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If a crisis is imminent, we need strong policies to cope with it. If the world is facing a crisis of debt, a crisis of truth, a crisis of sprawl and a crisis of purpose, what can design do?
Volume 9 : Crisis! What crisis? - suburbia after the crash
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If a crisis is imminent, we need strong policies to cope with it. If the world is facing a crisis of debt, a crisis of truth, a crisis of sprawl and a crisis of purpose, what can design do?
Magazines
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Is it possible for a magazine to help craft the agenda for an ubiquitous China? "Volume 8" tackles the problem full on, presenting a wide range of articles that cover everything from the Confucian-Taoist nexus, utopianism and Google.cn, to the publishing industry, architects as businessmen and chaos in control.
Volume no. 8 : ubiquitous China - craft agenda for the world to come
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Is it possible for a magazine to help craft the agenda for an ubiquitous China? "Volume 8" tackles the problem full on, presenting a wide range of articles that cover everything from the Confucian-Taoist nexus, utopianism and Google.cn, to the publishing industry, architects as businessmen and chaos in control.
Magazines
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Following on from the two previous issues which tackled various representations of power in architecture, this third number goes a step further and demonstrates how power is using architecture not just simply to express itself, but to organise itself. The central thesis reflected in this timely and wide-ranging collection of articles and images is that power structures(...)
Volume 7 : architecture of power, part 3
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Following on from the two previous issues which tackled various representations of power in architecture, this third number goes a step further and demonstrates how power is using architecture not just simply to express itself, but to organise itself. The central thesis reflected in this timely and wide-ranging collection of articles and images is that power structures and power relations think architecturally in order to be successful.
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Maison d'Artiste, an unfinished icon by De Stijl. Theo van Doesburg and Cornelis van Eesteren
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Though it was never built, the design for the legendary artist’s house Maison d’Artiste is one of the key works of the Dutch avant-garde movement De Stijl. Created in 1923 by painter Theo van Doesburg and architect Cornelis van Eesteren for De Stijl’s first group exhibition, the Maison d’Artiste was intended to encapsulate what De Stijl aspired to: a new everyday(...)
Maison d'Artiste, an unfinished icon by De Stijl. Theo van Doesburg and Cornelis van Eesteren
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Though it was never built, the design for the legendary artist’s house Maison d’Artiste is one of the key works of the Dutch avant-garde movement De Stijl. Created in 1923 by painter Theo van Doesburg and architect Cornelis van Eesteren for De Stijl’s first group exhibition, the Maison d’Artiste was intended to encapsulate what De Stijl aspired to: a new everyday environment achieved through the harmonious fusion of painting and architecture. The scale model presented De Stijl’s ideal space for life and work, with a gym, a music room and a studio, as well as living spaces like guest rooms and bathrooms. Maison d’Artiste: An Unfinished Icon by De Stijl explores the revolutionary cultural importance of the design, its significance for the history of De Stijl and its place in a history of the unbuilt architecture of the 20th century.
Architecture Monographs
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Drawing from the collection of the Netherlands Architecture Institute, "Dutch Architecture in 250 Highlights" celebrates the collection's centenary with this portrait of the rich and varied architectural history of the Netherlands. This broad and voluminous publication brings together the designs, buildings and ideas that have helped to build the considerable reputation(...)
Dutch architecture in 250 highlights : preserved by the Netherlands Architecture Institute
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Drawing from the collection of the Netherlands Architecture Institute, "Dutch Architecture in 250 Highlights" celebrates the collection's centenary with this portrait of the rich and varied architectural history of the Netherlands. This broad and voluminous publication brings together the designs, buildings and ideas that have helped to build the considerable reputation of Dutch architecture around the world, from the nineteenth century to the present. Architecture historians Ole Bouman, Behrang Mousavi, Hetty Berens, Suzanne Mulder and Ellen Smit guide the reader through more than 250 outstanding buildings and designs, by architects ranging from Cuypers, Berlage, Kromhout, Van Eesteren, Stam and Wijdeveld to Weeber, Coenen and Koolhaas. The thematic and chronological chapters elaborate on their designs in plans, sketches, maquettes and photographs.
Architecture since 1900, Europe
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This issue of Volume is largely based on a two-day symposium ‘how do we materialize peace’ held at the NAI in Rotterdam in 2010. The symposium was the kick-off to explore potentials of architecture in the field of post-conflict reconstruction. Awareness, good practice and knowledge exchange are all part of the project with pragmatism as the guiding rule.
Volume 26: Architecture of Peace
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This issue of Volume is largely based on a two-day symposium ‘how do we materialize peace’ held at the NAI in Rotterdam in 2010. The symposium was the kick-off to explore potentials of architecture in the field of post-conflict reconstruction. Awareness, good practice and knowledge exchange are all part of the project with pragmatism as the guiding rule.
Magazines
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For this book, the Netherlands Architecture Institute selected 22 Dutch architecture firms with genuinely innovative ideas on these seven imperatives and the will to do something about them. The result is an agenda for the future of our living environment and a proof that designers have the creative power to make it happen. Architecture of Consequence proves that any(...)
Architecture of consequence, dutch designs on the future
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For this book, the Netherlands Architecture Institute selected 22 Dutch architecture firms with genuinely innovative ideas on these seven imperatives and the will to do something about them. The result is an agenda for the future of our living environment and a proof that designers have the creative power to make it happen. Architecture of Consequence proves that any notion that architecture should be an “expression of its time,” or should do no more than express the vanity of its commissioners, pales into insignificance when compared to its tremendous potential for resolving urgent societal problems.
Architecture since 1900, Europe