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Inside the postmodern wonderland of the Shonandai Cultural Center, Japan's first large-scale public facility to be designed by a female architect The first major public project by Japanese architect Itsuko Hasegawa (born 1941), the Shonandai Cultural Center is notable in its attempt to refute modernism by returning to a '60s techno-avant-garde.
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Inside the postmodern wonderland of the Shonandai Cultural Center, Japan's first large-scale public facility to be designed by a female architect The first major public project by Japanese architect Itsuko Hasegawa (born 1941), the Shonandai Cultural Center is notable in its attempt to refute modernism by returning to a '60s techno-avant-garde.
Title:
Itsuko Hasegawa: Shonandai – Exposing the World. Everything without content 242
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Inside the postmodern wonderland of the Shonandai Cultural Center, Japan's first large-scale public facility to be designed by a female architect The first major public project by Japanese architect Itsuko Hasegawa (born 1941), the Shonandai Cultural Center is notable in its attempt to refute modernism by returning to a '60s techno-avant-garde.
Itsuko Hasegawa: Shonandai – Exposing the World. Everything without content 242
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$77.00
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Summary:
Inside the postmodern wonderland of the Shonandai Cultural Center, Japan's first large-scale public facility to be designed by a female architect The first major public project by Japanese architect Itsuko Hasegawa (born 1941), the Shonandai Cultural Center is notable in its attempt to refute modernism by returning to a '60s techno-avant-garde.
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books
books
Publication:
September 2025
September 2025
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$66.95
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Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial(...)
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Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial(...)
Title:
Everything Without Content 251. The large city
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Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial condition. An artificial nature where zero-kilometre food production, electric bikes and trail running enable everyone to live large. Without nostalgia for its industrial ruins, nor contempt for modernity, the city was the subject of a year-long studio led by Kersten Geers at the Academy of Architecture USI in Mendrisio. As a form of “applied theory”, the book presents students’ projects—an imaginary city—coupled with some real projects: Megafactory by OFFICE and Palais des Expositions by Architecten Jan de Vylder Inge Vinck & AgwA. The book features photographs of Charleroi by Stefano Graziani.
Everything Without Content 251. The large city
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$66.95
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Summary:
Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial condition. An artificial nature where zero-kilometre food production, electric bikes and trail running enable everyone to live large. Without nostalgia for its industrial ruins, nor contempt for modernity, the city was the subject of a year-long studio led by Kersten Geers at the Academy of Architecture USI in Mendrisio. As a form of “applied theory”, the book presents students’ projects—an imaginary city—coupled with some real projects: Megafactory by OFFICE and Palais des Expositions by Architecten Jan de Vylder Inge Vinck & AgwA. The book features photographs of Charleroi by Stefano Graziani.
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books
books
Publication:
June 2025
June 2025
Subject:
Architectural Theory
Architectural Theory
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$200.00
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In 1966, architect Robert Venturi published ''Complexity and Contradiction in Architecture'', a manifesto that became one of the twentieth century’s most important statements about architecture. Drawing on both vernacular and high-style sources, Venturi introduced new lessons from the buildings of architects who were well known, like Michelangelo and Alvar Aalto, and(...)
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Summary:
In 1966, architect Robert Venturi published ''Complexity and Contradiction in Architecture'', a manifesto that became one of the twentieth century’s most important statements about architecture. Drawing on both vernacular and high-style sources, Venturi introduced new lessons from the buildings of architects who were well known, like Michelangelo and Alvar Aalto, and(...)
Publication:
August 2016
August 2016
Title:
The difficult whole: a reference book on the work of Robert Venturi, John Rauch, and Denise Scott Brown
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Summary:
In 1966, architect Robert Venturi published ''Complexity and Contradiction in Architecture'', a manifesto that became one of the twentieth century’s most important statements about architecture. Drawing on both vernacular and high-style sources, Venturi introduced new lessons from the buildings of architects who were well known, like Michelangelo and Alvar Aalto, and those whose work had then been forgotten, like Frank Furness and Edwin Lutyens. Arguing against the diagrammatic forms that dominated the field at that time, Venturi made a case instead for “the difficult whole.”
The difficult whole: a reference book on the work of Robert Venturi, John Rauch, and Denise Scott Brown
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$200.00
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Summary:
In 1966, architect Robert Venturi published ''Complexity and Contradiction in Architecture'', a manifesto that became one of the twentieth century’s most important statements about architecture. Drawing on both vernacular and high-style sources, Venturi introduced new lessons from the buildings of architects who were well known, like Michelangelo and Alvar Aalto, and those whose work had then been forgotten, like Frank Furness and Edwin Lutyens. Arguing against the diagrammatic forms that dominated the field at that time, Venturi made a case instead for “the difficult whole.”
Publication:
August 2016
August 2016
