anytime". Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which "Anymore" is based took place in Paris in June 1999 and will be followed by "Anything".
Anymore
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Summary:
At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious period known as modernism. Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in "Anymore" are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhaas, Rosalind Krauss, Ignasi de Solà-Morales, Mark C. Taylor, Bernard Tschumi, and Anthony Vidler, as well as young architects from France whose work many American readers will encounter here for the first time. Anymore is the ninth book in the ongoing series that began in 1991 with "Anyone" and was followed by "Anywhere", "Anyway", "Anyplace", "Anywise", "Anybody", "Anyhow", and "Anytime". Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which "Anymore" is based took place in Paris in June 1999 and will be followed by "Anything".
Form:
books
books
Publication:
September 2000, Cambridge, Mass.
September 2000, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
journals and magazines
journals and magazines
Price:
$26.50
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Summary:
''Calls for more Blackness in architecture schools can be simplistic,'' writes architect Darell Wayne Fields, guest editor of Log 57. Well-meaning equity and inclusion programs often simply ''associate the mere presence of Black bodies with institutional change.'' In Log 57, a 208-page thematic issue titled ''Black is . . . an’ Black ain’t . . .,'' 29 authors explore the(...)
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''Calls for more Blackness in architecture schools can be simplistic,'' writes architect Darell Wayne Fields, guest editor of Log 57. Well-meaning equity and inclusion programs often simply ''associate the mere presence of Black bodies with institutional change.'' In Log 57, a 208-page thematic issue titled ''Black is . . . an’ Black ain’t . . .,'' 29 authors explore the(...)
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Log 57
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''Calls for more Blackness in architecture schools can be simplistic,'' writes architect Darell Wayne Fields, guest editor of Log 57. Well-meaning equity and inclusion programs often simply ''associate the mere presence of Black bodies with institutional change.'' In Log 57, a 208-page thematic issue titled ''Black is . . . an’ Black ain’t . . .,'' 29 authors explore the complexities of Blackness as it relates to aesthetics and architectural pedagogy. As Fields notes, ''In calling for more Blackness, I, for one, am calling for more Black methodology. An inherent characteristic of [which] is a measurement of difference.'' To that end, Log 57 gathers essays and reflections on architectural pedagogies, both in academia and in practice, by Sean Canty, Michelle JaJa Chang, Ajay Manthripragada, and Mónica Ponce de León, among others. Projects by young designers for whom methodological concepts of Black Signification and bricolage are central are presented in a four-color section, and built works and a preservation effort channel difference as a generative force in real-world communities. ''This work demonstrates what is possible when methodological change is real,'' writes Fields. ''Real change, like Blackness, makes us nervous. Black difference, however, is revolutionary.''
Log 57
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Summary:
''Calls for more Blackness in architecture schools can be simplistic,'' writes architect Darell Wayne Fields, guest editor of Log 57. Well-meaning equity and inclusion programs often simply ''associate the mere presence of Black bodies with institutional change.'' In Log 57, a 208-page thematic issue titled ''Black is . . . an’ Black ain’t . . .,'' 29 authors explore the complexities of Blackness as it relates to aesthetics and architectural pedagogy. As Fields notes, ''In calling for more Blackness, I, for one, am calling for more Black methodology. An inherent characteristic of [which] is a measurement of difference.'' To that end, Log 57 gathers essays and reflections on architectural pedagogies, both in academia and in practice, by Sean Canty, Michelle JaJa Chang, Ajay Manthripragada, and Mónica Ponce de León, among others. Projects by young designers for whom methodological concepts of Black Signification and bricolage are central are presented in a four-color section, and built works and a preservation effort channel difference as a generative force in real-world communities. ''This work demonstrates what is possible when methodological change is real,'' writes Fields. ''Real change, like Blackness, makes us nervous. Black difference, however, is revolutionary.''
Form:
journals and magazines
journals and magazines
Publication:
March 2023
March 2023
Subject:
Magazines
Magazines
Form:
books
books
Price:
$26.50
(available in store)
Summary:
From building renovations to drawing trees and planting forests; AI and air flow; exhibitions of architecture and architecture for exhibitions, Log 58 brings together articles by 18 authors, both new and established. In this 160-page open issue, Emmett Zeifman codifies “Five Points” in the work of Lacaton & Vassal and Lisa Hsieh finds kawaii qualities in Hideyuki(...)
$26.50
(available in store)
Summary:
From building renovations to drawing trees and planting forests; AI and air flow; exhibitions of architecture and architecture for exhibitions, Log 58 brings together articles by 18 authors, both new and established. In this 160-page open issue, Emmett Zeifman codifies “Five Points” in the work of Lacaton & Vassal and Lisa Hsieh finds kawaii qualities in Hideyuki(...)
Title:
Log 58
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$26.50
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Summary:
From building renovations to drawing trees and planting forests; AI and air flow; exhibitions of architecture and architecture for exhibitions, Log 58 brings together articles by 18 authors, both new and established. In this 160-page open issue, Emmett Zeifman codifies “Five Points” in the work of Lacaton & Vassal and Lisa Hsieh finds kawaii qualities in Hideyuki Nakayama’s designs. Harish Krishnamoorthy explores two politicized Hong Kong museums while Cynthia Davidson studies Studio Gang’s addition to the American Museum of Natural History in New York. Mario Carpo considers the generative capacity of precedents in AI; Ian Erickson, the form-finding potential of a digital breeze; and Phillip Denny, the details of a drawing by Michelle JaJa Chang. Shiila Infriccioli recounts the aftermath of a storm in Italy, Waiko Waida storyboards an early modern movement in Japan, and Norihisa Kawashima renovates an office building.
Log 58
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$26.50
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Summary:
From building renovations to drawing trees and planting forests; AI and air flow; exhibitions of architecture and architecture for exhibitions, Log 58 brings together articles by 18 authors, both new and established. In this 160-page open issue, Emmett Zeifman codifies “Five Points” in the work of Lacaton & Vassal and Lisa Hsieh finds kawaii qualities in Hideyuki Nakayama’s designs. Harish Krishnamoorthy explores two politicized Hong Kong museums while Cynthia Davidson studies Studio Gang’s addition to the American Museum of Natural History in New York. Mario Carpo considers the generative capacity of precedents in AI; Ian Erickson, the form-finding potential of a digital breeze; and Phillip Denny, the details of a drawing by Michelle JaJa Chang. Shiila Infriccioli recounts the aftermath of a storm in Italy, Waiko Waida storyboards an early modern movement in Japan, and Norihisa Kawashima renovates an office building.
Form:
books
books
Publication:
October 2023
October 2023
Subject:
Magazines
Magazines
Form:
books
books
Title:
Tracing Eisenman
Tracing Eisenman
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$100.00
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Summary:
Perhaps more than any other architect practicing today, Peter Eisenman has made a career out of devising a dialectic of oppositions in architecture. With references to societal alienation and existing architectural forms, his work derives much from Friedrich Nietzsche, Noam Chomsky, and Jacques Derrida. He led the loosely knit group of architects known as "The New York(...)
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Summary:
Perhaps more than any other architect practicing today, Peter Eisenman has made a career out of devising a dialectic of oppositions in architecture. With references to societal alienation and existing architectural forms, his work derives much from Friedrich Nietzsche, Noam Chomsky, and Jacques Derrida. He led the loosely knit group of architects known as "The New York(...)
Title:
Tracing Eisenman
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$100.00
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Summary:
Perhaps more than any other architect practicing today, Peter Eisenman has made a career out of devising a dialectic of oppositions in architecture. With references to societal alienation and existing architectural forms, his work derives much from Friedrich Nietzsche, Noam Chomsky, and Jacques Derrida. He led the loosely knit group of architects known as "The New York Five" (which included John Hejduk, Michael Graves, Charles Gwathmey, and Richard Meier), who made an effort to introduce a theory and artistry of modernist architecture as rigorous as that of the European avant-garde. This is the first comprehensive single-volume overview ever published on Eisenman's buildings and projects, from his first work, House I (1960), to his most recent projects, currently under construction in Spain and Germany. The book includes all the projects Eisenman has created, with essays from international architects and critics, including Greg Lynn, Sanford Kwinter, and Stan Allen.Eisenman currently teaches at New York's Cooper Union and at Princeton University. He has designed a wide range of projects, including the Wexner Center at Ohio State University, which received a 1993 National Honor Award from the American Institute of Architects, and the Holocaust Memorial in Berlin, which opened in spring 2005.
Tracing Eisenman
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$100.00
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Summary:
Perhaps more than any other architect practicing today, Peter Eisenman has made a career out of devising a dialectic of oppositions in architecture. With references to societal alienation and existing architectural forms, his work derives much from Friedrich Nietzsche, Noam Chomsky, and Jacques Derrida. He led the loosely knit group of architects known as "The New York Five" (which included John Hejduk, Michael Graves, Charles Gwathmey, and Richard Meier), who made an effort to introduce a theory and artistry of modernist architecture as rigorous as that of the European avant-garde. This is the first comprehensive single-volume overview ever published on Eisenman's buildings and projects, from his first work, House I (1960), to his most recent projects, currently under construction in Spain and Germany. The book includes all the projects Eisenman has created, with essays from international architects and critics, including Greg Lynn, Sanford Kwinter, and Stan Allen.Eisenman currently teaches at New York's Cooper Union and at Princeton University. He has designed a wide range of projects, including the Wexner Center at Ohio State University, which received a 1993 National Honor Award from the American Institute of Architects, and the Holocaust Memorial in Berlin, which opened in spring 2005.
Form:
books
books
Publication:
October 2006, New York
October 2006, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
journals and magazines
journals and magazines
Price:
$24.00
(available in store)
Summary:
The latest issue of is now available at the bookstore.
$24.00
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Summary:
The latest issue of is now available at the bookstore.
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journals and magazines
journals and magazines
Title:
Log 20 Fall 2010
Log 20 Fall 2010
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$16.00
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Log 20, published on the occasion of the 12th Venice Architecture Biennale, considers curating architecture both within its contemporary guises and historical lineage. Practitioners from New York to Paris, Montreal to Tokyo propose curating as advocacy, as atmosphere, and as architecture itself, assembling in this special thematic issue what is arguably the first(...)
$16.00
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Summary:
Log 20, published on the occasion of the 12th Venice Architecture Biennale, considers curating architecture both within its contemporary guises and historical lineage. Practitioners from New York to Paris, Montreal to Tokyo propose curating as advocacy, as atmosphere, and as architecture itself, assembling in this special thematic issue what is arguably the first(...)
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Log 20 Fall 2010
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$16.00
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Summary:
Log 20, published on the occasion of the 12th Venice Architecture Biennale, considers curating architecture both within its contemporary guises and historical lineage. Practitioners from New York to Paris, Montreal to Tokyo propose curating as advocacy, as atmosphere, and as architecture itself, assembling in this special thematic issue what is arguably the first compendium of contemporary practices on this emerging discourse.
Log 20 Fall 2010
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$16.00
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Summary:
Log 20, published on the occasion of the 12th Venice Architecture Biennale, considers curating architecture both within its contemporary guises and historical lineage. Practitioners from New York to Paris, Montreal to Tokyo propose curating as advocacy, as atmosphere, and as architecture itself, assembling in this special thematic issue what is arguably the first compendium of contemporary practices on this emerging discourse.
Form:
journals and magazines
journals and magazines
Publication:
September 2010
September 2010
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$16.00
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Summary:
The absurd gets serious about the seemingly irrational side of architecture. Guest edited by Michael Meredith of MOS, this special thematic issue identifies the funny, ugly, contradictory, and more fuzzy realms of architecture, disavowing the purported orderliness of disciplinary presumptions to uncloak the implausibility at its core and present new possibilities for(...)
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Summary:
The absurd gets serious about the seemingly irrational side of architecture. Guest edited by Michael Meredith of MOS, this special thematic issue identifies the funny, ugly, contradictory, and more fuzzy realms of architecture, disavowing the purported orderliness of disciplinary presumptions to uncloak the implausibility at its core and present new possibilities for(...)
Title:
Log 22, spring/summer 2011: the absurb
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$16.00
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Summary:
The absurd gets serious about the seemingly irrational side of architecture. Guest edited by Michael Meredith of MOS, this special thematic issue identifies the funny, ugly, contradictory, and more fuzzy realms of architecture, disavowing the purported orderliness of disciplinary presumptions to uncloak the implausibility at its core and present new possibilities for experimentation.
Log 22, spring/summer 2011: the absurb
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$16.00
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Summary:
The absurd gets serious about the seemingly irrational side of architecture. Guest edited by Michael Meredith of MOS, this special thematic issue identifies the funny, ugly, contradictory, and more fuzzy realms of architecture, disavowing the purported orderliness of disciplinary presumptions to uncloak the implausibility at its core and present new possibilities for experimentation.
Form:
journals and magazines
journals and magazines
Publication:
June 2011
June 2011
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$25.50
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The latest issue is now available at the bookstore!
$25.50
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The latest issue is now available at the bookstore!
Title:
Log 47 : overcoming carbon form
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$25.50
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The latest issue is now available at the bookstore!
Log 47 : overcoming carbon form
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$25.50
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Summary:
The latest issue is now available at the bookstore!
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journals and magazines
journals and magazines
Publication:
October 2019
October 2019
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$26.50
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Summary:
The latest issue is now available at the bookstore.
$26.50
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The latest issue is now available at the bookstore.
Title:
Log 55, summer 2022 : Observations on architecture and the contemporary city
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$26.50
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The latest issue is now available at the bookstore.
Log 55, summer 2022 : Observations on architecture and the contemporary city
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$26.50
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The latest issue is now available at the bookstore.
Form:
journals and magazines
journals and magazines
Publication:
July 2022
July 2022
Subject:
Magazines
Magazines
