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books
books
Title:
The Richter interviews
The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a(...)
$45.00
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Summary:
''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a(...)
Title:
The Richter interviews
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$45.00
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Summary:
''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books.
The Richter interviews
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$45.00
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Summary:
''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$63.00
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Summary:
Conducted in Obrist’s signature interview format, these conversations lead to surprising revelations about how artistic practices in China have evolved. Spanning a decade but concentrated in 2006 and 2007 – a pivotal moment for contemporary art in China as international interest surged alongside an unprecedented pre-Olympic market upswing-these conversations present both(...)
$63.00
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Summary:
Conducted in Obrist’s signature interview format, these conversations lead to surprising revelations about how artistic practices in China have evolved. Spanning a decade but concentrated in 2006 and 2007 – a pivotal moment for contemporary art in China as international interest surged alongside an unprecedented pre-Olympic market upswing-these conversations present both(...)
Title:
Hans Ulrich Obrist: the China interviews
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Conducted in Obrist’s signature interview format, these conversations lead to surprising revelations about how artistic practices in China have evolved. Spanning a decade but concentrated in 2006 and 2007 – a pivotal moment for contemporary art in China as international interest surged alongside an unprecedented pre-Olympic market upswing-these conversations present both a snapshot of an exuberant historical moment and a unique introduction to the work of the featured artists, as they explain and interpret their own trajectories in dialogue with this relentlessly sharp and inquisitive mind.
Hans Ulrich Obrist: the China interviews
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$63.00
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Summary:
Conducted in Obrist’s signature interview format, these conversations lead to surprising revelations about how artistic practices in China have evolved. Spanning a decade but concentrated in 2006 and 2007 – a pivotal moment for contemporary art in China as international interest surged alongside an unprecedented pre-Olympic market upswing-these conversations present both a snapshot of an exuberant historical moment and a unique introduction to the work of the featured artists, as they explain and interpret their own trajectories in dialogue with this relentlessly sharp and inquisitive mind.
Form:
books
books
Publication:
November 2009
November 2009
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$29.95
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Summary:
This volume inaugurates a new series of publications edited by three leading authors on the world's architectural and artistic scene: H.U.Obrist, Rem Koolhaas and Stefano Boeri. This series of dialogues conducted by Hans Ulrich Obrist and Rem Koolhaas is dedicated to the most topical subjects on the international scene. Protagonists of the British architectural,(...)
$29.95
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Summary:
This volume inaugurates a new series of publications edited by three leading authors on the world's architectural and artistic scene: H.U.Obrist, Rem Koolhaas and Stefano Boeri. This series of dialogues conducted by Hans Ulrich Obrist and Rem Koolhaas is dedicated to the most topical subjects on the international scene. Protagonists of the British architectural,(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
February 2011
February 2011
Title:
London a portrait of a city: Serpentine Gallery 24-hour interview marathon
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This volume inaugurates a new series of publications edited by three leading authors on the world's architectural and artistic scene: H.U.Obrist, Rem Koolhaas and Stefano Boeri. This series of dialogues conducted by Hans Ulrich Obrist and Rem Koolhaas is dedicated to the most topical subjects on the international scene. Protagonists of the British architectural, political, and artistic scene, including Brian Eno, Zaha Hadid, Doris Lessing, Damien Hirst, and Gilbert and George, amongst others, have been invited to speak about the near future
London a portrait of a city: Serpentine Gallery 24-hour interview marathon
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$29.95
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Summary:
This volume inaugurates a new series of publications edited by three leading authors on the world's architectural and artistic scene: H.U.Obrist, Rem Koolhaas and Stefano Boeri. This series of dialogues conducted by Hans Ulrich Obrist and Rem Koolhaas is dedicated to the most topical subjects on the international scene. Protagonists of the British architectural, political, and artistic scene, including Brian Eno, Zaha Hadid, Doris Lessing, Damien Hirst, and Gilbert and George, amongst others, have been invited to speak about the near future
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
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$54.00
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Summary:
In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many(...)
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In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many(...)
Title:
Ellsworth Kelly: thumbing through the folder
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In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many collaborations in this field. Throughout this beautiful publication runs a series of collaged and overpainted postcards by Kelly, dating from 1949 to 1984, which are reproduced here for the first time. These postcards, referred to throughout the dialogue, are unlike any of Kelly's paintings and sculptures, particularly in their use of body imagery; others are closer to familiar Kelly terrain, as projections of torn colored paper forms onto found landscapes and architecture. This artist's book makes a wonderfully unusual record of a warm encounter.
Ellsworth Kelly: thumbing through the folder
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Summary:
In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many collaborations in this field. Throughout this beautiful publication runs a series of collaged and overpainted postcards by Kelly, dating from 1949 to 1984, which are reproduced here for the first time. These postcards, referred to throughout the dialogue, are unlike any of Kelly's paintings and sculptures, particularly in their use of body imagery; others are closer to familiar Kelly terrain, as projections of torn colored paper forms onto found landscapes and architecture. This artist's book makes a wonderfully unusual record of a warm encounter.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$72.00
(available to order)
Summary:
Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science,(...)
$72.00
(available to order)
Summary:
Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science,(...)
Title:
Manifesto Marathon, Serpentine Gallery
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Summary:
Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science, philosophy, music and film. Highlights include Nicolas Bourriaud's “Altermodern,” Paul Chan's “Sex and the New Way, V.I.,” Jimmie Durham's “No More Silly Hats,” Fritz Haeg's “London : A Manifesto From Your Animals,” David Hockney's “Manifesto for Smoking,” Adam Pendleton's “Black Dada,” Agnès Varda's “What To Do?,” Ben Vautier's “I Don't Know What To Do,” Ai Wewei's “Despicable Things,” Vivienne Westwood's “AR,” Lebbeus Woods' “Slow Manifesto,” plus interviews with Eric Hobsbawm and Tino Sehgal, and photographs from the event.
Manifesto Marathon, Serpentine Gallery
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$72.00
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Summary:
Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science, philosophy, music and film. Highlights include Nicolas Bourriaud's “Altermodern,” Paul Chan's “Sex and the New Way, V.I.,” Jimmie Durham's “No More Silly Hats,” Fritz Haeg's “London : A Manifesto From Your Animals,” David Hockney's “Manifesto for Smoking,” Adam Pendleton's “Black Dada,” Agnès Varda's “What To Do?,” Ben Vautier's “I Don't Know What To Do,” Ai Wewei's “Despicable Things,” Vivienne Westwood's “AR,” Lebbeus Woods' “Slow Manifesto,” plus interviews with Eric Hobsbawm and Tino Sehgal, and photographs from the event.
Form:
books
books
Publication:
March 2010
March 2010
Subject:
Art Theory
Art Theory
Form:
books
books
Actions:
Price:
$40.00
(available in store)
Summary:
The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early(...)
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Summary:
The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early(...)
Title:
Hans Ulrich Obrist & Cedric Price: The conversation series
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Summary:
The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early 1960s, the Fun Palace (1961) and the Potteries Thinkbelt (1964) were both intended to foster social cohesion, and were executed as short-term structures. Hans Ulrich Obrist met the great visionary and architectural theorist several times between 1999 and his death in 2003, and spoke with him about his ideas and his most important projects.
Hans Ulrich Obrist & Cedric Price: The conversation series
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Summary:
The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early 1960s, the Fun Palace (1961) and the Potteries Thinkbelt (1964) were both intended to foster social cohesion, and were executed as short-term structures. Hans Ulrich Obrist met the great visionary and architectural theorist several times between 1999 and his death in 2003, and spoke with him about his ideas and his most important projects.
Form:
books
books
Publication:
March 2010
March 2010
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$78.00
(available to order)
Summary:
Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been(...)
$78.00
(available to order)
Summary:
Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2010
March 2010
Title:
Gerhard Richter: Obrist-O'Brist
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$78.00
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Summary:
Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure from cover to cover; it even has two different sleeves, and can be approached from either end (as frequent upside-down pages indicate).
Gerhard Richter: Obrist-O'Brist
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Summary:
Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure from cover to cover; it even has two different sleeves, and can be approached from either end (as frequent upside-down pages indicate).
Form:
books
books
Publication:
March 2010
March 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$31.00
(available to order)
Summary:
Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into(...)
$31.00
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Summary:
Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into(...)
Title:
Hans Ulrich Obrist & John Baldessari: The conversation series
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$31.00
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Summary:
Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into the motives and semiotics of his multimedia work and his life as an artist, always expressing himself with precision and with wit.
Hans Ulrich Obrist & John Baldessari: The conversation series
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$31.00
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Summary:
Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into the motives and semiotics of his multimedia work and his life as an artist, always expressing himself with precision and with wit.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Art Theory
Art Theory
Form:
books
books
Actions:
Price:
$42.00
(available to order)
Summary:
This bilingual book is built around Thomas Demand's exhibition Nationalgalerie, held at the Neue Nationalgalerie in Berlin. Obrist and Demand's conversation examines the exhibition, Demand's literary influences and collaborations, and the logistics of exhibition spaces.
$42.00
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Summary:
This bilingual book is built around Thomas Demand's exhibition Nationalgalerie, held at the Neue Nationalgalerie in Berlin. Obrist and Demand's conversation examines the exhibition, Demand's literary influences and collaborations, and the logistics of exhibition spaces.
Title:
Thomas Demand und die Nationalgalerie
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$42.00
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This bilingual book is built around Thomas Demand's exhibition Nationalgalerie, held at the Neue Nationalgalerie in Berlin. Obrist and Demand's conversation examines the exhibition, Demand's literary influences and collaborations, and the logistics of exhibition spaces.
Thomas Demand und die Nationalgalerie
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$42.00
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Summary:
This bilingual book is built around Thomas Demand's exhibition Nationalgalerie, held at the Neue Nationalgalerie in Berlin. Obrist and Demand's conversation examines the exhibition, Demand's literary influences and collaborations, and the logistics of exhibition spaces.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$54.00
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Summary:
With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike(...)
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Summary:
With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
July 2010
July 2010
Title:
Richard Hamilton : Modern moral matters
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$54.00
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With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike so many Pop artists, Hamilton was never an uncritical or ambivalent advocate of postwar society, and he has often agitated directly against it, producing a great deal of openly political, satirical work that assaults both consumer culture at large and more immediate political events. This monograph, published for Hamilton's 2010 exhibition at the Serpentine Gallery in London (his first exhibition since 1992), brings together Hamilton's famous "protest" paintings as well as newer political works and features essays by Benjamin H.D. Buchloh and Michael Bracewell.
Richard Hamilton : Modern moral matters
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Summary:
With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike so many Pop artists, Hamilton was never an uncritical or ambivalent advocate of postwar society, and he has often agitated directly against it, producing a great deal of openly political, satirical work that assaults both consumer culture at large and more immediate political events. This monograph, published for Hamilton's 2010 exhibition at the Serpentine Gallery in London (his first exhibition since 1992), brings together Hamilton's famous "protest" paintings as well as newer political works and features essays by Benjamin H.D. Buchloh and Michael Bracewell.
Form:
books
books
Publication:
July 2010
July 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
