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Title:
Marcel Duchamp: Étant donnés
Marcel Duchamp: Étant donnés
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$17.95
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Summary:
Following Marcel Duchamp's death in 1968, the Philadelphia Museum of Art stunned the art world by unveiling a project on which he had been working secretly for twenty years, long after he had supposedly given up art for chess. In this illustrated study, Julian Haladyn argues that Duchamp's intention in this final piece was similar to Raymond Roussel's in How I Wrote(...)
$17.95
(available to order)
Summary:
Following Marcel Duchamp's death in 1968, the Philadelphia Museum of Art stunned the art world by unveiling a project on which he had been working secretly for twenty years, long after he had supposedly given up art for chess. In this illustrated study, Julian Haladyn argues that Duchamp's intention in this final piece was similar to Raymond Roussel's in How I Wrote(...)
Title:
Marcel Duchamp: Étant donnés
Actions:
Price:
$17.95
(available to order)
Summary:
Following Marcel Duchamp's death in 1968, the Philadelphia Museum of Art stunned the art world by unveiling a project on which he had been working secretly for twenty years, long after he had supposedly given up art for chess. In this illustrated study, Julian Haladyn argues that Duchamp's intention in this final piece was similar to Raymond Roussel's in How I Wrote Certain of My Books: not, as many have maintained, to provide a neat summation of his career, but the opposite—to open his artwork to endless interpretation and reinterpretation. Duchamp's engagement with his legacy is a significant historical development in the critical relationship between artists and the institution of art. Additionally, Haladyn sees that the staging of Étant donnés foreshadowed strategies used by Minimalism as well as installation, spectatorship, and institutional critique.
Marcel Duchamp: Étant donnés
Actions:
Price:
$17.95
(available to order)
Summary:
Following Marcel Duchamp's death in 1968, the Philadelphia Museum of Art stunned the art world by unveiling a project on which he had been working secretly for twenty years, long after he had supposedly given up art for chess. In this illustrated study, Julian Haladyn argues that Duchamp's intention in this final piece was similar to Raymond Roussel's in How I Wrote Certain of My Books: not, as many have maintained, to provide a neat summation of his career, but the opposite—to open his artwork to endless interpretation and reinterpretation. Duchamp's engagement with his legacy is a significant historical development in the critical relationship between artists and the institution of art. Additionally, Haladyn sees that the staging of Étant donnés foreshadowed strategies used by Minimalism as well as installation, spectatorship, and institutional critique.
Form:
books
books
Publication:
April 2010
April 2010
Subject:
Art Theory
Art Theory
