Log 12 spring/summer 2008
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Marc Angélil and Cary Siress map the Mercato Denise Bratton talks Third Landscape with Gilles Clément Michael Cadwell weighs two stones Joseph Clarke analyzes the unconscious of algorithms Mark Dorrian reassesses image and index Luis Fernàndez-Galiano overhears canine conversation Kurt W. Forster considers the contemporary museum Marco Frascari waxes elegant on(...)
Log 12 spring/summer 2008
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Marc Angélil and Cary Siress map the Mercato Denise Bratton talks Third Landscape with Gilles Clément Michael Cadwell weighs two stones Joseph Clarke analyzes the unconscious of algorithms Mark Dorrian reassesses image and index Luis Fernàndez-Galiano overhears canine conversation Kurt W. Forster considers the contemporary museum Marco Frascari waxes elegant on architecture's elegance David Gissen negotiates the geographic turn Wes Jones rereads the modern Chris Pierce visits a villa Albert Pope subjects Waterfront City to public scrutiny Hanno Rauterberg test drives BMW Welt Jonathan D.Solomon hunts for housing in Hong Kong Teresa Stoppani follows the Venitian meander Stephen Talasnik constructs with graphite Plus: observations from New York, London, Beijing, Almere, Los Angeles, Dubai...
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The latest issue is now available at the bookstore!
Log 47 : overcoming carbon form
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Log 49 Summer 2020
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As the world reckons with the compounding crises of a pandemic, racial unrest, a recession, and climate change, 'Log 49' compiles essays, interviews, observations, and manifestos by 29 authors in an effort to make sense of architecture, the city, and nature in the midst of turmoil.
Log 49 Summer 2020
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As the world reckons with the compounding crises of a pandemic, racial unrest, a recession, and climate change, 'Log 49' compiles essays, interviews, observations, and manifestos by 29 authors in an effort to make sense of architecture, the city, and nature in the midst of turmoil.
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The latest issue of is now available at the bookstore.
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The latest issue is now available at the bookstore.
Log 55, summer 2022 : Observations on architecture and the contemporary city
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The latest issue is now available at the bookstore.
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Log 41 both observes the state of architecture today and devotes 114 pages to a special section called Working Queer, guest-edited by architect Jaffer Kolb. From Hans Tursack’s commentary on “shape architecture” to Michael Young’s valuation of parafiction as a critique of realism; from Lisa Hsieh’s examination of modernology in Japan to Cynthia Davidson’s conversation(...)
Log 41
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Log 41 both observes the state of architecture today and devotes 114 pages to a special section called Working Queer, guest-edited by architect Jaffer Kolb. From Hans Tursack’s commentary on “shape architecture” to Michael Young’s valuation of parafiction as a critique of realism; from Lisa Hsieh’s examination of modernology in Japan to Cynthia Davidson’s conversation with Martino Stierli, Log 41 considers both history and the contemporary. In Working Queer, nineteen authors take a similar look at history and the contemporary in articles ranging from homo-fascism in early 20th-century aesthetics to trans gender bathroom typologies for today, as well as methods of work, materials, and mediation that can all be considered queer, or queering, in our pluralist, mediated world.
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Guest edited by architect Greg Lynn, Log 36: ROBOLOG explores the challenges and potentials posed to architecture by the rapidly accelerating field of robotics. Tossing aside the usual fabrication-focused discourse around robots, the 23 contributors to ROBOLOG investigate topics ranging from hyperrealistic robotic drag queens to machine vision to buildings that move.
Log 36
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Guest edited by architect Greg Lynn, Log 36: ROBOLOG explores the challenges and potentials posed to architecture by the rapidly accelerating field of robotics. Tossing aside the usual fabrication-focused discourse around robots, the 23 contributors to ROBOLOG investigate topics ranging from hyperrealistic robotic drag queens to machine vision to buildings that move.
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At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious (...)
Architectural Theory
September 2000, Cambridge, Mass.
Anymore
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At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious period known as modernism. Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in "Anymore" are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhaas, Rosalind Krauss, Ignasi de Solà-Morales, Mark C. Taylor, Bernard Tschumi, and Anthony Vidler, as well as young architects from France whose work many American readers will encounter here for the first time. Anymore is the ninth book in the ongoing series that began in 1991 with "Anyone" and was followed by "Anywhere", "Anyway", "Anyplace", "Anywise", "Anybody", "Anyhow", and "Anytime". Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which "Anymore" is based took place in Paris in June 1999 and will be followed by "Anything".
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September 2000, Cambridge, Mass.
Architectural Theory
Tracing Eisenman
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Perhaps more than any other architect practicing today, Peter Eisenman has made a career out of devising a dialectic of oppositions in architecture. With references to societal alienation and existing architectural forms, his work derives much from Friedrich Nietzsche, Noam Chomsky, and Jacques Derrida. He led the loosely knit group of architects known as "The New York(...)
Tracing Eisenman
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Perhaps more than any other architect practicing today, Peter Eisenman has made a career out of devising a dialectic of oppositions in architecture. With references to societal alienation and existing architectural forms, his work derives much from Friedrich Nietzsche, Noam Chomsky, and Jacques Derrida. He led the loosely knit group of architects known as "The New York Five" (which included John Hejduk, Michael Graves, Charles Gwathmey, and Richard Meier), who made an effort to introduce a theory and artistry of modernist architecture as rigorous as that of the European avant-garde. This is the first comprehensive single-volume overview ever published on Eisenman's buildings and projects, from his first work, House I (1960), to his most recent projects, currently under construction in Spain and Germany. The book includes all the projects Eisenman has created, with essays from international architects and critics, including Greg Lynn, Sanford Kwinter, and Stan Allen.Eisenman currently teaches at New York's Cooper Union and at Princeton University. He has designed a wide range of projects, including the Wexner Center at Ohio State University, which received a 1993 National Honor Award from the American Institute of Architects, and the Holocaust Memorial in Berlin, which opened in spring 2005.
Architecture Monographs
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Essays by Donna Barry, Henry N. Cobb, Kurt W. Forster, K. Michael Hays, Jeffrey Kipnis, Silvia Kolbowski, Sanford Kwinter, Sarah Whiting, and Alejandro Zaera-Polo.
Eleven authors in search of a building : Aronoff Center for design and art
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Essays by Donna Barry, Henry N. Cobb, Kurt W. Forster, K. Michael Hays, Jeffrey Kipnis, Silvia Kolbowski, Sanford Kwinter, Sarah Whiting, and Alejandro Zaera-Polo.
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January 1997, New York
Architecture Monographs