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Riffing off the title, this volume includes an interview with Carolyn Lazard – an artist whose conceptual and often spare videos, sculptures, installations, and performances explore the full amplitude of relation – by Catherine Damman, plus a feature on New York-based contemporary artist Tishan Hsu, whose practice examines the “embodiment of technology”, and contributions(...)
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Riffing off the title, this volume includes an interview with Carolyn Lazard – an artist whose conceptual and often spare videos, sculptures, installations, and performances explore the full amplitude of relation – by Catherine Damman, plus a feature on New York-based contemporary artist Tishan Hsu, whose practice examines the “embodiment of technology”, and contributions(...)
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F.R. David, spring 2023 : Zeros and ones
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Riffing off the title, this volume includes an interview with Carolyn Lazard – an artist whose conceptual and often spare videos, sculptures, installations, and performances explore the full amplitude of relation – by Catherine Damman, plus a feature on New York-based contemporary artist Tishan Hsu, whose practice examines the “embodiment of technology”, and contributions by time-based media artist Silvia Kolbowski, for whom political resistance, the unconscious, and structures of spectatorship are a central concern of all her projects; choreographer and dancer Yvonne Rainer; and science fiction author Octavia Butler. Edited with Kathrin Bentele, Anna Gritz, and Ghislaine Leung.
F.R. David, spring 2023 : Zeros and ones
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Riffing off the title, this volume includes an interview with Carolyn Lazard – an artist whose conceptual and often spare videos, sculptures, installations, and performances explore the full amplitude of relation – by Catherine Damman, plus a feature on New York-based contemporary artist Tishan Hsu, whose practice examines the “embodiment of technology”, and contributions by time-based media artist Silvia Kolbowski, for whom political resistance, the unconscious, and structures of spectatorship are a central concern of all her projects; choreographer and dancer Yvonne Rainer; and science fiction author Octavia Butler. Edited with Kathrin Bentele, Anna Gritz, and Ghislaine Leung.
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books
books
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April 2023
April 2023
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Magazines
Magazines
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books
books
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F.R.DAVID was concerned with the organisation of reading and writing in contemporary art practice. Following an open call, this is - the very last issue - a collectively-compiled "Erratum", or addendum [if you will] to the twenty-three issues from 2007 until now.
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Summary:
F.R.DAVID was concerned with the organisation of reading and writing in contemporary art practice. Following an open call, this is - the very last issue - a collectively-compiled "Erratum", or addendum [if you will] to the twenty-three issues from 2007 until now.
Title:
F.R. David, winter 2023 : Erratum
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F.R.DAVID was concerned with the organisation of reading and writing in contemporary art practice. Following an open call, this is - the very last issue - a collectively-compiled "Erratum", or addendum [if you will] to the twenty-three issues from 2007 until now.
F.R. David, winter 2023 : Erratum
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Summary:
F.R.DAVID was concerned with the organisation of reading and writing in contemporary art practice. Following an open call, this is - the very last issue - a collectively-compiled "Erratum", or addendum [if you will] to the twenty-three issues from 2007 until now.
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books
books
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April 2023
April 2023
Subject:
Magazines
Magazines
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books
books
Title:
F.R David : spring 2017
F.R David : spring 2017
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F.R.DAVID is a typographical journal, edited by Will Holder, dealing with the organisation of reading and writing in contemporary art practises. This 13th issue of F.R.DAVID is edited with Riet Wijnen, and has its origins in her Registry of Pseudonyms, an online database which accounts for who is who and why who is who. ‘Inverted Commas’ follows ‘pseudonym’ through names,(...)
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Summary:
F.R.DAVID is a typographical journal, edited by Will Holder, dealing with the organisation of reading and writing in contemporary art practises. This 13th issue of F.R.DAVID is edited with Riet Wijnen, and has its origins in her Registry of Pseudonyms, an online database which accounts for who is who and why who is who. ‘Inverted Commas’ follows ‘pseudonym’ through names,(...)
Title:
F.R David : spring 2017
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F.R.DAVID is a typographical journal, edited by Will Holder, dealing with the organisation of reading and writing in contemporary art practises. This 13th issue of F.R.DAVID is edited with Riet Wijnen, and has its origins in her Registry of Pseudonyms, an online database which accounts for who is who and why who is who. ‘Inverted Commas’ follows ‘pseudonym’ through names, naming, bodies, brains, self, author, other, reader, labour.
F.R David : spring 2017
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F.R.DAVID is a typographical journal, edited by Will Holder, dealing with the organisation of reading and writing in contemporary art practises. This 13th issue of F.R.DAVID is edited with Riet Wijnen, and has its origins in her Registry of Pseudonyms, an online database which accounts for who is who and why who is who. ‘Inverted Commas’ follows ‘pseudonym’ through names, naming, bodies, brains, self, author, other, reader, labour.
Form:
books
books
Publication:
February 2017
February 2017
Subject:
Art Theory
Art Theory
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journals and magazines
journals and magazines
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Edited by Will Holder, the constellation of material in this issue collectively philosophises on topics that deal with difference and the transformative processes between things. It essentially puts forth the notion of the intellectual as a transitional identity. Contributions from various contemporary, historical, and even ancient authors and sources include George(...)
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Summary:
Edited by Will Holder, the constellation of material in this issue collectively philosophises on topics that deal with difference and the transformative processes between things. It essentially puts forth the notion of the intellectual as a transitional identity. Contributions from various contemporary, historical, and even ancient authors and sources include George(...)
Title:
F.R.DAVID, Autumn 2020 : correctional facility
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Edited by Will Holder, the constellation of material in this issue collectively philosophises on topics that deal with difference and the transformative processes between things. It essentially puts forth the notion of the intellectual as a transitional identity. Contributions from various contemporary, historical, and even ancient authors and sources include George Orwell, Simone Weil, Apuleius, Ian Hamilton Finlay, Alan Stanbridge, John Cage, Bernadette Mayer, Anne Carson, Barbara Guest, Jenn Ashworth, Lewis Hyde, and many others. The volume begins with an introduction by Charles Bernstein and concludes with an afterword by Robert Duncan.
F.R.DAVID, Autumn 2020 : correctional facility
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Summary:
Edited by Will Holder, the constellation of material in this issue collectively philosophises on topics that deal with difference and the transformative processes between things. It essentially puts forth the notion of the intellectual as a transitional identity. Contributions from various contemporary, historical, and even ancient authors and sources include George Orwell, Simone Weil, Apuleius, Ian Hamilton Finlay, Alan Stanbridge, John Cage, Bernadette Mayer, Anne Carson, Barbara Guest, Jenn Ashworth, Lewis Hyde, and many others. The volume begins with an introduction by Charles Bernstein and concludes with an afterword by Robert Duncan.
Form:
journals and magazines
journals and magazines
Publication:
October 2020
October 2020
Subject:
Magazines
Magazines
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books
books
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The nineteenth issue of ‘F.R.DAVID’ is edited by Will Holder and Paula Abbott, and will serve as a reader for “We can still see the horizon (and it’s curved)”, a summer residency in Scotland led by the editors. It includes a surprising array of contributions from writer Jorge Luis Borges, journalist and writer Italo Calvino, composer Hugo Cole, literary critic and(...)
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The nineteenth issue of ‘F.R.DAVID’ is edited by Will Holder and Paula Abbott, and will serve as a reader for “We can still see the horizon (and it’s curved)”, a summer residency in Scotland led by the editors. It includes a surprising array of contributions from writer Jorge Luis Borges, journalist and writer Italo Calvino, composer Hugo Cole, literary critic and(...)
Title:
F.R. David spring 2020 : very good
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The nineteenth issue of ‘F.R.DAVID’ is edited by Will Holder and Paula Abbott, and will serve as a reader for “We can still see the horizon (and it’s curved)”, a summer residency in Scotland led by the editors. It includes a surprising array of contributions from writer Jorge Luis Borges, journalist and writer Italo Calvino, composer Hugo Cole, literary critic and theorist Barbara Herrnstein Smith, percussionist Milford Graves, philosopher Michel Serres, novelist and essayist Wilson Harris, poet Bernadette Mayer, composer and music theorist Harry Partch, pianist and poet Cecil Taylor, and several others.
F.R. David spring 2020 : very good
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Summary:
The nineteenth issue of ‘F.R.DAVID’ is edited by Will Holder and Paula Abbott, and will serve as a reader for “We can still see the horizon (and it’s curved)”, a summer residency in Scotland led by the editors. It includes a surprising array of contributions from writer Jorge Luis Borges, journalist and writer Italo Calvino, composer Hugo Cole, literary critic and theorist Barbara Herrnstein Smith, percussionist Milford Graves, philosopher Michel Serres, novelist and essayist Wilson Harris, poet Bernadette Mayer, composer and music theorist Harry Partch, pianist and poet Cecil Taylor, and several others.
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books
books
Publication:
January 2020
January 2020
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$22.00
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Summary:
This 21st issue of ‘F.R. David’ is edited by Will Holder with Andrea di Serego Alighieri. Seemingly more fragmented than usual, it includes contributions, quotes, found materials, and excerpts from Maggie Nelson, Charles Mingus, Octavia Butler, John Keats, Alice Notley, Paul Abbott, Bernadette Mayer, Fred Dewey, John Cage, Marion Keiner, Anne Carson, and others. An(...)
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Summary:
This 21st issue of ‘F.R. David’ is edited by Will Holder with Andrea di Serego Alighieri. Seemingly more fragmented than usual, it includes contributions, quotes, found materials, and excerpts from Maggie Nelson, Charles Mingus, Octavia Butler, John Keats, Alice Notley, Paul Abbott, Bernadette Mayer, Fred Dewey, John Cage, Marion Keiner, Anne Carson, and others. An(...)
Title:
F.R. David, spring 2022 : take, eat
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This 21st issue of ‘F.R. David’ is edited by Will Holder with Andrea di Serego Alighieri. Seemingly more fragmented than usual, it includes contributions, quotes, found materials, and excerpts from Maggie Nelson, Charles Mingus, Octavia Butler, John Keats, Alice Notley, Paul Abbott, Bernadette Mayer, Fred Dewey, John Cage, Marion Keiner, Anne Carson, and others. An afterword by Nicolas Schoffer entitled “Microtime” concludes this wandering, inscrutable journey.
F.R. David, spring 2022 : take, eat
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Summary:
This 21st issue of ‘F.R. David’ is edited by Will Holder with Andrea di Serego Alighieri. Seemingly more fragmented than usual, it includes contributions, quotes, found materials, and excerpts from Maggie Nelson, Charles Mingus, Octavia Butler, John Keats, Alice Notley, Paul Abbott, Bernadette Mayer, Fred Dewey, John Cage, Marion Keiner, Anne Carson, and others. An afterword by Nicolas Schoffer entitled “Microtime” concludes this wandering, inscrutable journey.
Form:
journals and magazines
journals and magazines
Publication:
January 2022
January 2022
Subject:
Magazines
Magazines
Form:
books
books
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$25.00
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According to editor Will Holder, ‘Flurry’ came about after being asked to propose ten books for acquisition by the Gerrit Rietveld Academie library in Amsterdam. He gave a talk about that selection, for which he preferred reproducing original material over commentary, and wanted to allow others to speak. The outcome was a reading back and forth between the ten books. It(...)
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Summary:
According to editor Will Holder, ‘Flurry’ came about after being asked to propose ten books for acquisition by the Gerrit Rietveld Academie library in Amsterdam. He gave a talk about that selection, for which he preferred reproducing original material over commentary, and wanted to allow others to speak. The outcome was a reading back and forth between the ten books. It(...)
Title:
F.R. David spring 2018: flurry
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According to editor Will Holder, ‘Flurry’ came about after being asked to propose ten books for acquisition by the Gerrit Rietveld Academie library in Amsterdam. He gave a talk about that selection, for which he preferred reproducing original material over commentary, and wanted to allow others to speak. The outcome was a reading back and forth between the ten books. It soon became clear that this reading would readily lend itself to an issue of ‘F.R. David’. Associated material came up in the process of transcription. Included are writings by Emmie McLuskey, Krist Gruijthuijsen, Bitsy Knox, Maurin Dietrich, Camille Pageard, Frances Stark, Eileen Myles, and more.
F.R. David spring 2018: flurry
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$25.00
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Summary:
According to editor Will Holder, ‘Flurry’ came about after being asked to propose ten books for acquisition by the Gerrit Rietveld Academie library in Amsterdam. He gave a talk about that selection, for which he preferred reproducing original material over commentary, and wanted to allow others to speak. The outcome was a reading back and forth between the ten books. It soon became clear that this reading would readily lend itself to an issue of ‘F.R. David’. Associated material came up in the process of transcription. Included are writings by Emmie McLuskey, Krist Gruijthuijsen, Bitsy Knox, Maurin Dietrich, Camille Pageard, Frances Stark, Eileen Myles, and more.
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books
books
Publication:
March 2018
March 2018
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$21.95
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Summary:
This issue examines the impartation of meaning through visible language, whether informative, instructive, transformative, narrative, or other. Contributions include Peter Culley’s restructuring of a botanical text as lyrical poetry, a vignette by Octavia E. Butler, a preface to ‘The Art of Science Writing’ by Worsley and Mayer, Daniel Victor’s report on an Oxford comma(...)
$21.95
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Summary:
This issue examines the impartation of meaning through visible language, whether informative, instructive, transformative, narrative, or other. Contributions include Peter Culley’s restructuring of a botanical text as lyrical poetry, a vignette by Octavia E. Butler, a preface to ‘The Art of Science Writing’ by Worsley and Mayer, Daniel Victor’s report on an Oxford comma(...)
Title:
F.R. David autumn 2018 : '' What I mean is-''
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Summary:
This issue examines the impartation of meaning through visible language, whether informative, instructive, transformative, narrative, or other. Contributions include Peter Culley’s restructuring of a botanical text as lyrical poetry, a vignette by Octavia E. Butler, a preface to ‘The Art of Science Writing’ by Worsley and Mayer, Daniel Victor’s report on an Oxford comma dispute, a wall text for ‘High Speed Geology’ at Museum für Naturkunde, ‘In the Shadow of the American Dream’ by David Wojnarowicz, ‘26 Theses on Craft’ by Sharon H. Poggenpohl, a report Charles and Ray Eames drew up for the Indian government to promote quality in small industries, and much more.
F.R. David autumn 2018 : '' What I mean is-''
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$21.95
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Summary:
This issue examines the impartation of meaning through visible language, whether informative, instructive, transformative, narrative, or other. Contributions include Peter Culley’s restructuring of a botanical text as lyrical poetry, a vignette by Octavia E. Butler, a preface to ‘The Art of Science Writing’ by Worsley and Mayer, Daniel Victor’s report on an Oxford comma dispute, a wall text for ‘High Speed Geology’ at Museum für Naturkunde, ‘In the Shadow of the American Dream’ by David Wojnarowicz, ‘26 Theses on Craft’ by Sharon H. Poggenpohl, a report Charles and Ray Eames drew up for the Indian government to promote quality in small industries, and much more.
Form:
journals and magazines
journals and magazines
Publication:
November 2018
November 2018
Subject:
Magazines
Magazines
