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Ever since the Dadaists, humour in one or more of its guises - absurd, ironic, tragi-comic, mordant, gothical dark, deadpan, camp or kitsch - has frequently surfaced as a subversive, troubling or liberating element in art. This anthology traces humour's role in transforming the pratice and experience of art, from the early twentieth-century avant-gardes, through Fluxus(...)
The Artist's joke: Documents of contemporary art
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Ever since the Dadaists, humour in one or more of its guises - absurd, ironic, tragi-comic, mordant, gothical dark, deadpan, camp or kitsch - has frequently surfaced as a subversive, troubling or liberating element in art. This anthology traces humour's role in transforming the pratice and experience of art, from the early twentieth-century avant-gardes, through Fluxus and Pop, to the diverse, often uncategorizable works of some of the most influential artists today.
Art Theory
Frieze 113 Rocky vs Duchamp
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Shirana Shahbazi and photography Peter Doig on the «StudioFilmClub» Michael Asher's institutional critique Peter York on Roxy Music
Magazines
January 1900, London, New York, Berlin
Frieze 113 Rocky vs Duchamp
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Shirana Shahbazi and photography Peter Doig on the «StudioFilmClub» Michael Asher's institutional critique Peter York on Roxy Music
Magazines
David Noonan: scenes
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London-based Australian artist David Noonan works with found photographic imagery taken from performance manuals, textile patterns and archive photographs to make densely layered montages. These works at once suggest specific moments in time and invoke disorientating atemporal spaces from which myriad narratives emerge.
David Noonan: scenes
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Summary:
London-based Australian artist David Noonan works with found photographic imagery taken from performance manuals, textile patterns and archive photographs to make densely layered montages. These works at once suggest specific moments in time and invoke disorientating atemporal spaces from which myriad narratives emerge.
Contemporary Art Monographs