$41.50
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Summary:
"Driving along the highways and byways of the Southwest and Interior West, Van Parys has noticed things that you or I might otherwise consider too trivial, too banal, to be worthy of further examination.... She makes us see things that would otherwise remain unseen. The final result is a poignant commentary not only on the desert landscapes to be found 'out west,' but(...)
Photography monographs
December 2008, Chicago
Michelle Van Parys: the way out west desert landscapes
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$41.50
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Summary:
"Driving along the highways and byways of the Southwest and Interior West, Van Parys has noticed things that you or I might otherwise consider too trivial, too banal, to be worthy of further examination.... She makes us see things that would otherwise remain unseen. The final result is a poignant commentary not only on the desert landscapes to be found 'out west,' but also on the act of seeing the American West." - Geoffrey Batchen, author of Forget Me Not: Photography and Remembrance"
Photography monographs
books
$52.50
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Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
Each wild idea : writing, photography, history
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$52.50
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Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
books
March 2001, Cambridge
Theory of Photography