3 Results
Form:
books
books
Actions:
Price:
$105.00
(available in store)
Summary:
Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took(...)
$105.00
(available in store)
Summary:
Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took(...)
Title:
Surrealism and anti-fascism: An anthology
Actions:
Price:
$105.00
(available in store)
Summary:
Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took photographs, and made collages. Surrealism was associated with later emancipatory concerns not as a style, but as a method, and was taken up by the student protests of the 1960s and the Black Liberation Movement. This catalogue is published on the occasion of an exhibition at the Lenbachhaus Munich. In the form of an anthology, it presents pivotal texts and manifestoes of political Surrealism from its beginnings to current references in art and politics. It thus offers a valuable contribution to revising the still narrowly defined Surrealist canon.
Surrealism and anti-fascism: An anthology
Actions:
Price:
$105.00
(available in store)
Summary:
Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took photographs, and made collages. Surrealism was associated with later emancipatory concerns not as a style, but as a method, and was taken up by the student protests of the 1960s and the Black Liberation Movement. This catalogue is published on the occasion of an exhibition at the Lenbachhaus Munich. In the form of an anthology, it presents pivotal texts and manifestoes of political Surrealism from its beginnings to current references in art and politics. It thus offers a valuable contribution to revising the still narrowly defined Surrealist canon.
Form:
books
books
Publication:
June 2025
June 2025
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Sarah Morris 1972 block m
Sarah Morris 1972 block m
Actions:
Price:
$42.00
(available to order)
Summary:
This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
$42.00
(available to order)
Summary:
This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
Title:
Sarah Morris 1972 block m
Actions:
Price:
$42.00
(available to order)
Summary:
This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
Sarah Morris 1972 block m
Actions:
Price:
$42.00
(available to order)
Summary:
This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
Form:
books
books
Publication:
September 2008, Köln
September 2008, Köln
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$72.50
(available to order)
Summary:
Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma(...)
$72.50
(available to order)
Summary:
Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma(...)
Publication:
March 2019
March 2019
Title:
World receivers: Georgianna Houghton, Hilma af Klint, Emma Kunz
Actions:
Price:
$72.50
(available to order)
Summary:
Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma Kunz each developed their own abstract pictorial language. Though working completely independently from one another, these three artists shared a desire to make visible the laws of nature, the intellect, and the supernatural. Working within the context of the spiritual movements of their times—Houghton in Spiritism, AF Klint in theosophy, and Kunz in naturopathy—they each produced abstract paintings that bore witness to a “mediumistic” praxis.
World receivers: Georgianna Houghton, Hilma af Klint, Emma Kunz
Actions:
Price:
$72.50
(available to order)
Summary:
Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma Kunz each developed their own abstract pictorial language. Though working completely independently from one another, these three artists shared a desire to make visible the laws of nature, the intellect, and the supernatural. Working within the context of the spiritual movements of their times—Houghton in Spiritism, AF Klint in theosophy, and Kunz in naturopathy—they each produced abstract paintings that bore witness to a “mediumistic” praxis.
Form:
books
books
Publication:
March 2019
March 2019
