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books
books
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$46.50
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Summary:
Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of(...)
$46.50
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Summary:
Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of(...)
Title:
Encounters in the Virtual Feminist Museum : time, space and the archive
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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
Encounters in the Virtual Feminist Museum : time, space and the archive
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$46.50
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Summary:
Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
Form:
books
books
Publication:
January 2008, London, New York
January 2008, London, New York
Subject:
Museology
Museology
Form:
books
books
Price:
$21.99
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Summary:
"Feminism, pedagogy, and the studio: Reflections across four decades" brings together two lectures delivered by Griselda Pollock in 1985 and 2022. In 1985, Griselda Pollock critically examined the gender politics of twentieth-century art education that, she argued, reinforced masculinist and individualist ideologies within capitalist conditions of artistic production. She(...)
$21.99
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Summary:
"Feminism, pedagogy, and the studio: Reflections across four decades" brings together two lectures delivered by Griselda Pollock in 1985 and 2022. In 1985, Griselda Pollock critically examined the gender politics of twentieth-century art education that, she argued, reinforced masculinist and individualist ideologies within capitalist conditions of artistic production. She(...)
Title:
Feminism, pedagogy and the studio: Reflections across four decades
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$21.99
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"Feminism, pedagogy, and the studio: Reflections across four decades" brings together two lectures delivered by Griselda Pollock in 1985 and 2022. In 1985, Griselda Pollock critically examined the gender politics of twentieth-century art education that, she argued, reinforced masculinist and individualist ideologies within capitalist conditions of artistic production. She linked the cult of authorship to the nonrecognition of women as artists, even in the face of the evidence of women's considerable participation in modern art. She explored the impact of a critical post-modern and feminist artistic engagement with theories of meaning, subjectivity, and the image drawn from outside the "studio" model. She ultimately proposed "feminist interventions in art's histories," where expanded histories— including race, class, gender, and sexuality—challenge both the monographic-all-male model of the hero artist and the hegemony of formalist art theory.
Feminism, pedagogy and the studio: Reflections across four decades
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$21.99
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Summary:
"Feminism, pedagogy, and the studio: Reflections across four decades" brings together two lectures delivered by Griselda Pollock in 1985 and 2022. In 1985, Griselda Pollock critically examined the gender politics of twentieth-century art education that, she argued, reinforced masculinist and individualist ideologies within capitalist conditions of artistic production. She linked the cult of authorship to the nonrecognition of women as artists, even in the face of the evidence of women's considerable participation in modern art. She explored the impact of a critical post-modern and feminist artistic engagement with theories of meaning, subjectivity, and the image drawn from outside the "studio" model. She ultimately proposed "feminist interventions in art's histories," where expanded histories— including race, class, gender, and sexuality—challenge both the monographic-all-male model of the hero artist and the hegemony of formalist art theory.
Form:
books
books
Publication:
January 2025
January 2025
Subject:
Art Theory
Art Theory
Form:
books
books
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$24.95
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Summary:
« Féminisme et pédagogie au cœur des formations artistiques : 40 ans d'expérience » réunit deux conférences tenues en 1985 et 2022 par Griselda Pollock. Dans sa conférence de 1985, Griselda Pollock formule une critique des politiques du genre présentes dans l'enseignement artistique au XXe siècle qui, selon elle, renforcent l'idéologie individualiste et masculiniste des(...)
$24.95
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Summary:
« Féminisme et pédagogie au cœur des formations artistiques : 40 ans d'expérience » réunit deux conférences tenues en 1985 et 2022 par Griselda Pollock. Dans sa conférence de 1985, Griselda Pollock formule une critique des politiques du genre présentes dans l'enseignement artistique au XXe siècle qui, selon elle, renforcent l'idéologie individualiste et masculiniste des(...)
Title:
Féminisme et pédagogie au cœur des formations artistiques : 40 ans d'expérience
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$24.95
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Summary:
« Féminisme et pédagogie au cœur des formations artistiques : 40 ans d'expérience » réunit deux conférences tenues en 1985 et 2022 par Griselda Pollock. Dans sa conférence de 1985, Griselda Pollock formule une critique des politiques du genre présentes dans l'enseignement artistique au XXe siècle qui, selon elle, renforcent l'idéologie individualiste et masculiniste des conditions de production capitalistes de l'art. Elle associe le culte de l'auteur avec une absence de reconnaissance des femmes artistes, malgré leur participation flagrante à l'art moderne. Elle explore l'impact de la critique post-moderne et de l'engagement pour un art féministe sur les théories de la signification, de la subjectivité et sur l'image, quand elle se détache du modèle de « l'atelier ». Pour finir, elle plaide pour « une intervention féministe dans l'histoire des arts » à même de contester le modèle exclusivement centré sur l'homme artiste-héros ou sur l'hégémonie du formalisme dans la théorie de l'art.
Féminisme et pédagogie au cœur des formations artistiques : 40 ans d'expérience
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$24.95
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Summary:
« Féminisme et pédagogie au cœur des formations artistiques : 40 ans d'expérience » réunit deux conférences tenues en 1985 et 2022 par Griselda Pollock. Dans sa conférence de 1985, Griselda Pollock formule une critique des politiques du genre présentes dans l'enseignement artistique au XXe siècle qui, selon elle, renforcent l'idéologie individualiste et masculiniste des conditions de production capitalistes de l'art. Elle associe le culte de l'auteur avec une absence de reconnaissance des femmes artistes, malgré leur participation flagrante à l'art moderne. Elle explore l'impact de la critique post-moderne et de l'engagement pour un art féministe sur les théories de la signification, de la subjectivité et sur l'image, quand elle se détache du modèle de « l'atelier ». Pour finir, elle plaide pour « une intervention féministe dans l'histoire des arts » à même de contester le modèle exclusivement centré sur l'homme artiste-héros ou sur l'hégémonie du formalisme dans la théorie de l'art.
Form:
books
books
Publication:
January 2025
January 2025
Subject:
Social
Social
Form:
books
books
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$42.00
(available to order)
Summary:
Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to(...)
$42.00
(available to order)
Summary:
Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to(...)
Title:
Museums after modernism: strategies of engagement
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$42.00
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Summary:
Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered.
Museums after modernism: strategies of engagement
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Price:
$42.00
(available to order)
Summary:
Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered.
Form:
books
books
Publication:
March 2007, Oxford
March 2007, Oxford
Subject:
Museology
Museology
Form:
books
books
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$84.95
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Summary:
Charlotte Salomon (1917–1943) is renowned for a single, monumental, modernist artwork, Life? or Theatre? (Leben? oder Theater?), comprising 784 paintings and created between 1941 and 1942. This major art-historical study sheds new light on the remarkable combination of image, text, and music, revealing Salomon’s wealth of references to cinema, opera, Berlin cabaret, and(...)
$84.95
(available to order)
Summary:
Charlotte Salomon (1917–1943) is renowned for a single, monumental, modernist artwork, Life? or Theatre? (Leben? oder Theater?), comprising 784 paintings and created between 1941 and 1942. This major art-historical study sheds new light on the remarkable combination of image, text, and music, revealing Salomon’s wealth of references to cinema, opera, Berlin cabaret, and(...)
Title:
Charlotte Salomon and the Theatre of Memory
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$84.95
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Summary:
Charlotte Salomon (1917–1943) is renowned for a single, monumental, modernist artwork, Life? or Theatre? (Leben? oder Theater?), comprising 784 paintings and created between 1941 and 1942. This major art-historical study sheds new light on the remarkable combination of image, text, and music, revealing Salomon’s wealth of references to cinema, opera, Berlin cabaret, and the painter’s self-consciously deployed modernist engagements with artists such as Van Gogh, Munch, and Kollwitz. Additionally, Griselda Pollock draws attention to affinities in Salomon’s work with that of others who shared her experience of statelessness and menaced exile in Nazi-dominated Europe, including Hannah Arendt, Sigmund Freud, and Walter Benjamin.
Charlotte Salomon and the Theatre of Memory
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Price:
$84.95
(available to order)
Summary:
Charlotte Salomon (1917–1943) is renowned for a single, monumental, modernist artwork, Life? or Theatre? (Leben? oder Theater?), comprising 784 paintings and created between 1941 and 1942. This major art-historical study sheds new light on the remarkable combination of image, text, and music, revealing Salomon’s wealth of references to cinema, opera, Berlin cabaret, and the painter’s self-consciously deployed modernist engagements with artists such as Van Gogh, Munch, and Kollwitz. Additionally, Griselda Pollock draws attention to affinities in Salomon’s work with that of others who shared her experience of statelessness and menaced exile in Nazi-dominated Europe, including Hannah Arendt, Sigmund Freud, and Walter Benjamin.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
