Robert Adams : Skogen
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Skogen is the Swedish word for forest, and while the dense woods featured in Robert Adams's most recent series of photographs grow near his home in Oregon, the pictures evoke a wild utopia, and convey a hushed, primeval awe. In this volume, the latest to document Adams's ongoing quest to find form amid the chaos of nature, shadows predominate, tempered by an ambiguous(...)
Robert Adams : Skogen
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Skogen is the Swedish word for forest, and while the dense woods featured in Robert Adams's most recent series of photographs grow near his home in Oregon, the pictures evoke a wild utopia, and convey a hushed, primeval awe. In this volume, the latest to document Adams's ongoing quest to find form amid the chaos of nature, shadows predominate, tempered by an ambiguous light that is unique to the Pacific Northwest. Skogen features forty-six previously unpublished images. Also included are an introduction by the artist and a poem by Denise Levertov.
Photography monographs
Robert Adams : Prairie
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Since the 1970s, photographer Robert Adams has chronicled the changing landscape of the American West, from the growth of cities like Denver to the seemingly unconquerable openness of the Great Plains - the subject of Adams's Prairie. The first edition of "Prairie," published in 1978, is now a sought-after collector's item; this expanded volume will include all of those(...)
Robert Adams : Prairie
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Since the 1970s, photographer Robert Adams has chronicled the changing landscape of the American West, from the growth of cities like Denver to the seemingly unconquerable openness of the Great Plains - the subject of Adams's Prairie. The first edition of "Prairie," published in 1978, is now a sought-after collector's item; this expanded volume will include all of those original images, along with new photographs selected and sequenced by Adams himself, many of which are being published for the first time.
Photography monographs
Robert Adams: this day
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In This Day, Robert Adams observes two kinds of landscapes - that inside his home, including arrangements of nasturtium leaves and apples on the kitchen table, as well as the views outside his window and beyond. The windswept headlands, beach grasses, and felled trees seen by the photographer on his walks are animated by an atmospheric light. Together, these pictures(...)
Robert Adams: this day
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In This Day, Robert Adams observes two kinds of landscapes - that inside his home, including arrangements of nasturtium leaves and apples on the kitchen table, as well as the views outside his window and beyond. The windswept headlands, beach grasses, and felled trees seen by the photographer on his walks are animated by an atmospheric light. Together, these pictures reveal the undeniable presence of the sublime in everyday life.
Photography monographs
Pourquoi photograhier
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Quatrième titre de la collection TXT dédiée aux diverses conceptions de l’image photographique et à l'évolution du médium, ce livre apporte un regard nouveau sur la photographie et sa pédagogie. Il rassemble une sélection d’essais sur les œuvres de plusieurs photographes parmi lesquels Ansel Adams, Eugène Atget, Dorothea Lange, Nicholas Nixon, Susan Meiselas, Michael(...)
Pourquoi photograhier
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Quatrième titre de la collection TXT dédiée aux diverses conceptions de l’image photographique et à l'évolution du médium, ce livre apporte un regard nouveau sur la photographie et sa pédagogie. Il rassemble une sélection d’essais sur les œuvres de plusieurs photographes parmi lesquels Ansel Adams, Eugène Atget, Dorothea Lange, Nicholas Nixon, Susan Meiselas, Michael Schmidt, Paul Strand, Edward Weston et leurs publications respectives. Le corpus de textes porte également sur différents genres, époques et sujets photographiques tels que l’expérience de l’espace dans l’Ouest américain chez les paysagistes du XIXe siècle, mais aussi des thèmes plus concrets comme les liens entre collectionneurs et photographes, ou comment vivre de sa pratique photographique. Robert Adams aborde également son thème de prédilection, qui sous-tend tout son travail, celui des questions environnementales et de la protection de la planète. Ces essais sont illustrés d’une trentaine de photographies et peintures reproduites en noir et blanc.
Theory of Photography
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Influential American photographer Robert Adams revisits the classic collection of nocturnal landscapes that he began making in the mid-1970s near his former home in Longmont, Colorado. Originally published by Aperture in 1985 as Summer Nights, this new edition has been carefully reedited and resequenced by the photographer, who has added 39 previously unpublished images.(...)
Robert Adams: summer nights, walking
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Influential American photographer Robert Adams revisits the classic collection of nocturnal landscapes that he began making in the mid-1970s near his former home in Longmont, Colorado. Originally published by Aperture in 1985 as Summer Nights, this new edition has been carefully reedited and resequenced by the photographer, who has added 39 previously unpublished images. Illuminated by moonlight and streetlamp, the houses, roads, sidewalks and fields in Summer Nights, Walking retain the wonder and stillness of the original edition, while adopting the artist's intention of a dreamy fluidity, befitting his nighttime perambulations.
Photography monographs
Robert Adams: Gone?
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go(...)
Robert Adams: Gone?
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go but where we've been," he judges. "We've got to go look at what we've done, which is oftentimes pretty awful, and see if we can't make of this place a civilized home." In Gone?, his most personal work to date, Adams lives out the implications of these words. In the 1980s, he revisited semi-rural areas he had known as a boy-landscapes that were no longer pristine, but which still retained their own particular qualities of light.
Photography monographs
Robert Adams: Tree line
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This volume commemorates Robert Adams' receipt of the Hasselblad Foundation International Award in Photography for 2009. The Foundation singled out Adams' ability to consolidate the medium's history: "as photography has altered and fragmented, he has refined and reaffirmed its inherent language, adapting the legacies of nineteenth-century and modernist photography to his(...)
Robert Adams: Tree line
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This volume commemorates Robert Adams' receipt of the Hasselblad Foundation International Award in Photography for 2009. The Foundation singled out Adams' ability to consolidate the medium's history: "as photography has altered and fragmented, he has refined and reaffirmed its inherent language, adapting the legacies of nineteenth-century and modernist photography to his own very singular purpose. Precise and undramatic, Adams' accumulative vision of the West now stands as a formidable document, reflecting broader, global concerns about the environment,while consistently recognizing signs of human aspiration and elements of hope, across a particular changing landscape."
Photography monographs
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Edited by Adams from a body of work that spans over four decades, What Can We Believe Where? Photographs of the American West, 1965–2005 presents a narrative sequence of more than 100 tritone images that reveals a steadfast concern for mankind’s increasingly tragic relationship with the natural world.
What can we believe where? Photographs of the American west
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Edited by Adams from a body of work that spans over four decades, What Can We Believe Where? Photographs of the American West, 1965–2005 presents a narrative sequence of more than 100 tritone images that reveals a steadfast concern for mankind’s increasingly tragic relationship with the natural world.
Photography monographs