$39.95
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Summary:
These essays have been published in a broad range of magazines, including Aperture, ArtForum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects ranging from “Photography and Propaganda” to the imagery of dreams; from Sebastião Salgado’s epic social documents to the deeply personal photographic revelations of Francesca(...)
Between the eyes : essays on photography and politics
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Price:
$39.95
(available to order)
Summary:
These essays have been published in a broad range of magazines, including Aperture, ArtForum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects ranging from “Photography and Propaganda” to the imagery of dreams; from Sebastião Salgado’s epic social documents to the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay “Photography and belief,” and in “The highest degree of illusion,” Strauss discusses the media frenzy surrounding the events of September 11.
Theory of Photography
Photography and belief
$20.00
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Summary:
Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. Offering a poignant argument in the era of ''fake news,' Strauss draws attention to new changes in the technology of seeing. Some uses of(...)
Photography and belief
Actions:
Price:
$20.00
(available in store)
Summary:
Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. Offering a poignant argument in the era of ''fake news,' Strauss draws attention to new changes in the technology of seeing. Some uses of 'technical images' are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images.
Theory of Photography