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$37.50
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Summary:
One hundred photographs from the Mariners' Museum in Newport News, Virginia, selected and introduced by John Szarkowski with essays by Richard Benson.
Theory of Photography
October 1999, New Haven
A maritime album: 100 photographs and their stories
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$37.50
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Summary:
One hundred photographs from the Mariners' Museum in Newport News, Virginia, selected and introduced by John Szarkowski with essays by Richard Benson.
books
October 1999, New Haven
Theory of Photography
$82.50
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The first comprehensive overview of the work of Garry Winogrand contains an essay on the life and work of the photographer by John Szarkowski and a plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and(...)
Winogrand : figments from the real world
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The first comprehensive overview of the work of Garry Winogrand contains an essay on the life and work of the photographer by John Szarkowski and a plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and Unfinished Work-- many of the 179 plates are works that had never before been published. The last section includes 25 pictures chosen from the enormous body of work that Winogrand left unedited at the time of his death in 1984. In his essay, Szarkowski, who knew the photographer well during most of his career, describes the development of Winogrand's pictorial strategies during his years as a photojournalist, the increasing complexity of his motifs as he pursued more personal goals, and the challenge posed for other photographers by the powerful and distinctive authority of Winogrand's best work.
Photography monographs
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$89.95
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In this book, John Szarkowski has selected 100 images by Eugène Atget from the MOMA collection and elucidated each with a brief text.
$42.00
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Lee Friedlander's surreal sensibility is on full display in this set of photographs, originally published in 1970. Here Friedlander focuses on the role of his own physical presence in his images. He writes: "At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to(...)
Photography monographs
June 2005, New York
Lee Friedlander: self portrait
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Lee Friedlander's surreal sensibility is on full display in this set of photographs, originally published in 1970. Here Friedlander focuses on the role of his own physical presence in his images. He writes: "At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to those feelings." Here readers can witness this progression as Friedlander appears in the form of his shadow, or reflected in windows and mirrors, and only occasionally fully visible through his own camera. In some photos he visibly struggles with the notion of self-portraiture, desultorily shooting himself in household mirrors and other reflective surfaces. Soon, though, he begins to toy with the pictures, almost teasingly inserting his shadow into them to amusing and provocative effect--elongated and trailing a group of women seen only from the knees down; cast and bent over a chair as if seated in it; mirroring the silhouette of someone walking down the street ahead of him; or falling on the desert ground, a large bush standing in for hair. These uncanny self-portraits evoke a surprisingly full landscape of the artist's life and mind. This reprint edition of Lee Friedlander: Self Portrait contains nearly 50 duotone images and an afterword by John Szarkowski, former Director of the Department of Photography at The Museum of Modern Art.
Photography monographs
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$50.00
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Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
Looking at photographs : 100 pictures from the collection of the Museum of Modern Art
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Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
books
September 1999, New York
Theory of Photography
books
$67.50
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Summary:
One hundred photographs from the Mariners' Museum in Newport News, Virginia, selected and introduced by John Szarkowski with essays by Richard Benson.
Theory of Photography
October 1997, New Haven
A maritime album: 100 photographs and their stories
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$67.50
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Summary:
One hundred photographs from the Mariners' Museum in Newport News, Virginia, selected and introduced by John Szarkowski with essays by Richard Benson.
books
October 1997, New Haven
Theory of Photography