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Title:
Nicolas Faure : landscape A
Nicolas Faure : landscape A
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Published on the occasion of the exhibition " Nicolas Faure, Landscape A " - Musée de l'Élysée, Lausanne, 17 november 2005 - 5 february 2006. Nicolas Faure has been working on the theme of Swiss landscape since the 1990s, concentrating in particular on the blend between the Traditional and the Modern. The motorway is the meeting point of technology, architecture and a(...)
$66.00
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Published on the occasion of the exhibition " Nicolas Faure, Landscape A " - Musée de l'Élysée, Lausanne, 17 november 2005 - 5 february 2006. Nicolas Faure has been working on the theme of Swiss landscape since the 1990s, concentrating in particular on the blend between the Traditional and the Modern. The motorway is the meeting point of technology, architecture and a(...)
Subject:
Photography monographs
Photography monographs
Publication:
April 2006, Göttingen
April 2006, Göttingen
Title:
Nicolas Faure : landscape A
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$66.00
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Published on the occasion of the exhibition " Nicolas Faure, Landscape A " - Musée de l'Élysée, Lausanne, 17 november 2005 - 5 february 2006. Nicolas Faure has been working on the theme of Swiss landscape since the 1990s, concentrating in particular on the blend between the Traditional and the Modern. The motorway is the meeting point of technology, architecture and a certain concept of Nature, and through his photographs, Faure elicits aspects that characterise Switzerland. A landscape always has a cultural component and landscape is one of the major concerns of Swiss culture. The motorways, which criss-cross the country virtually, divide it. They constitute a whole “new territory”, enlivened by apparently natural but essentially man-made surroundings. These “natural surroundings” are but illusions. These places are the epitome of paradox: built amidst concrete artefacts, they are not accessible to visitors and almost invisible to motorists.
Nicolas Faure : landscape A
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$66.00
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Summary:
Published on the occasion of the exhibition " Nicolas Faure, Landscape A " - Musée de l'Élysée, Lausanne, 17 november 2005 - 5 february 2006. Nicolas Faure has been working on the theme of Swiss landscape since the 1990s, concentrating in particular on the blend between the Traditional and the Modern. The motorway is the meeting point of technology, architecture and a certain concept of Nature, and through his photographs, Faure elicits aspects that characterise Switzerland. A landscape always has a cultural component and landscape is one of the major concerns of Swiss culture. The motorways, which criss-cross the country virtually, divide it. They constitute a whole “new territory”, enlivened by apparently natural but essentially man-made surroundings. These “natural surroundings” are but illusions. These places are the epitome of paradox: built amidst concrete artefacts, they are not accessible to visitors and almost invisible to motorists.
Form:
books
books
Publication:
April 2006, Göttingen
April 2006, Göttingen
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$70.00
(available to order)
Summary:
The Hans van Heeswijk architecture firm was founded in Amsterdam in 1985, and it has designed and realized a great variety of projects, among them offices, public buildings, museums, bridges, renovations, refurbishments, interiors and product design. Those projects are without exception matchlessly lucid and crafted to a standard rarely seen, particularly in an economy(...)
$70.00
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The Hans van Heeswijk architecture firm was founded in Amsterdam in 1985, and it has designed and realized a great variety of projects, among them offices, public buildings, museums, bridges, renovations, refurbishments, interiors and product design. Those projects are without exception matchlessly lucid and crafted to a standard rarely seen, particularly in an economy(...)
Title:
Hans van Heeswijk : architecture, 1995-2005
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The Hans van Heeswijk architecture firm was founded in Amsterdam in 1985, and it has designed and realized a great variety of projects, among them offices, public buildings, museums, bridges, renovations, refurbishments, interiors and product design. Those projects are without exception matchlessly lucid and crafted to a standard rarely seen, particularly in an economy where tight budgets are the rule. Their forms, reticent at first, become articulate at close range. Each encounter with them seems right--thus the aura of tranquility, typical for buildings composed with great care and attention. This monograph deals with the works and ideas of Hans van Heeswijk architects over the last decade, including the recent commission for the refurbishment of the Hermitage Museum in Amsterdam.
Hans van Heeswijk : architecture, 1995-2005
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The Hans van Heeswijk architecture firm was founded in Amsterdam in 1985, and it has designed and realized a great variety of projects, among them offices, public buildings, museums, bridges, renovations, refurbishments, interiors and product design. Those projects are without exception matchlessly lucid and crafted to a standard rarely seen, particularly in an economy where tight budgets are the rule. Their forms, reticent at first, become articulate at close range. Each encounter with them seems right--thus the aura of tranquility, typical for buildings composed with great care and attention. This monograph deals with the works and ideas of Hans van Heeswijk architects over the last decade, including the recent commission for the refurbishment of the Hermitage Museum in Amsterdam.
Form:
books
books
Publication:
March 2006, Berlin
March 2006, Berlin
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$72.00
(available to order)
Summary:
The main thrust of this book is the philosophy and methodology of Van Sambeek & Van Veen Architecten. The offices projects are presented according to seven themes, which all relate to organizational forms that are important to the work of Erna van Sambeek and René van Veen: neutrality, exclusivity, family, seriality, position, interiority and time. For each design,(...)
$72.00
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Summary:
The main thrust of this book is the philosophy and methodology of Van Sambeek & Van Veen Architecten. The offices projects are presented according to seven themes, which all relate to organizational forms that are important to the work of Erna van Sambeek and René van Veen: neutrality, exclusivity, family, seriality, position, interiority and time. For each design,(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
March 2005, Rotterdam
March 2005, Rotterdam
Title:
Van Sambeek & Van Veen architecten of freedom of organization
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$72.00
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Summary:
The main thrust of this book is the philosophy and methodology of Van Sambeek & Van Veen Architecten. The offices projects are presented according to seven themes, which all relate to organizational forms that are important to the work of Erna van Sambeek and René van Veen: neutrality, exclusivity, family, seriality, position, interiority and time. For each design, the architects ask how the essence of the task can be reduced to a combination of two or more of these themes. Each project therefore appears at least twice in the book, but with text and image tailored specifically to the theme of a particular chapter. The design philosophy of Van Sambeek & Van Veen architecten demonstrates the richness that architecture can gain from a consistent concentration on the essentials and a clear separation of primary and secondary aspects, and the broader implications of this. Typography design by Rudo Hartman.
Van Sambeek & Van Veen architecten of freedom of organization
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$72.00
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Summary:
The main thrust of this book is the philosophy and methodology of Van Sambeek & Van Veen Architecten. The offices projects are presented according to seven themes, which all relate to organizational forms that are important to the work of Erna van Sambeek and René van Veen: neutrality, exclusivity, family, seriality, position, interiority and time. For each design, the architects ask how the essence of the task can be reduced to a combination of two or more of these themes. Each project therefore appears at least twice in the book, but with text and image tailored specifically to the theme of a particular chapter. The design philosophy of Van Sambeek & Van Veen architecten demonstrates the richness that architecture can gain from a consistent concentration on the essentials and a clear separation of primary and secondary aspects, and the broader implications of this. Typography design by Rudo Hartman.
Form:
books
books
Publication:
March 2005, Rotterdam
March 2005, Rotterdam
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Jacq. de Brouwer
Jacq. de Brouwer
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$72.00
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There are few architects who are as adept as the Dutch architect Jacq. de Brouwer at creating such powerful architecture with such economy of means. His work exemplifies a rare purity. The work of De Brouwer stands outside the main currents in Dutch architecture, in which there is an over-emphasis on the production of seductive superficies. From the Dutch perspective(...)
$72.00
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Summary:
There are few architects who are as adept as the Dutch architect Jacq. de Brouwer at creating such powerful architecture with such economy of means. His work exemplifies a rare purity. The work of De Brouwer stands outside the main currents in Dutch architecture, in which there is an over-emphasis on the production of seductive superficies. From the Dutch perspective(...)
Title:
Jacq. de Brouwer
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$72.00
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There are few architects who are as adept as the Dutch architect Jacq. de Brouwer at creating such powerful architecture with such economy of means. His work exemplifies a rare purity. The work of De Brouwer stands outside the main currents in Dutch architecture, in which there is an over-emphasis on the production of seductive superficies. From the Dutch perspective his approach to architecture is remarkably unfashionable, perhaps even old-fashioned, while in a European context there are architects such as Cruz & Ortiz and Peter Zumthor who occupy similar positions. The abstraction of De Brouwers architecture means that his work is both unruly and intriguing. In his work he cuts to the essential core with determination and precision. He banishes all distraction, whether it be the trends and fashions in the profession, or the interference in the environment for which he is designing. This monograph provides a chronological overview of the most important works created by De Brouwer since the mid-1980s.
Jacq. de Brouwer
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$72.00
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Summary:
There are few architects who are as adept as the Dutch architect Jacq. de Brouwer at creating such powerful architecture with such economy of means. His work exemplifies a rare purity. The work of De Brouwer stands outside the main currents in Dutch architecture, in which there is an over-emphasis on the production of seductive superficies. From the Dutch perspective his approach to architecture is remarkably unfashionable, perhaps even old-fashioned, while in a European context there are architects such as Cruz & Ortiz and Peter Zumthor who occupy similar positions. The abstraction of De Brouwers architecture means that his work is both unruly and intriguing. In his work he cuts to the essential core with determination and precision. He banishes all distraction, whether it be the trends and fashions in the profession, or the interference in the environment for which he is designing. This monograph provides a chronological overview of the most important works created by De Brouwer since the mid-1980s.
Form:
books
books
Publication:
November 2004, Rotterdam
November 2004, Rotterdam
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$37.50
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Summary:
The Architecture Observer offers an overview of different forms of modern architecture in Central America since the outset of the 20th century. Although modern architectures constituted only a small percentage of the total building production in Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama, they hold in these countries an evident symbolic(...)
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Summary:
The Architecture Observer offers an overview of different forms of modern architecture in Central America since the outset of the 20th century. Although modern architectures constituted only a small percentage of the total building production in Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama, they hold in these countries an evident symbolic(...)
Subject:
Architecture since 1900, Americas
Architecture since 1900, Americas
Publication:
January 2024
January 2024
Title:
Modern architectures in Central America
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The Architecture Observer offers an overview of different forms of modern architecture in Central America since the outset of the 20th century. Although modern architectures constituted only a small percentage of the total building production in Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama, they hold in these countries an evident symbolic significance. Such buildings functioned as models for the desired societal, economic, and cultural changes, or as aspirational placeholders for a future state of modernity. With contributions by Mauricio Quirós Pacheco, Andrés Fernández, Hans Ibelings, Gloria Grimaldi, Sandra Gutiérrez, Martín Majewsky, and others.
Modern architectures in Central America
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Summary:
The Architecture Observer offers an overview of different forms of modern architecture in Central America since the outset of the 20th century. Although modern architectures constituted only a small percentage of the total building production in Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama, they hold in these countries an evident symbolic significance. Such buildings functioned as models for the desired societal, economic, and cultural changes, or as aspirational placeholders for a future state of modernity. With contributions by Mauricio Quirós Pacheco, Andrés Fernández, Hans Ibelings, Gloria Grimaldi, Sandra Gutiérrez, Martín Majewsky, and others.
Form:
books
books
Publication:
January 2024
January 2024
Subject:
Architecture since 1900, Americas
Architecture since 1900, Americas
Form:
books
books
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$29.95
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Summary:
La globalisation en architecture est généralement perçue comme une force négative conduisant à l'homogénéité et à l'uniformité. Ces dernières années cependant, sous l'influence des processus de globalisation, se dessinent les contours d'une nouvelle et intrigante architecture au sein de laquelle la superficialité et la neutralité ont acquis une signification particulière.
$29.95
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Summary:
La globalisation en architecture est généralement perçue comme une force négative conduisant à l'homogénéité et à l'uniformité. Ces dernières années cependant, sous l'influence des processus de globalisation, se dessinent les contours d'une nouvelle et intrigante architecture au sein de laquelle la superficialité et la neutralité ont acquis une signification particulière.
Title:
Supermodernisme : l'architecture à l'ère de la globalisation
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La globalisation en architecture est généralement perçue comme une force négative conduisant à l'homogénéité et à l'uniformité. Ces dernières années cependant, sous l'influence des processus de globalisation, se dessinent les contours d'une nouvelle et intrigante architecture au sein de laquelle la superficialité et la neutralité ont acquis une signification particulière.
Supermodernisme : l'architecture à l'ère de la globalisation
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$29.95
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Summary:
La globalisation en architecture est généralement perçue comme une force négative conduisant à l'homogénéité et à l'uniformité. Ces dernières années cependant, sous l'influence des processus de globalisation, se dessinent les contours d'une nouvelle et intrigante architecture au sein de laquelle la superficialité et la neutralité ont acquis une signification particulière.
Form:
books
books
Publication:
January 2003, Paris
January 2003, Paris
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
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$29.95
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Summary:
There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant(...)
$29.95
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Summary:
There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant(...)
Title:
Supermodernism : architecture in the age of globalization / enlarged edition
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$29.95
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Summary:
There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant forces of the present time: the globalization that is taking place in virtually every field. One of the consequences for architecture is the erosion of the postmodern (and deconstructivist) axiom of the uniqueness of the site. The context, let alone contextualism, no longer seems to play an important role in an increasing number of designs and buildings. Semiotic expressiveness - another postmodern theme - is also often lacking in this architecture. The author explores this new trend towards abstract, neutral architecture, which in various respects can be seen as the last word of modern architecture of the postwar International Style. This enlarged edition of "Supermodernism" includes a new final chapter in which Ibelings charts the latest examples of supermodernism, as well as a revised introduction and conclusion in which he responds to the numerous reactions his provocative stance has triggered.
Supermodernism : architecture in the age of globalization / enlarged edition
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$29.95
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Summary:
There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant forces of the present time: the globalization that is taking place in virtually every field. One of the consequences for architecture is the erosion of the postmodern (and deconstructivist) axiom of the uniqueness of the site. The context, let alone contextualism, no longer seems to play an important role in an increasing number of designs and buildings. Semiotic expressiveness - another postmodern theme - is also often lacking in this architecture. The author explores this new trend towards abstract, neutral architecture, which in various respects can be seen as the last word of modern architecture of the postwar International Style. This enlarged edition of "Supermodernism" includes a new final chapter in which Ibelings charts the latest examples of supermodernism, as well as a revised introduction and conclusion in which he responds to the numerous reactions his provocative stance has triggered.
Form:
books
books
Publication:
January 1900, Rotterdam
January 1900, Rotterdam
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Title:
Claus en Kaan building
Claus en Kaan building
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$100.95
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Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and(...)
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Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and(...)
Title:
Claus en Kaan building
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$100.95
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Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and architecture that speaks over the heads of its users to colleagues and critics. Severity and repose are hallmarks of Claus and Kaan's oeuvre and these qualities are often found in it simultaneously. For even at its most Spartan, their architecture is never harsh. Although one can hardly describe Claus and Kaan's architecture as postmodern, their stance does owe something to postmodernism. This can be seen in their free handling of references, such as Marcel Breuer's Whitney Museum or Mies van der Rohe's Barcelona Pavilion, and in their undogmatically broad range of interest, spanning from Heinrich Tessenow to Gordon Bunshaft and from Auguste Perret to I.M. Pei. For them there is no essential contradiction between modernity and classical values. This first comprehensive monograph on Claus and Kaan gives a complete overview of all their projects (250 or so), including those yet to be realized. Of this total, fifty are exhaustively documented and illustrated. With essays by Rafael Moneo, David Chipperfield, Andrea Deplazes, Christoph Grafe, Han Michel, and Felix Claus and Kees Kaan themselves. The book is designed by Karel Martens and Jaap van Triest.
Claus en Kaan building
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$100.95
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Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and architecture that speaks over the heads of its users to colleagues and critics. Severity and repose are hallmarks of Claus and Kaan's oeuvre and these qualities are often found in it simultaneously. For even at its most Spartan, their architecture is never harsh. Although one can hardly describe Claus and Kaan's architecture as postmodern, their stance does owe something to postmodernism. This can be seen in their free handling of references, such as Marcel Breuer's Whitney Museum or Mies van der Rohe's Barcelona Pavilion, and in their undogmatically broad range of interest, spanning from Heinrich Tessenow to Gordon Bunshaft and from Auguste Perret to I.M. Pei. For them there is no essential contradiction between modernity and classical values. This first comprehensive monograph on Claus and Kaan gives a complete overview of all their projects (250 or so), including those yet to be realized. Of this total, fifty are exhaustively documented and illustrated. With essays by Rafael Moneo, David Chipperfield, Andrea Deplazes, Christoph Grafe, Han Michel, and Felix Claus and Kees Kaan themselves. The book is designed by Karel Martens and Jaap van Triest.
Form:
books
books
Publication:
May 2002, Rotterdam
May 2002, Rotterdam
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$80.00
(available in store)
Summary:
"Proto Vernacular" is both art object and architectural meditation, a richly visual and philosophical publication by Pezo von Ellrichshausen. It explores architecture’s most primordial tension, tracing the shift from anonymous building traditions to authored design. Bringing together "Vernacular" drawings (pencil studies of archetypal buildings) and "Proto" paintings, the(...)
$80.00
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Summary:
"Proto Vernacular" is both art object and architectural meditation, a richly visual and philosophical publication by Pezo von Ellrichshausen. It explores architecture’s most primordial tension, tracing the shift from anonymous building traditions to authored design. Bringing together "Vernacular" drawings (pencil studies of archetypal buildings) and "Proto" paintings, the(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
April 2026
April 2026
Title:
Pezo von Ellrichshausen: Proto vernacular
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"Proto Vernacular" is both art object and architectural meditation, a richly visual and philosophical publication by Pezo von Ellrichshausen. It explores architecture’s most primordial tension, tracing the shift from anonymous building traditions to authored design. Bringing together "Vernacular" drawings (pencil studies of archetypal buildings) and "Proto" paintings, the book reflects on origins, repetition, and architecture’s desire to return to a “first” state. A thoughtful text on the making of Luna House reveals how seclusion, material necessity, and the interruptions of daily life shape architectural thought. The book also features essays by Hans Ibelings and Pezo von Ellrichshausen.
Pezo von Ellrichshausen: Proto vernacular
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Summary:
"Proto Vernacular" is both art object and architectural meditation, a richly visual and philosophical publication by Pezo von Ellrichshausen. It explores architecture’s most primordial tension, tracing the shift from anonymous building traditions to authored design. Bringing together "Vernacular" drawings (pencil studies of archetypal buildings) and "Proto" paintings, the book reflects on origins, repetition, and architecture’s desire to return to a “first” state. A thoughtful text on the making of Luna House reveals how seclusion, material necessity, and the interruptions of daily life shape architectural thought. The book also features essays by Hans Ibelings and Pezo von Ellrichshausen.
Form:
books
books
Publication:
April 2026
April 2026
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$39.00
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Summary:
For both Jo Kruger (1914–1983) and Rob Hootsmans (1962) the architecture of the Courthouse in Zwolle, the Netherlands, was a long time in the making. Kruger began in 1963 with his project for a combined district and subdistrict court, which took fourteen years to be completed. In 2004, while still working for the Government Building Agency, Hootsmans began exploring how(...)
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For both Jo Kruger (1914–1983) and Rob Hootsmans (1962) the architecture of the Courthouse in Zwolle, the Netherlands, was a long time in the making. Kruger began in 1963 with his project for a combined district and subdistrict court, which took fourteen years to be completed. In 2004, while still working for the Government Building Agency, Hootsmans began exploring how(...)
Title:
Courthouse Zwolle: Jo Kruger, Rob Hootsmans
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$39.00
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For both Jo Kruger (1914–1983) and Rob Hootsmans (1962) the architecture of the Courthouse in Zwolle, the Netherlands, was a long time in the making. Kruger began in 1963 with his project for a combined district and subdistrict court, which took fourteen years to be completed. In 2004, while still working for the Government Building Agency, Hootsmans began exploring how Kruger’s building could be expanded. He finished a new extension in 2013, and completed the renovation of Kruger’s original building in 2016. Even if the architecture of Jo Kruger is very different from that of Rob Hootsmans, it is somehow a meeting of kindred spirits.
Courthouse Zwolle: Jo Kruger, Rob Hootsmans
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For both Jo Kruger (1914–1983) and Rob Hootsmans (1962) the architecture of the Courthouse in Zwolle, the Netherlands, was a long time in the making. Kruger began in 1963 with his project for a combined district and subdistrict court, which took fourteen years to be completed. In 2004, while still working for the Government Building Agency, Hootsmans began exploring how Kruger’s building could be expanded. He finished a new extension in 2013, and completed the renovation of Kruger’s original building in 2016. Even if the architecture of Jo Kruger is very different from that of Rob Hootsmans, it is somehow a meeting of kindred spirits.
Form:
books
books
Publication:
January 2020
January 2020
Subject:
Architecture Monographs
Architecture Monographs
