1 Results
Form:
books
books
Actions:
Price:
$40.00
(available to order)
Summary:
The Zurich painter Verena Loewensberg (1912-1986) belongs to the core group of concrete artists in Switzerland, alongside Max Bill, Camille Graeser and Richard Paul Lohse. Next to some lithographs, her woodcuts and linocuts are rated as the most splendid examples of concrete Swiss graphics. At a later stage, she only used the silkscreen technique which had become popular(...)
$40.00
(available to order)
Summary:
The Zurich painter Verena Loewensberg (1912-1986) belongs to the core group of concrete artists in Switzerland, alongside Max Bill, Camille Graeser and Richard Paul Lohse. Next to some lithographs, her woodcuts and linocuts are rated as the most splendid examples of concrete Swiss graphics. At a later stage, she only used the silkscreen technique which had become popular(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2009, Zürich
March 2009, Zürich
Title:
Verena Loewensberg: druckgraphik/prints
Actions:
Price:
$40.00
(available to order)
Summary:
The Zurich painter Verena Loewensberg (1912-1986) belongs to the core group of concrete artists in Switzerland, alongside Max Bill, Camille Graeser and Richard Paul Lohse. Next to some lithographs, her woodcuts and linocuts are rated as the most splendid examples of concrete Swiss graphics. At a later stage, she only used the silkscreen technique which had become popular in Europe during the sixties. By using the silkscreen technique to produce graphics, she could best create evenly thick colour surfaces that are both distinct, yet adjoin each other with exact precision. With an essay by Bernadette Walter.
Verena Loewensberg: druckgraphik/prints
Actions:
Price:
$40.00
(available to order)
Summary:
The Zurich painter Verena Loewensberg (1912-1986) belongs to the core group of concrete artists in Switzerland, alongside Max Bill, Camille Graeser and Richard Paul Lohse. Next to some lithographs, her woodcuts and linocuts are rated as the most splendid examples of concrete Swiss graphics. At a later stage, she only used the silkscreen technique which had become popular in Europe during the sixties. By using the silkscreen technique to produce graphics, she could best create evenly thick colour surfaces that are both distinct, yet adjoin each other with exact precision. With an essay by Bernadette Walter.
Form:
books
books
Publication:
March 2009, Zürich
March 2009, Zürich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
