Inside out
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A meditation on the dilemmas and desires for home that combines the writings of art critic and cultural historian Rebecca Solnit with painter Stefan Kürten’s lush images of domestic interiors, buildings and landscapes. Solnit reflects on emotional privatization, real-estate fetishism, and aesthetic pleasure, while Kürten’s paintings of stale bourgeois interiors and(...)
Contemporary Art Monographs
October 2006, San Francisco, New York
Inside out
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A meditation on the dilemmas and desires for home that combines the writings of art critic and cultural historian Rebecca Solnit with painter Stefan Kürten’s lush images of domestic interiors, buildings and landscapes. Solnit reflects on emotional privatization, real-estate fetishism, and aesthetic pleasure, while Kürten’s paintings of stale bourgeois interiors and suburban homes project a dogged attempt to make life perfect, at least on the surface. His armchairs, teapots and planter boxes suggest that we are living in a peculiar state of safety and bliss. Together, the text and images question the equation of ideal houses with ideal lives, the images that shape our perception of childhood, and our notion of a fulfilled adulthood.
Contemporary Art Monographs
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An energizing case for hope about the climate, from Rebecca Solnit ("the voice of the resistance"—New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment. "Not too late" brings strong climate voices from around the world to address the political, scientific, social, and emotional dimensions of the most(...)
Not too late: Changing the climate Story from Despair to Possibility
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An energizing case for hope about the climate, from Rebecca Solnit ("the voice of the resistance"—New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment. "Not too late" brings strong climate voices from around the world to address the political, scientific, social, and emotional dimensions of the most urgent issue human beings have ever faced. Accessible, encouraging, and engaging, it's an invitation to everyone to understand the issue more deeply, participate more boldly, and imagine the future more creatively. In concise, illuminating essays and interviews, "Not too late" features the voices of Indigenous activists, such as Guam-based attorney and writer Julian Aguon; climate scientists, among them Jacquelyn Gill and Edward Carr; artists, such as Marshall Islands poet and activist Kathy Jeñtil-Kijiner; and longtime organizers, including "The Tyranny of Oil" author Antonia Juhasz and Emergent Strategy author adrienne maree brown.
Environment and environmental theory
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In this sequel to her enduring bestseller ''Hope in the Dark'', Solnit surveys a world that has changed dramatically since the year 1960. Despite the forces seeking to turn back the clock on history, change is not a possibility; it is an inevitability. The changes amount to nothing less than dismantling an old civilization and building a new one, whose newness is often(...)
The beginning comes after the end: Notes on a world of change
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In this sequel to her enduring bestseller ''Hope in the Dark'', Solnit surveys a world that has changed dramatically since the year 1960. Despite the forces seeking to turn back the clock on history, change is not a possibility; it is an inevitability. The changes amount to nothing less than dismantling an old civilization and building a new one, whose newness is often the return of the old ways and wisdoms. In this rising worldview, interconnection is a core idea and value. But because the transformation is obscured within a longer arc of history, its scale is seldom recognized. While the white nationalist and authoritarian backlash drives individualism and isolation, this new world embraces antiracism, feminism, a more expansive understanding of gender, environmental thinking, scientific breakthroughs, and Indigenous and non-Western ideas, pointing toward a more interconnected, relational world.
Social
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Beginning with an essay about a three-hundred-year-old violin and what it can tell us about forests, abundance, and climate, and ending with on about a prisoner dreaming of seeing the ocean, ''No Straight Road Takes You There'' deftly bridges the political and the literary, offering unique insights, nuanced understanding, and inspiration for the challenging work ahead. In(...)
No straight road takes you there: essays for uneven terrain
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Beginning with an essay about a three-hundred-year-old violin and what it can tell us about forests, abundance, and climate, and ending with on about a prisoner dreaming of seeing the ocean, ''No Straight Road Takes You There'' deftly bridges the political and the literary, offering unique insights, nuanced understanding, and inspiration for the challenging work ahead. In her latest essay collection, the award-winning author explores climate change, feminism, democracy, hope, and power and its abuse. Throughout she asks us to heed the stories we tell or have been told, and the ways those stories can be, or should be changed. Solnit offers a reappraisal of the value of indirect consequences, an embrace of unpredictability, slowness, and imperfection in the politics of how to change the world.
Social
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American photographer John Pfahl has an ongoing fascination with man's complex interaction with nature. 'Extreme Horticulture' is his photographic survey of gardening and the natural landscape at its boldest, most bizarre and most exuberant. Subjects include huge bright orange Japanese maples, Jeff Koons' monumental Puppy, and The Largest Fig Tree in the United States.(...)
Photography monographs
September 2003, London
John Pfahl : extreme horticulture
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American photographer John Pfahl has an ongoing fascination with man's complex interaction with nature. 'Extreme Horticulture' is his photographic survey of gardening and the natural landscape at its boldest, most bizarre and most exuberant. Subjects include huge bright orange Japanese maples, Jeff Koons' monumental Puppy, and The Largest Fig Tree in the United States. Each photograph is accompanied by a detailed caption.
Photography monographs
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In Wanderlust: A History of Walking, Rebecca Solnit draws together many histories, of anatomical evolution and city design, of treadmills and labyriths, of walking clubs and sexual mores, to create a portrait of the range of possibilities for this most basic act. Arguing that walking as history signifies walking for pleasure and for political, aesthetic, and social(...)
Wanderlust: a history of walking
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In Wanderlust: A History of Walking, Rebecca Solnit draws together many histories, of anatomical evolution and city design, of treadmills and labyriths, of walking clubs and sexual mores, to create a portrait of the range of possibilities for this most basic act. Arguing that walking as history signifies walking for pleasure and for political, aesthetic, and social meaning, Solnit hones in on the walkers whose everyday and extreme acts have shaped our culture, from the peripatetic philosophers of ancient Greece to the poets of the romantic Age, from the perambulations of the Surrealists to the ascents of the mountaineers. Solnit's book finds a profound relationship between walking and thinking, walking and culture, and argues for the necessity of preserving the time and space in which to walk in an evermore automobile-dependent and accelerated world.
Journeys
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the(...)
Photography monographs
March 2006, San Francisco
After the ruins 1906 and 2006 : rephotographing the San Francisco earthquake and fire
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the days following the 1906 earthquake and fires and precisely duplicated each photograph's vantage point. The result is a comparison that challenges our preconceptions about time, history, and culture. This publication accompanies an exhibition at The Fine Arts Museums of San Francisco. After the Ruins, 1906 and 2006 features a vivid essay by noted environmental historian Philip Fradkin on the events surrounding and following the 1906 earthquake, which he describes as "the equivalent of an intensive, three-day bombing raid, complete with many tons of dynamite that acted as incendiary devices." A lyrical essay by acclaimed writer Rebecca Solnit considers the meaning of ruins, resurrection, and the evolving geography and history of San Francisco.
Photography monographs
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Who gets to shape the narrative of our times? The current moment is a battle royale over that foundational power, one in which women, people of color, non-straight people are telling other versions, and white people and men and particularly white men are trying to hang onto the old versions and their own centrality. In 'Whose Story Is This?' Rebecca Solnit appraises(...)
Whose story is this? Essays at the intersection
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Who gets to shape the narrative of our times? The current moment is a battle royale over that foundational power, one in which women, people of color, non-straight people are telling other versions, and white people and men and particularly white men are trying to hang onto the old versions and their own centrality. In 'Whose Story Is This?' Rebecca Solnit appraises what's emerging and why it matters and what the obstacles are.
Critical Theory
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In the past decade, Rebecca Solnit, Rebecca Snedeker, and Joshua Jelly-Schapiro—aided by local writers, artists, historians, urbanists, ethnographers, and cartographers—have compiled three atlases that have radically changed the way we think about place. Each atlas provides a vivid, complex look at the multi-faceted nature of a city—San Francisco, New Orleans, and New(...)
Inifinite cities: a trilogy of Atlases. San Francisco, New Orleans, New York
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In the past decade, Rebecca Solnit, Rebecca Snedeker, and Joshua Jelly-Schapiro—aided by local writers, artists, historians, urbanists, ethnographers, and cartographers—have compiled three atlases that have radically changed the way we think about place. Each atlas provides a vivid, complex look at the multi-faceted nature of a city—San Francisco, New Orleans, and New York—as experienced by its different inhabitants, replete with the celebrations and contradictions that make up urban life.
Architectural Plans and Cartography
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In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that,(...)
Recollections of my nonexistence: a memoir
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In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer–books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West.
Critical Theory