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Summary:
This important and substantial collection brings together an assortment of texts both old and new, with writings on art, artists' books, architecture and various artists Graham admires, such as Carl Andre, Sol LeWitt, Claes Oldenburg, Jeff Wall and John Chamberlain. Also included is a selection of interviews conducted since the 1990s, most notably on his large-scale(...)
Nuggets: new and old writing on art, architecture, and culture
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This important and substantial collection brings together an assortment of texts both old and new, with writings on art, artists' books, architecture and various artists Graham admires, such as Carl Andre, Sol LeWitt, Claes Oldenburg, Jeff Wall and John Chamberlain. Also included is a selection of interviews conducted since the 1990s, most notably on his large-scale installations and pavilions incorporating mirrors--a culmination of his long examination of the psychological relationship between people and architecture. This book is part of JRP|Ringier's Positions series, co-published with Les Presses du réel.
Critical Theory
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Dan Graham
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Dan Graham is among the most influential of the Conceptual artists who emerged in America during the mid 1960s. A pioneer in performance and video art in the 1970s, Graham later turned his attention to architectural projects designed for social interaction in public spaces, among them The Children’s Pavilion (1989) with Jeff Wall. Writing has always been a major aspect(...)
Contemporary Art Monographs
May 2001, London
Dan Graham
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Dan Graham is among the most influential of the Conceptual artists who emerged in America during the mid 1960s. A pioneer in performance and video art in the 1970s, Graham later turned his attention to architectural projects designed for social interaction in public spaces, among them The Children’s Pavilion (1989) with Jeff Wall. Writing has always been a major aspect of Graham’s work. His texts range from early Conceptual art pieces inserted in mass-market magazines, to writing on his fellow artists, to analyses of popular culture, from Dean Martin to the post-Punk era. Well-known also among architects and urban theorists, during the 1990s Graham has been offered major public commissions throughout North America and Europe. London-based curator Mark Francis discusses with the artist how his public participation-based work has evolved. Brussels-based critic Birgit Pelzer draws on her extensive knowledge of Graham’s work and writings. New York-based architectural theorist Beatriz Colomina focuses on Graham’s Alteration to a Suburban House (1978). The artist has chosen an extract from the science fiction novel Ubik by Philip K Dick, whose writings were a formative influence. A substantial Artist’s Writings section, key to understanding Dan Graham, completes the book.
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May 2001, London
Contemporary Art Monographs
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Dan Graham : architecture
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Through texts and a thirty-year survey of projects, this book presents a diverse body of work situated on the divide between art and architecture.
Contemporary Art Monographs
April 1997, London
Dan Graham : architecture
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Through texts and a thirty-year survey of projects, this book presents a diverse body of work situated on the divide between art and architecture.
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April 1997, London
Contemporary Art Monographs
Dan Graham: Theatre
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This is an artist book that documents seven early performances by Dan Graham taking place from 1969 to 1977 with notes, transcripts, or photographs for each work. Originally published in 1978, and produced here in facsimile form, the publication focuses on several key works that interrogate or undermine the psychological and social space created by, or between,(...)
Dan Graham: Theatre
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$22.00
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Summary:
This is an artist book that documents seven early performances by Dan Graham taking place from 1969 to 1977 with notes, transcripts, or photographs for each work. Originally published in 1978, and produced here in facsimile form, the publication focuses on several key works that interrogate or undermine the psychological and social space created by, or between, individuals inside the performance venue. Like most of Graham’s work, they also serve as a critique of cultural norms, with many of the performances utilizing quotidian, social acts that are amplified over time.
Contemporary Art Monographs