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books
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Title:
Andy Warhol: blow job
Andy Warhol: blow job
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Price:
$16.00
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Summary:
In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of(...)
$16.00
(available to order)
Summary:
In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of(...)
Title:
Andy Warhol: blow job
Actions:
Price:
$16.00
(available to order)
Summary:
In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of Blow Job, Peter Gidal deciphers the structures, abstract and concrete, of Warhol's crucial film. Warhol's techniques—the use of the close-up, the general use of camera movement, and the complete theatrical mise en scène—(especially when compared to the Godardian cinéma vérité of the time) make the materiality of the film process, its making and viewing, ineluctably present. An important experimental filmmaker, Gidal has had retrospectives at the London Film-Maker's Co-op; the Centre Pompidou, Paris; the National Film Theatre, London, as well as in Japan and San Francisco. He taught advanced film theory at the Royal College of Art, London, from 1971-1983.
Andy Warhol: blow job
Actions:
Price:
$16.00
(available to order)
Summary:
In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of Blow Job, Peter Gidal deciphers the structures, abstract and concrete, of Warhol's crucial film. Warhol's techniques—the use of the close-up, the general use of camera movement, and the complete theatrical mise en scène—(especially when compared to the Godardian cinéma vérité of the time) make the materiality of the film process, its making and viewing, ineluctably present. An important experimental filmmaker, Gidal has had retrospectives at the London Film-Maker's Co-op; the Centre Pompidou, Paris; the National Film Theatre, London, as well as in Japan and San Francisco. He taught advanced film theory at the Royal College of Art, London, from 1971-1983.
Form:
books
books
Publication:
January 1900, London
January 1900, London
Subject:
Art Theory
Art Theory
