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Walker Evans (1903-1975) was one of the most important and influential artists of the twentieth century, producing a body of photographs that continues to shape our understanding of the modern era. He worked in every genre and format, in black & white and colour, but two passions were constant: literature and the printed page. While his photographic books are among the(...)
Walker Evans: the magazine work
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Walker Evans (1903-1975) was one of the most important and influential artists of the twentieth century, producing a body of photographs that continues to shape our understanding of the modern era. He worked in every genre and format, in black & white and colour, but two passions were constant: literature and the printed page. While his photographic books are among the most influential in the medium's history, Evans's more ephemeral pages remain largely unknown. From small avant-garde publications to mainstream titles such as Harper's Bazaar, Vogue, Architectural Forum, Life and Fortune he produced innovative and independent journalism, often setting his own assignments, editing, writing and designing his pages. Presenting many of his photo-essays in their entirety Walker Evans: the Magazine Work assembles the unwritten history of this work, allowing us to see how he protected his autonomy, earned a living and found audiences far beyond the museum and gallery.
Photography monographs
David Campany: gasoline
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Gasoline presents 35 archive press images of gas stations taken between 1944 and 1995. They have been collected by writer David Campany, purchased from the photography archives of several American newspapers which have been discarding their analogue print collections and moving to the now ubiquitous .jpeg or .tif formats.
David Campany: gasoline
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Gasoline presents 35 archive press images of gas stations taken between 1944 and 1995. They have been collected by writer David Campany, purchased from the photography archives of several American newspapers which have been discarding their analogue print collections and moving to the now ubiquitous .jpeg or .tif formats.
Photography monographs
Andreas Gefeller: blank
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In his most recent photo project, ''Blank'', German photographer Andreas Gefeller (born 1970) presents seductively radiant satellite images of urban areas by night. The images combine technoid strips of light and light grids to become crystalline diagrams of human existence.
Andreas Gefeller: blank
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In his most recent photo project, ''Blank'', German photographer Andreas Gefeller (born 1970) presents seductively radiant satellite images of urban areas by night. The images combine technoid strips of light and light grids to become crystalline diagrams of human existence.
Photography monographs
Fred Herzog: modern color
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Fred Herzog is best known for his unusual use of color photography in the 1950s and 1960s, a time when art photography was almost exclusively associated with black-and-white imagery. In this respect, his photographs can be seen as prefiguring the New Color photographers of the 1970s. The Canadian photographer worked largely with Kodachrome slide film for over 50 years,(...)
Photography monographs
February 2017
Fred Herzog: modern color
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Fred Herzog is best known for his unusual use of color photography in the 1950s and 1960s, a time when art photography was almost exclusively associated with black-and-white imagery. In this respect, his photographs can be seen as prefiguring the New Color photographers of the 1970s. The Canadian photographer worked largely with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional color and intensity of the Kodachrome slide, making this an excellent time to reevaluate and reexamine his work. This book brings together over 230 images, many never before reproduced, and features essays by acclaimed authors David Campany, Hans-Michael Koetzle and artist Jeff Wall. Fred Herzog is the most comprehensive publication on this important photographer to date.
Photography monographs
On photographs
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke(...)
On photographs
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier’s contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany’s lucid and incisive commentary, considering the history of that image and its creator, interpreting its content and meaning, and connecting and contextualizing it with visual culture. Image by image, we absorb and appreciate Campany’s complex yet playful take on photography and its history.
Theory of Photography
Victor Burgin's photopath
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''A path along the floor, of proportions 1×21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects.'' With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it(...)
Victor Burgin's photopath
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''A path along the floor, of proportions 1×21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects.'' With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it was exhibited, it had to be made anew, unique to its setting. Embracing Minimalism and Conceptual art, performance and site-specific installation, there is no other artwork like Photopath. In his characteristically analytical and associative manner, writer and curator David Campany takes the reader through the history and implications of Photopath, and their place in the breadth of Victor Burgin’s art and theoretical writings.
Theory of Photography
Pablo López Luz: Baja Moda
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The project "Baja Moda (Low Fashion)" explores two key aspects of contemporary Latin American culture: identity and resistance. While working on a previous project across Latin America, I began documenting store fronts and shoe shops still standing unaltered through the passage of time, unconcerned with the tendencies of modern globalized culture, seemingly opposing the(...)
Pablo López Luz: Baja Moda
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The project "Baja Moda (Low Fashion)" explores two key aspects of contemporary Latin American culture: identity and resistance. While working on a previous project across Latin America, I began documenting store fronts and shoe shops still standing unaltered through the passage of time, unconcerned with the tendencies of modern globalized culture, seemingly opposing the economic transition to overseas manufacturing.
Photography monographs
Scene: Alex Majoli
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For eight years and across several continents, Alex Majoli has been photographing events and non-events. Political demonstrations, humanitarian emergencies, and quiet moments of everyday life. What holds all these images together is a sense of theatre. A sense that we are all actors, all playing the parts that history and circumstance demand of us. Majoli's photographs(...)
Scene: Alex Majoli
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For eight years and across several continents, Alex Majoli has been photographing events and non-events. Political demonstrations, humanitarian emergencies, and quiet moments of everyday life. What holds all these images together is a sense of theatre. A sense that we are all actors, all playing the parts that history and circumstance demand of us. Majoli's photographs result from his own performance. Entering a situation, he and his assistants slowly go about setting up a camera and lights. This activity is a kind of spectacle in itself, observed by those who will eventually be photographed. Majoli begins to shoot, offering no direction to the people before his camera. We never really see people or places: we see the light they reflect. And the quality of that light affects how we understand them.
Photography monographs
Scène : Alex Majoli
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Huit ans durant, Alex Majoli a parcouru le globe pour photographier des événements et des non-événements. Des manifestations politiques, des urgences humanitaires ou des moments paisibles de la vie quotidienne. Bien qu'hétéroclites, ces images semblent avoir en commun - du moins au premier regard - le même type de lumière ainsi qu'un certain sens de la théâtralité. Le(...)
Scène : Alex Majoli
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Huit ans durant, Alex Majoli a parcouru le globe pour photographier des événements et des non-événements. Des manifestations politiques, des urgences humanitaires ou des moments paisibles de la vie quotidienne. Bien qu'hétéroclites, ces images semblent avoir en commun - du moins au premier regard - le même type de lumière ainsi qu'un certain sens de la théâtralité. Le sentiment que nous sommes tous acteurs aux prises avec les différents rôles que l'histoire et les circonstances exigent de nous.
Photography monographs
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''Silver and Glass'' is the first publication to explore the application and influence of photography in the art of the popular British artist Cornelia Parker (born 1956). The book is illustrated by works from across Parker's career, including those which arose from her investigations into the photogravure. Inspired by the 19th-century photographic pioneer William Henry(...)
Photography monographs
January 2019
Silver and glass: Cornelia Parker and photography
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''Silver and Glass'' is the first publication to explore the application and influence of photography in the art of the popular British artist Cornelia Parker (born 1956). The book is illustrated by works from across Parker's career, including those which arose from her investigations into the photogravure. Inspired by the 19th-century photographic pioneer William Henry Fox Talbot, Parker combined two of his early techniques- solar prints and the photogravure- to create a new hybrid form of print by exposing translucent three-dimensional objects to ultraviolet light.
Photography monographs