$125.00
(available in store)
Summary:
The ultimate typographic experiment from one of the world's foremost typography studios, MuirMcNeil’s Two Type System presents a systematic approach to form-giving that liberates the design process from the narrow confines of individual self-expression. Using a combination of algorithm, chance, and deliberation, a core database of 23 type systems and 198 individual(...)
System process form: Type as algorithm
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Price:
$125.00
(available in store)
Summary:
The ultimate typographic experiment from one of the world's foremost typography studios, MuirMcNeil’s Two Type System presents a systematic approach to form-giving that liberates the design process from the narrow confines of individual self-expression. Using a combination of algorithm, chance, and deliberation, a core database of 23 type systems and 198 individual fonts is interpolated to generate millions of hybrid forms in which every dot, line, space, and letter is designed to correspond and collaborate in close harmony. The showcased examples, selected for their distinctively abstract and striking qualities, are printed in three vibrant neon inks and metallic black. The result, far more than a mere catalog of typefaces, demonstrates the power of excavating design problems at their deepest roots, allowing abundant and diverse outcomes to proliferate spontaneously.
Graphic Design and Typography
The visual history of type
$120.00
(available to order)
Summary:
"The visual history of type" is a comprehensive, detailed survey of the major typefaces produced since the advent of printing with movable type in the mid-fifteenth century to the present day. Arranged chronologically to provide context, more than 320 typefaces are displayed in the form of their original type specimens or earliest printing. Each entry is supported by a(...)
The visual history of type
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Price:
$120.00
(available to order)
Summary:
"The visual history of type" is a comprehensive, detailed survey of the major typefaces produced since the advent of printing with movable type in the mid-fifteenth century to the present day. Arranged chronologically to provide context, more than 320 typefaces are displayed in the form of their original type specimens or earliest printing. Each entry is supported by a brief history and description of defining characteristics of the typeface. This book will be the definitive publication in its field, appealing to graphic designers, educators, historians, and design students. It will also be a significant resource for professional type designers and students of type.
Graphic Design and Typography