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CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth(...)
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CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth(...)
Subject:
Urban Theory
Urban Theory
Publication:
October 2002, Cambridge, Massachusetts
October 2002, Cambridge, Massachusetts
Title:
The CIAM discourse on urbanism, 1928-1960
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CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth century, such as Le Corbusier, Walter Gropius, and Richard Neutra, but also hundreds of others who looked to it for doctrines on how to shape the urban environment in a rapidly changing world. In this first book-length history of the organization, architectural historian Eric Mumford focuses on CIAM's discourse to trace the development and promotion of its influential concept of the "Functional City." He views official doctrines and pronouncements in relation to the changing circumstances of the members, revealing how CIAM in the 1930s began to resemble a kind of syndicalist party oriented toward winning over any suitable authority, regardless of political orientation. Mumford also looks at CIAM's efforts after World War II to find a new basis for a socially engaged architecture and describes the attempts by the group of younger members called Team 10 to radically revise CIAM's mission in the 1950s, efforts that led to the organization's dissolution in 1959.
The CIAM discourse on urbanism, 1928-1960
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CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth century, such as Le Corbusier, Walter Gropius, and Richard Neutra, but also hundreds of others who looked to it for doctrines on how to shape the urban environment in a rapidly changing world. In this first book-length history of the organization, architectural historian Eric Mumford focuses on CIAM's discourse to trace the development and promotion of its influential concept of the "Functional City." He views official doctrines and pronouncements in relation to the changing circumstances of the members, revealing how CIAM in the 1930s began to resemble a kind of syndicalist party oriented toward winning over any suitable authority, regardless of political orientation. Mumford also looks at CIAM's efforts after World War II to find a new basis for a socially engaged architecture and describes the attempts by the group of younger members called Team 10 to radically revise CIAM's mission in the 1950s, efforts that led to the organization's dissolution in 1959.
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books
books
Publication:
October 2002, Cambridge, Massachusetts
October 2002, Cambridge, Massachusetts
Subject:
Urban Theory
Urban Theory
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books
books
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$75.00
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This anthology of writings by the architectural critic Kenneth Frampton brings together essays from the last thirty-five years. The essays focus on twentieth-century architecture, dealing with themes and movements, built works and the architects responsible for these buildings.
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This anthology of writings by the architectural critic Kenneth Frampton brings together essays from the last thirty-five years. The essays focus on twentieth-century architecture, dealing with themes and movements, built works and the architects responsible for these buildings.
Title:
Labour, work and architecture : collected essays on architecture and design
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This anthology of writings by the architectural critic Kenneth Frampton brings together essays from the last thirty-five years. The essays focus on twentieth-century architecture, dealing with themes and movements, built works and the architects responsible for these buildings.
Labour, work and architecture : collected essays on architecture and design
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This anthology of writings by the architectural critic Kenneth Frampton brings together essays from the last thirty-five years. The essays focus on twentieth-century architecture, dealing with themes and movements, built works and the architects responsible for these buildings.
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books
books
Publication:
April 2002, London
April 2002, London
Subject:
Architectural Theory
Architectural Theory
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Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton(...)
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Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton(...)
Title:
Studies in tectonic culture: the poetics of construction in nineteenth and twentieth century architecture
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Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."
Studies in tectonic culture: the poetics of construction in nineteenth and twentieth century architecture
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Summary:
Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."
Form:
books
books
Publication:
October 2001, Cambridge, Mass.
October 2001, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Som journal 7
Som journal 7
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Som journal 7 includes the essays “Notes on the Techno-Aesthetic Evolution of High-Rise Form, 1896–1997” by Kenneth Frampton, “The Myth of Natural Growth II” by Thomas van Leeuwan, “Building Tall” by William Baker, “Emergence and the Power of One” by Mark Sarkisian, and “How the Leopard Got Its Spots: Lever House as a Skyscraper” by Nicholas Adams.
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Som journal 7 includes the essays “Notes on the Techno-Aesthetic Evolution of High-Rise Form, 1896–1997” by Kenneth Frampton, “The Myth of Natural Growth II” by Thomas van Leeuwan, “Building Tall” by William Baker, “Emergence and the Power of One” by Mark Sarkisian, and “How the Leopard Got Its Spots: Lever House as a Skyscraper” by Nicholas Adams.
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Som journal 7
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$30.00
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Summary:
Som journal 7 includes the essays “Notes on the Techno-Aesthetic Evolution of High-Rise Form, 1896–1997” by Kenneth Frampton, “The Myth of Natural Growth II” by Thomas van Leeuwan, “Building Tall” by William Baker, “Emergence and the Power of One” by Mark Sarkisian, and “How the Leopard Got Its Spots: Lever House as a Skyscraper” by Nicholas Adams.
Som journal 7
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Summary:
Som journal 7 includes the essays “Notes on the Techno-Aesthetic Evolution of High-Rise Form, 1896–1997” by Kenneth Frampton, “The Myth of Natural Growth II” by Thomas van Leeuwan, “Building Tall” by William Baker, “Emergence and the Power of One” by Mark Sarkisian, and “How the Leopard Got Its Spots: Lever House as a Skyscraper” by Nicholas Adams.
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books
books
Publication:
March 2012
March 2012
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
SOM journal 6
SOM journal 6
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$36.00
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SOM Journal 6 features Thomas Herzog on solar energy; a reprint of Manuel de Solà Morales's pivotal text on urban planning; Robert Polidori's photo essay documenting the slums surrounding the Mumbai airport; the Director of the Glasgow School of Art discussing the seminal building of Charles Rennie Mackintosh; and much else.
$36.00
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Summary:
SOM Journal 6 features Thomas Herzog on solar energy; a reprint of Manuel de Solà Morales's pivotal text on urban planning; Robert Polidori's photo essay documenting the slums surrounding the Mumbai airport; the Director of the Glasgow School of Art discussing the seminal building of Charles Rennie Mackintosh; and much else.
Subject:
Magazines
Magazines
Publication:
October 2010
October 2010
Title:
SOM journal 6
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$36.00
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SOM Journal 6 features Thomas Herzog on solar energy; a reprint of Manuel de Solà Morales's pivotal text on urban planning; Robert Polidori's photo essay documenting the slums surrounding the Mumbai airport; the Director of the Glasgow School of Art discussing the seminal building of Charles Rennie Mackintosh; and much else.
SOM journal 6
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$36.00
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Summary:
SOM Journal 6 features Thomas Herzog on solar energy; a reprint of Manuel de Solà Morales's pivotal text on urban planning; Robert Polidori's photo essay documenting the slums surrounding the Mumbai airport; the Director of the Glasgow School of Art discussing the seminal building of Charles Rennie Mackintosh; and much else.
Form:
journals and magazines
journals and magazines
Publication:
October 2010
October 2010
Subject:
Magazines
Magazines
Form:
books
books
Title:
Building Brasilia
Building Brasilia
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$82.00
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Summary:
‘From nothing; from nothing to construction.’ Thus Marcel Gautherot, the ideal architectural photographer, recalled his epic undertaking in the late 1950s – photographing every step of the construction of the city of Brasilia, from untouched grassland to modern capital. Gautherot had studied architecture and design, and was influenced by Le Corbusier and other(...)
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Summary:
‘From nothing; from nothing to construction.’ Thus Marcel Gautherot, the ideal architectural photographer, recalled his epic undertaking in the late 1950s – photographing every step of the construction of the city of Brasilia, from untouched grassland to modern capital. Gautherot had studied architecture and design, and was influenced by Le Corbusier and other(...)
Title:
Building Brasilia
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$82.00
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‘From nothing; from nothing to construction.’ Thus Marcel Gautherot, the ideal architectural photographer, recalled his epic undertaking in the late 1950s – photographing every step of the construction of the city of Brasilia, from untouched grassland to modern capital. Gautherot had studied architecture and design, and was influenced by Le Corbusier and other modernist architects as well as the political radicalism of the interwar period. Postwar, however, he devoted his life to travel and photography, taking with him the formal rigour of modernism but also a sympathy for ordinary people that was to help him in his work. After moving to Brazil in 1940, he forged many friendships and partnerships, most notably with Oscar Niemeyer, the chief architect of Brasilia. Indeed, Gautherot recorded most of Niemeyer’s work as his photographer of choice. It was, however, in Brasilia – the high point of the careers of both Niemeyer and chief urban planner Lucio Costa – that the photographer’s art of light and shadow reached its zenith. Gautherot repeatedly visited Brasilia, photographing not only every stage of construction, but also the faces and homes of the workers who worked on the construction sites and satellite cities in the making. The result is a monumental photo essay on this triumph of urban planning and architecture. Here, for the first time, the photographs are collected to form a portfolio of Gautherot’s work in Brasilia, and it pays due tribute to this great Franco-Brazilian artist in the centenary of his birth and on the fiftieth anniversary of Brasilia’s inauguration.
Building Brasilia
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$82.00
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Summary:
‘From nothing; from nothing to construction.’ Thus Marcel Gautherot, the ideal architectural photographer, recalled his epic undertaking in the late 1950s – photographing every step of the construction of the city of Brasilia, from untouched grassland to modern capital. Gautherot had studied architecture and design, and was influenced by Le Corbusier and other modernist architects as well as the political radicalism of the interwar period. Postwar, however, he devoted his life to travel and photography, taking with him the formal rigour of modernism but also a sympathy for ordinary people that was to help him in his work. After moving to Brazil in 1940, he forged many friendships and partnerships, most notably with Oscar Niemeyer, the chief architect of Brasilia. Indeed, Gautherot recorded most of Niemeyer’s work as his photographer of choice. It was, however, in Brasilia – the high point of the careers of both Niemeyer and chief urban planner Lucio Costa – that the photographer’s art of light and shadow reached its zenith. Gautherot repeatedly visited Brasilia, photographing not only every stage of construction, but also the faces and homes of the workers who worked on the construction sites and satellite cities in the making. The result is a monumental photo essay on this triumph of urban planning and architecture. Here, for the first time, the photographs are collected to form a portfolio of Gautherot’s work in Brasilia, and it pays due tribute to this great Franco-Brazilian artist in the centenary of his birth and on the fiftieth anniversary of Brasilia’s inauguration.
Form:
books
books
Publication:
December 2010
December 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$138.00
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Summary:
Présentation de 44 maisons réalisées de 1908 à 2007 qui ont marqué l'histoire de l'architecture résidentielle américaine et l'histoire de l'architecture moderne et contemporaine.
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Présentation de 44 maisons réalisées de 1908 à 2007 qui ont marqué l'histoire de l'architecture résidentielle américaine et l'histoire de l'architecture moderne et contemporaine.
Title:
Grands architectes et maisons Américaines des XXe et XXie siècles
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Présentation de 44 maisons réalisées de 1908 à 2007 qui ont marqué l'histoire de l'architecture résidentielle américaine et l'histoire de l'architecture moderne et contemporaine.
Grands architectes et maisons Américaines des XXe et XXie siècles
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Présentation de 44 maisons réalisées de 1908 à 2007 qui ont marqué l'histoire de l'architecture résidentielle américaine et l'histoire de l'architecture moderne et contemporaine.
Form:
books
books
Publication:
November 2009
November 2009
Subject:
Residential Architecture
Residential Architecture
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books
books
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$82.00
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This book documents David Chipperfield's most important project to date: the Neues Museum, centerpiece of the Berlin Museumsinsel. Photographs taken in natural light by Candida Hofer show the rooms after their completion and before they were furnished. Hofer's images are complemented by texts from well-known architects, architectural historians, art historians and(...)
$82.00
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Summary:
This book documents David Chipperfield's most important project to date: the Neues Museum, centerpiece of the Berlin Museumsinsel. Photographs taken in natural light by Candida Hofer show the rooms after their completion and before they were furnished. Hofer's images are complemented by texts from well-known architects, architectural historians, art historians and(...)
Title:
Neues Museum Berlin, David Chipperfield architects
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$82.00
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Summary:
This book documents David Chipperfield's most important project to date: the Neues Museum, centerpiece of the Berlin Museumsinsel. Photographs taken in natural light by Candida Hofer show the rooms after their completion and before they were furnished. Hofer's images are complemented by texts from well-known architects, architectural historians, art historians and conservation architects highlighting the fundamental principles of the project. An interview with David Chipperfield gives insight into the problems surrounding the work.
Neues Museum Berlin, David Chipperfield architects
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$82.00
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Summary:
This book documents David Chipperfield's most important project to date: the Neues Museum, centerpiece of the Berlin Museumsinsel. Photographs taken in natural light by Candida Hofer show the rooms after their completion and before they were furnished. Hofer's images are complemented by texts from well-known architects, architectural historians, art historians and conservation architects highlighting the fundamental principles of the project. An interview with David Chipperfield gives insight into the problems surrounding the work.
Form:
books
books
Publication:
March 2010
March 2010
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
L'architecture moderne
L'architecture moderne
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$51.95
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Depuis sa première édition en langue anglaise en 1980, L'Architecture moderne - Une histoire critique, est devenu un classique incontesté. L'auteur retrace les origines tant culturelles qu'urbaines et techniques de l'architecture moderne en remontant jusqu'au tout début du XIXe siècle. Il examine ensuite en des chapitres clairement délimités - où bâtiments et théories(...)
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Depuis sa première édition en langue anglaise en 1980, L'Architecture moderne - Une histoire critique, est devenu un classique incontesté. L'auteur retrace les origines tant culturelles qu'urbaines et techniques de l'architecture moderne en remontant jusqu'au tout début du XIXe siècle. Il examine ensuite en des chapitres clairement délimités - où bâtiments et théories(...)
Title:
L'architecture moderne
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$51.95
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Depuis sa première édition en langue anglaise en 1980, L'Architecture moderne - Une histoire critique, est devenu un classique incontesté. L'auteur retrace les origines tant culturelles qu'urbaines et techniques de l'architecture moderne en remontant jusqu'au tout début du XIXe siècle. Il examine ensuite en des chapitres clairement délimités - où bâtiments et théories architecturales sont toujours éclairés par leur contexte social, politique, économique et technique - les principaux mouvements, développements nationaux ou périodes de création des grands concepteurs du XXe siècle.
L'architecture moderne
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Depuis sa première édition en langue anglaise en 1980, L'Architecture moderne - Une histoire critique, est devenu un classique incontesté. L'auteur retrace les origines tant culturelles qu'urbaines et techniques de l'architecture moderne en remontant jusqu'au tout début du XIXe siècle. Il examine ensuite en des chapitres clairement délimités - où bâtiments et théories architecturales sont toujours éclairés par leur contexte social, politique, économique et technique - les principaux mouvements, développements nationaux ou périodes de création des grands concepteurs du XXe siècle.
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books
books
Publication:
April 2010
April 2010
Form:
books
books
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$55.00
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Custom and Innovation: John Miller + Partners is the first publication devoted to the work of John Miller + Partners, and explores Miller’s work from his student days at the Architectural Association, to his present practice as a multi-award winning firm. The book provides an insight into the contemporary fascination with museum buildings as well as the revived interest(...)
$55.00
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Summary:
Custom and Innovation: John Miller + Partners is the first publication devoted to the work of John Miller + Partners, and explores Miller’s work from his student days at the Architectural Association, to his present practice as a multi-award winning firm. The book provides an insight into the contemporary fascination with museum buildings as well as the revived interest(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
July 2009
July 2009
Title:
Custom and innovation, John Miller + Partners
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$55.00
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Custom and Innovation: John Miller + Partners is the first publication devoted to the work of John Miller + Partners, and explores Miller’s work from his student days at the Architectural Association, to his present practice as a multi-award winning firm. The book provides an insight into the contemporary fascination with museum buildings as well as the revived interest on post-war modernism both in Europe and the USA.
Custom and innovation, John Miller + Partners
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$55.00
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Custom and Innovation: John Miller + Partners is the first publication devoted to the work of John Miller + Partners, and explores Miller’s work from his student days at the Architectural Association, to his present practice as a multi-award winning firm. The book provides an insight into the contemporary fascination with museum buildings as well as the revived interest on post-war modernism both in Europe and the USA.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Architecture Monographs
Architecture Monographs
