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Welcome to the 60th issue of The Funambulist, which concludes the tenth year of publishing the magazine! On August 6th and 9th, The Funambulist will commemorate the 80th anniversary of the devastating US nuclear bombing of the cities of Hiroshima and Nagasaki. Our contribution to the significance of these two massacres consists in convoking Indigenous perspectives from(...)
The Funambulist n. 60: The colonized & the atomic bomb
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Welcome to the 60th issue of The Funambulist, which concludes the tenth year of publishing the magazine! On August 6th and 9th, The Funambulist will commemorate the 80th anniversary of the devastating US nuclear bombing of the cities of Hiroshima and Nagasaki. Our contribution to the significance of these two massacres consists in convoking Indigenous perspectives from lands that have been exploited for these two bombings. The idea for it came from listening to Glen Sean Coulthard in Dene Country (in what the Canadian settler colony designates as Northwest Territories) about the uranium extracted from his nation’s land to fabricate the atomic bomb and three decades later, the visit of a Dene delegation to Hiroshima to apologize for the role of their labor and land in the nuclear bombing of the city. This understanding of interconnectedness between distant lands and peoples forms the editorial core of this issue.
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and(...)
The Funambulist n.63 : follow the money
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and the liberation of our monetary imaginary can be tools of emancipation. From the CFA franc (Ndongo Samba Sylla, Moses März) to the US dollar (Lily H. Chumley) or the Palestinian Pound (Hicham Safieddine), The Funambulist navigates monetary politics around the world, and more specifically in Sudan (Nisrin Elamin & Laleh Khalili), Puerto Rico (Roque Salas Rivera) or Brazil (Cho). The issue also contains a board game entitled "You’ve Got Yourselves a Revolution, Now What?" imagined by the issue editors Myriam Amri and Léopold Lambert and designed by Aude Abou Nasr. As for the cover, it features an artwork by Adriana Martínez Barón.
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In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used(...)
The Funambulist 64: The no-state solution
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In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used multiple times in the history of The Funambulist (since our first conversation in 2014), The No-State Solution intends to revisit this concept in the context of Palestine in challenging the very idea of “solution” (Sophia Azeb & Rebecca Gross), but also in other liberation struggles such as the Kurdish (Havin Guneser) and Zapatista (Linda Quiquivix) ones. It warns us against state dreams, such as the ones implemented in Sierra Leone and Liberia (what William C. Anderson calls “Black Zionism” in his contribution), and questions the differences between State and community forms of governance, in particular when it comes to healthcare, as made evident in Cuba and Venezuela (Lisbeth Moya González). Finally, it envisions borderless, stateless futures in Aotearoa (Kai-rui Cheng) and Kanaky (Florenda Nirikani). As for the artwork on the cover, it is an original creation by Samir Harb.
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The space-time of persistent coloniality in Britain, France, Germany, Portugal, the Netherlands, Italy, Belgium, and Spain.
The Funambulist n.54 : Colonial continuums
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The space-time of persistent coloniality in Britain, France, Germany, Portugal, the Netherlands, Italy, Belgium, and Spain.
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This 56th issue is the first one we are publishing in English, French, and now Spanish. Its title, ''Bulldozer Politics'', is a reference to a small book written by Léopold Lambert in 2016 about the systematic use of the bulldozer by the Israeli state to destroy Palestinian homes since 1948. This issue revisits this book, translates some of its main parts, and put its(...)
The Funambulist n.56 : Bulldozer politics
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This 56th issue is the first one we are publishing in English, French, and now Spanish. Its title, ''Bulldozer Politics'', is a reference to a small book written by Léopold Lambert in 2016 about the systematic use of the bulldozer by the Israeli state to destroy Palestinian homes since 1948. This issue revisits this book, translates some of its main parts, and put its argument about the precise political order of “ruination” in dialogue with other geographical contexts, namely India (Shivangi Mariam Raj), Colombia and Brazil (Jaime Amparo Alves and Stella Zagatto Paterniani), the US (Francesca Russello Ammon), France (Hajer Ben Boubaker), Egypt (Omnia Khalil and Azza Ezzat), and Cambodia (Kavich Neang).
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Welcome to the 58th issue of The Funambulist, dedicated to Palestinian Return/Awda/??????. In its original intentions, as defined in the beginning of 2024, this issue was thought to be published long after a ceasefire in Palestine would have been reached. Anticipating a significant decrease in global mobilization for the Palestinian struggle, this issue was meant to(...)
The Funambulist n.58 : Return
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Welcome to the 58th issue of The Funambulist, dedicated to Palestinian Return/Awda/??????. In its original intentions, as defined in the beginning of 2024, this issue was thought to be published long after a ceasefire in Palestine would have been reached. Anticipating a significant decrease in global mobilization for the Palestinian struggle, this issue was meant to contribute to an effort of re-intensifying of this mobilization. In the end, the genocidal siege on Gaza and its echoes in the West Bank, Lebanon, and Syria have lasted much longer than any of us could have imagined and this issue was produced in a context of duress and despair for many of its contributors. In our context, this issue attempts to re-open our imaginaries of liberation of Palestine, through essays
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The tenth issue of "The Funambulist" operates somehow in continuity with issue 9 Islands (January-February 2017), which offered the words of indigenous and anticolonial struggles from various islands of the world. Voices from Kanaky, Mayotte, Hawai’i, and Puerto Rico resonate therefore here with those from Libya, Kenya, Palestine, and Java, in the colonial situations they(...)
The Funambulist 10: Architecture and colonialism
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The tenth issue of "The Funambulist" operates somehow in continuity with issue 9 Islands (January-February 2017), which offered the words of indigenous and anticolonial struggles from various islands of the world. Voices from Kanaky, Mayotte, Hawai’i, and Puerto Rico resonate therefore here with those from Libya, Kenya, Palestine, and Java, in the colonial situations they all describe. While the last issue was dedicated to the seminal work of Édouard Glissant, inscribed throughout the pages of this present one is the influence of another Martiniquais: Frantz Fanon. The two editorial arguments of this issue are simple: colonialism is not an era, it is a system of military/police, legal, administrative, social, and cultural system of domination; and, architecture is not (only) an aesthetic vessel, it is an apparatus organizing and hierarchizing bodies in space.
The funambulist 9 : Islands
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issue 9 : islands (January-February 2017)
The funambulist 9 : Islands
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issue 9 : islands (January-February 2017)
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The eleventh issue of "The Funambulist" can be read as the third installment of a trilogy about the territorialities and architectures of colonialism and postcolonialism. It is dedicated to the precise and strategic political order behind the apparent disorder of debris and ruin in various geographical and historical contexts. The current situations of systematic(...)
The Funambulist 11: Designed destructions
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The eleventh issue of "The Funambulist" can be read as the third installment of a trilogy about the territorialities and architectures of colonialism and postcolonialism. It is dedicated to the precise and strategic political order behind the apparent disorder of debris and ruin in various geographical and historical contexts. The current situations of systematic destruction historically and currently experienced by Syrian and Palestinian populations provides a core to this issue to which are added accounts of the Uyghur, Tamil, and Black American struggles respectively in Xinjiang, Eelam, and the United States, as well as historical descriptions of survival bodies in Sarajevo and monument desecration in West Africa and the Carribeans.
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"Racialized incarceration" constitutes a form of sequel to issues 4 (Mar-Apr. 2016, "Carceral environments") and 5 (May-June 2016, "Design & racism"). This issue builds on these two precedents in demonstrating that incarceration is one of the horizons of processes of racialization and that architecture is an unsurpassable instrument of its enforcement. Through historical(...)
The Funambulist 12: Radicalized incarceration
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"Racialized incarceration" constitutes a form of sequel to issues 4 (Mar-Apr. 2016, "Carceral environments") and 5 (May-June 2016, "Design & racism"). This issue builds on these two precedents in demonstrating that incarceration is one of the horizons of processes of racialization and that architecture is an unsurpassable instrument of its enforcement. Through historical examples (concentration camps of Romani people in France, prison cities of Japanese and Japanese American people in the United States, an Aborigene prison in Australia) and contemporary ones (US prison industrial complex, immigrant detention centers in Canada, Palestinian refugee camps in Lebanon), The Funambulist’s 12th issue intends to illustrate how the violence of colonial and structural forms of racism endure time and materialize in space.
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