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One of the central figures in modern landscape architecture, Garrett Eckbo (1910-2000) was a major influence in the field during an active career spanning five decades. While most of the early American designers concentrated on the private garden and the corporate landscape, Eckbo's work demonstrated innovative design ideas in a social setting. This engagement with(...)
Gardens
August 2005, Berkeley / Los Angeles / London
Garrett Eckbo : modern landscape for living
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One of the central figures in modern landscape architecture, Garrett Eckbo (1910-2000) was a major influence in the field during an active career spanning five decades. While most of the early American designers concentrated on the private garden and the corporate landscape, Eckbo's work demonstrated innovative design ideas in a social setting. This engagement with social improvement has stayed with Eckbo throughout his life, distinguishing both his intentions and achievements, from his early work for the Farm Security Administration to his partnerships (including one of the most prominent landscape firms in the world, Eckbo, Dean, Austin, and Williams--EDAW) and his years as chair of the Department of Landscape Architecture at the University of California, Berkeley. In this book that includes more than 100 of Eckbo's designs, Marc Treib examines the aesthetic formation of Eckbo's manner, and by implication the broader field of landscape architecture since the 1930s. Dorothée Imbert writes about Eckbo's social vision, including his belief that ultimately, landscape design is the "arrangement of environments for people." The book also contains a biographical and professional chronology and a complete bibliography of publications by and about Garrett Eckbo.
Gardens
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Studies of the landscape have ranged from discussions of cultural geography at one end and botany at the other, with quite a mix in between. In this book Marc Treib focuses on the subject of the designed landscape, which he takes to include gardens, cemeteries, plazas, as well as a number of other landscape forms. His writings begin with an investigation of order and its(...)
Settings and stray paths : writing on landscapes and gardens
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Studies of the landscape have ranged from discussions of cultural geography at one end and botany at the other, with quite a mix in between. In this book Marc Treib focuses on the subject of the designed landscape, which he takes to include gardens, cemeteries, plazas, as well as a number of other landscape forms. His writings begin with an investigation of order and its perception: How have humans organized landscapes so that the experience of them could be directed, or even "read," decoded, and understood? His writings include analyses of both historical and contemporary works, with a geographic distribution that treats Asia as well as Europe and North America. Certain essays address the question of content in landscape design, others its meaning; others examine the lives and contributions of major figures in the field, for example, cultural landscape historian John Brinckerhoff Jackson and landscape architect Garrett Eckbo; subjects such as influence also receive the author's attention. As a whole, the essays cover a remarkable range, examining issues that few other writers have attempted to explain in detail. Treib brings a designer's eye to his work, paring observation and formal analysis with a more theorical formulation of the ideas from which or by which landscape architecture is produced. Photographs by the author complement his writings, adding a visual dimension to the provocative ideas outlined in the essays. While all of these essays have appeared in print over a period of some twenty-five years, many have been published in specialist journals or in a foreign language. Settings and Stray paths assembles a vital collection of Marc Treib's writings on landscape architecture, for the first time in a single source book.
Landscape Theory
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Thomas Church's 1948 Donnell garden in Sonoma, California, and Garrett Eckbo's 1959 ALCOA forecast garden in Los Angeles helped define the parameters of modern landscape design in the US. Although these gardens appear in almost every book on modern landscape architecture, the published facts and details have been relatively few. This volume assembles virtually all known(...)
The Donnel and Eckbo gardens : modern California masterworks
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Thomas Church's 1948 Donnell garden in Sonoma, California, and Garrett Eckbo's 1959 ALCOA forecast garden in Los Angeles helped define the parameters of modern landscape design in the US. Although these gardens appear in almost every book on modern landscape architecture, the published facts and details have been relatively few. This volume assembles virtually all known documents on the two projects, including interviews with Church's collaborators and the holdings of the Environmental design archives, UC Berkeley.
Gardens
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While sculpture remained central to his artistic practice, Isamu Noguchi’s (1904–1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards—and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art(...)
Noguchi's gardens: landscape as sculpture
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While sculpture remained central to his artistic practice, Isamu Noguchi’s (1904–1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards—and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art should their aesthetic qualities sufficiently transcend those generated by the simple address of need. Although his gardens include several of the twentieth century’s most iconic landscape designs and have received almost universal praise, Noguchi nonetheless occupies a place removed from the normal practice of landscape architecture. As an artist he relied more on intuition—bolstered by focused study where required—than on objective analysis, and he shaped his landscapes as sculpture, with space as their primary vehicle. To Noguchi landscape design was a spatial and formal art, and from his earliest environmental projects to the works of his later maturity, he succeeded in conceiving and constructing a series of remarkable places.
Gardens
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The complete designs of Joseph Esherick, one of San Francisco's foremost architects from the 1960s through his death in the late 1990s. Esherick is best known for high-profile public buildings, such as The Cannery at Fisherman's Wharf, the 1968 re-imagining of the old Del Monte cannery that is one of the earliest examples of adaptive re-use of industrial buildings, and(...)
Appropriate: the houses of Joseph Esherick
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The complete designs of Joseph Esherick, one of San Francisco's foremost architects from the 1960s through his death in the late 1990s. Esherick is best known for high-profile public buildings, such as The Cannery at Fisherman's Wharf, the 1968 re-imagining of the old Del Monte cannery that is one of the earliest examples of adaptive re-use of industrial buildings, and the Monterey Bay Aquarium. He also produced a laudable stream of truly classic California homes, influenced less by fashion than by the demands of climate, social structure and suitable technology. A beautifully illustrated book from the distinguished UC Berkeley Landscape Design series.
Architecture Monographs
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For nearly thirty years, starting in the 1960s, Franklin D. Murphy was a dominant figure in the cultural development of Los Angeles. As chancellor of UCLA and later as chief executive of the Times Mirror company, Murphy channeled more than a billion dollars into the city's universities, museums, concert halls, and libraries. The Franklin D. Murphy Sculpture Garden, one of(...)
Gardens
February 2008, Los Angeles
The Franklin D. Murphy sculpture garden at UCLA
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For nearly thirty years, starting in the 1960s, Franklin D. Murphy was a dominant figure in the cultural development of Los Angeles. As chancellor of UCLA and later as chief executive of the Times Mirror company, Murphy channeled more than a billion dollars into the city's universities, museums, concert halls, and libraries. The Franklin D. Murphy Sculpture Garden, one of his landmark projects, is also one of the UCLA campus's great treasures. Standing as a model for sculpture gardens internationally since its dedication in 1967, the Murphy Garden features seventy-two important modern and contemporary sculptures in a five-acre site designed by landscape architect Ralph Cornell. This fully-illustrated catalog documents the entire Murphy Garden collection and provides a scholarly entry for each artist – a sampling of which includes Deborah Butterfield, Alexander Calder, Henri Matisse, Joan Miró, Henry Moore, Isamu Noguchi, Auguste Rodin, and David Smith. Three essays–by Victoria Steele, Cynthia Burlingham, and Marc Treib – focus respectively on the role of Franklin Murphy in the garden's planning and execution, the acquisition of the sculptures, and the garden's significance within the history of sculpture garden design. Published by the Hammer Museum, University of California, Los Angeles.
Gardens
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For almost thirty years, Claude Cormier et Associés has designed landscapes daring in scope while earnest in execution, courting controversy while inviting public accord. Produced under the leadership of Claude Cormier, the range of these projects has spanned the creation of parks and squares, the renovation of historical landscapes, and the conversion of industrial(...)
Landscape Architecture, Monographs
September 2021
Serious fun: the landscapes of Claude Cormier
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For almost thirty years, Claude Cormier et Associés has designed landscapes daring in scope while earnest in execution, courting controversy while inviting public accord. Produced under the leadership of Claude Cormier, the range of these projects has spanned the creation of parks and squares, the renovation of historical landscapes, and the conversion of industrial sites. While always serious in the address of function, their designs often display a touch of humor in both method and form- in all, these are works marked by "serious fun." It is a practice unique in Canada, arguably in the world. That people use, and may even love, these urban landscapes testifies to the pleasure afforded by their designs and the humanistic dimensions of the practice. This, the first book exclusively dedicated to the landscapes of Claude Cormier and his team, provides a broad overview of their ideas and methods with insightful discussions of selected projects and the thinking behind them.
Landscape Architecture, Monographs
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Modern architects are often condemned for a seeming disregard of site considerations such as climate, topography, and existing vegetation. Noted landscape and architectural historian Marc Treib counters this prevailing view in an authoritative and unprecedented survey of 20th-century buildings and their landscapes. Exploring a range of architectural, philosophical, and(...)
Landscapes of modern architecture: Wright, Mies, Neutra, Aalto, Barragán
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Modern architects are often condemned for a seeming disregard of site considerations such as climate, topography, and existing vegetation. Noted landscape and architectural historian Marc Treib counters this prevailing view in an authoritative and unprecedented survey of 20th-century buildings and their landscapes. Exploring a range of architectural, philosophical, and theoretical approaches, Treib investigates the site strategies of five prominent modern-period architects: Frank Lloyd Wright (1867–1959), Ludwig Mies van der Rohe (1886–1969), Richard Neutra (1892–1970), Alvar Aalto (1898–1976), and Luis Barragán (1902–1988).
Gardens
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Planting design is, rather obviously, a complex topic, spanning as it does art, science, social need, and morality?especially during these days of increasing planetary environmental threat. Although certainly not denying the importance of scientifically appropriate practices, the symposium “The Aesthetics of [Contemporary] Planting Design” addressed planting design today,(...)
The aesthetics of contemporary planting design
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Planting design is, rather obviously, a complex topic, spanning as it does art, science, social need, and morality?especially during these days of increasing planetary environmental threat. Although certainly not denying the importance of scientifically appropriate practices, the symposium “The Aesthetics of [Contemporary] Planting Design” addressed planting design today, proposing a renewed concern for the cultural and aesthetic aspects of the landscapes that result. This book, which has been developed from the original presentations at the symposium, presents the thoughts of a select international group of landscape architects and historians who discuss the subject of planting design through the lens of their own work as well as the work of others, both contemporary and historical. They suggest that, as in real estate, the most important factor in selecting plants is “location, location, location.” Certainly the Californian situation is far more forgiving than the aridity and other restrictive environmental conditions endemic to the Sonoran desert, or the frost and short growing seasons of Nordic lands that direct Scandinavian landscape architects to rely on native birches, pines, rowan, and moss. Most of us would agree that there are plants sensible for each climatic zone. Addressing environmental conditions is but the first step in the equation, however. There are also the issues of combination and composition.
Gardens
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'Austere Gardens' suggests another way to look at the landscape, the garden, and perhaps the entire world around us. It suggests that being open to other ways of observing and sensing can yield new insights and rewards, and that interest is found in places unassuming and overlooked as well as those complex and assertive. Perceiving is only one half the story, however.(...)
Austere gardens: thoughts on landscape, restraint, and attending
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'Austere Gardens' suggests another way to look at the landscape, the garden, and perhaps the entire world around us. It suggests that being open to other ways of observing and sensing can yield new insights and rewards, and that interest is found in places unassuming and overlooked as well as those complex and assertive. Perceiving is only one half the story, however. Realizing places using simple acts and reduced means is the other half.
Landscape Theory