Siteless 1001 building forms
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere.(...)
Siteless 1001 building forms
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$25.95
(available to order)
Summary:
Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen, he asks, if architects liberated their minds from the constraints of site, program, and budget? The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.
Engineering Structures
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Que se passerait-il si les architectes libéraient leur esprit des contraintes de site, de programme et de budget? Premier manifeste du XXe siècle ou dernier-traité d'architecture, EX SITU est d'un nouveau genre. Mille et une formes de bâtiments et autant d'idées architecturales qui, défiant toute gravité, veulent croire en de nouvelles techniques de construction.
Ex-situ: mille et une formes d'architecture
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Que se passerait-il si les architectes libéraient leur esprit des contraintes de site, de programme et de budget? Premier manifeste du XXe siècle ou dernier-traité d'architecture, EX SITU est d'un nouveau genre. Mille et une formes de bâtiments et autant d'idées architecturales qui, défiant toute gravité, veulent croire en de nouvelles techniques de construction.
Engineering Structures
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In this book, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot(...)
Tokyoids: the robotic face of architecture
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In this book, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot aesthetics through his photographs of fifty buildings, Blanciak argues that the robot face originated in architecture—before the birth of robotics—and has played a central role in architectural history. Part photographic survey, part theoretical inquiry, the publication upends the usual approach to robotics in architecture by considering not the automation of architectural output but the aesthetic properties of the robot.
Contemporary Asian Architecture