Robert Adams : turning back
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"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for(...)
Robert Adams : turning back
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"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for hope. Two hundred years ago, Lewis and Clark reported finding in the American Northwest a vast forest of ancient evergreens. In "Turning back", Robert Adams looks again at the region’s trees, discovering evidence both of America’s failure and of a continuing promise. President Jefferson’s primary charge to Lewis and Clark was to prepare the way for American commerce. Today, historians still speculate about why, upon his return, Lewis lapsed into depression and apparently committed suicide. "Going east," Adams suggests, "was more difficult than going west." So then, what is the future? "Turning back" documents two kinds of predictive evidence. On the one hand we observe the results of greed so unrestrained that they are indistinguishable from those of nihilism. On the other we see what still lives, whether by our design or neglect, or Providence; in these 164 pictures the tone is celebratory, as in a prayer book. From coastal landscapes populated with tourists to timber clear-cutting and small family farms in eastern Oregon, here we reflect on what was lost, what is retained, and what we value both regionally and as a people with a common history.
Photography monographs
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Having lived in Southern California during his university years, Robert Adams returned to photograph the Los Angeles Basin in the late 1970s and early 1980s, concentrating on what was left of the citrus groves, eucalyptus and palm trees that once flourished in the area. The pictures, while foreboding, testify to a verdancy against the odds. Featuring sumptuous quadratone(...)
Robert Adams: Los Angeles spring
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Having lived in Southern California during his university years, Robert Adams returned to photograph the Los Angeles Basin in the late 1970s and early 1980s, concentrating on what was left of the citrus groves, eucalyptus and palm trees that once flourished in the area. The pictures, while foreboding, testify to a verdancy against the odds. Featuring sumptuous quadratone plates, this greatly expanded and revised edition of a title originally published in 1986 reinvigorates one of Adams’ most influential and admired bodies of work.
Photography monographs
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Cyril Connolly wrote that 'no city should be too large for a man (or woman) to walt out of in a morning.'It is a sensible standard, though by it the Denver area in the 1970's was a disappointment. People had moved there to enjoy nature, but found that nature was mostly inacessible except on weekends. Often little of it was even visible out the window. The puzzle became(...)
Robert Adams Interiors 1973-1974
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Cyril Connolly wrote that 'no city should be too large for a man (or woman) to walt out of in a morning.'It is a sensible standard, though by it the Denver area in the 1970's was a disappointment. People had moved there to enjoy nature, but found that nature was mostly inacessible except on weekends. Often little of it was even visible out the window. The puzzle became how to live inside. These rooms seemed to me then to be mostly sad , although what strikee me now is the evidence in them, however fragile, of caring.
Photography monographs
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Robert Adams, one of America’s foremost living photographers, has spent decades considering and documenting the landscape of the American West and how it has been altered, disturbed, or destroyed by the hand of man. A professor of English before turning to photography, Adams is also a skilled writer and acute thinker on aesthetic questions. A collection of conversations(...)
Along some rivers : photographs and conversations
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Robert Adams, one of America’s foremost living photographers, has spent decades considering and documenting the landscape of the American West and how it has been altered, disturbed, or destroyed by the hand of man. A professor of English before turning to photography, Adams is also a skilled writer and acute thinker on aesthetic questions. A collection of conversations (some previously unpublished) with writers and curators—William McEwan, Constance Sullivan, and Thomas Weski, among others (including a group of his students) offers the artist’s thoughts on a number of his now legendary projects, including "Cottonwoods" and "What we bought". This publication includes a selection of twenty-eight unpublished landscapes. Foreword by Richard B. Woodward.
Photography monographs
Robert Adams : Prairie
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Since the 1970s, photographer Robert Adams has chronicled the changing landscape of the American West, from the growth of cities like Denver to the seemingly unconquerable openness of the Great Plains - the subject of Adams's Prairie. The first edition of "Prairie," published in 1978, is now a sought-after collector's item; this expanded volume will include all of those(...)
Robert Adams : Prairie
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Since the 1970s, photographer Robert Adams has chronicled the changing landscape of the American West, from the growth of cities like Denver to the seemingly unconquerable openness of the Great Plains - the subject of Adams's Prairie. The first edition of "Prairie," published in 1978, is now a sought-after collector's item; this expanded volume will include all of those original images, along with new photographs selected and sequenced by Adams himself, many of which are being published for the first time.
Photography monographs
Robert Adams: this day
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In This Day, Robert Adams observes two kinds of landscapes - that inside his home, including arrangements of nasturtium leaves and apples on the kitchen table, as well as the views outside his window and beyond. The windswept headlands, beach grasses, and felled trees seen by the photographer on his walks are animated by an atmospheric light. Together, these pictures(...)
Robert Adams: this day
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In This Day, Robert Adams observes two kinds of landscapes - that inside his home, including arrangements of nasturtium leaves and apples on the kitchen table, as well as the views outside his window and beyond. The windswept headlands, beach grasses, and felled trees seen by the photographer on his walks are animated by an atmospheric light. Together, these pictures reveal the undeniable presence of the sublime in everyday life.
Photography monographs
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Edited by Adams from a body of work that spans over four decades, What Can We Believe Where? Photographs of the American West, 1965–2005 presents a narrative sequence of more than 100 tritone images that reveals a steadfast concern for mankind’s increasingly tragic relationship with the natural world.
What can we believe where? Photographs of the American west
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Edited by Adams from a body of work that spans over four decades, What Can We Believe Where? Photographs of the American West, 1965–2005 presents a narrative sequence of more than 100 tritone images that reveals a steadfast concern for mankind’s increasingly tragic relationship with the natural world.
Photography monographs
Robert Adams: Gone?
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go(...)
Robert Adams: Gone?
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go but where we've been," he judges. "We've got to go look at what we've done, which is oftentimes pretty awful, and see if we can't make of this place a civilized home." In Gone?, his most personal work to date, Adams lives out the implications of these words. In the 1980s, he revisited semi-rural areas he had known as a boy-landscapes that were no longer pristine, but which still retained their own particular qualities of light.
Photography monographs
Robert Adams: Tree line
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This volume commemorates Robert Adams' receipt of the Hasselblad Foundation International Award in Photography for 2009. The Foundation singled out Adams' ability to consolidate the medium's history: "as photography has altered and fragmented, he has refined and reaffirmed its inherent language, adapting the legacies of nineteenth-century and modernist photography to his(...)
Robert Adams: Tree line
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This volume commemorates Robert Adams' receipt of the Hasselblad Foundation International Award in Photography for 2009. The Foundation singled out Adams' ability to consolidate the medium's history: "as photography has altered and fragmented, he has refined and reaffirmed its inherent language, adapting the legacies of nineteenth-century and modernist photography to his own very singular purpose. Precise and undramatic, Adams' accumulative vision of the West now stands as a formidable document, reflecting broader, global concerns about the environment,while consistently recognizing signs of human aspiration and elements of hope, across a particular changing landscape."
Photography monographs
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Influential American photographer Robert Adams revisits the classic collection of nocturnal landscapes that he began making in the mid-1970s near his former home in Longmont, Colorado. Originally published by Aperture in 1985 as Summer Nights, this new edition has been carefully reedited and resequenced by the photographer, who has added 39 previously unpublished images.(...)
Robert Adams: summer nights, walking
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Influential American photographer Robert Adams revisits the classic collection of nocturnal landscapes that he began making in the mid-1970s near his former home in Longmont, Colorado. Originally published by Aperture in 1985 as Summer Nights, this new edition has been carefully reedited and resequenced by the photographer, who has added 39 previously unpublished images. Illuminated by moonlight and streetlamp, the houses, roads, sidewalks and fields in Summer Nights, Walking retain the wonder and stillness of the original edition, while adopting the artist's intention of a dreamy fluidity, befitting his nighttime perambulations.
Photography monographs