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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires(...)
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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires(...)
Title:
Sophie Calles : des histoires vraies, 6e éd.
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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires vraies, toutes accompagnées d'une image, livrent dans un work in progress les fragments d'une vie.
Sophie Calles : des histoires vraies, 6e éd.
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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires vraies, toutes accompagnées d'une image, livrent dans un work in progress les fragments d'une vie.
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books
books
Publication:
January 2018
January 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Doubles-jeux
Doubles-jeux
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Sophie Calle est une artiste française, installée à New-York et dont le travail inclassable se situe aux limites de la photographie, de l’art conceptuel et de l’expérimentation. Elle doit une partie de son succès au livre de Paul Auster, Léviathan, dans lequel Maria, un personnage de fiction, emprunte beaucoup à la vie de Sophie Calle. Ce dédoublement l’a amenée avec la(...)
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Sophie Calle est une artiste française, installée à New-York et dont le travail inclassable se situe aux limites de la photographie, de l’art conceptuel et de l’expérimentation. Elle doit une partie de son succès au livre de Paul Auster, Léviathan, dans lequel Maria, un personnage de fiction, emprunte beaucoup à la vie de Sophie Calle. Ce dédoublement l’a amenée avec la(...)
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Doubles-jeux
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Sophie Calle est une artiste française, installée à New-York et dont le travail inclassable se situe aux limites de la photographie, de l’art conceptuel et de l’expérimentation. Elle doit une partie de son succès au livre de Paul Auster, Léviathan, dans lequel Maria, un personnage de fiction, emprunte beaucoup à la vie de Sophie Calle. Ce dédoublement l’a amenée avec la complicité du romancier à inventer une façon de vivre qui mêle fiction et réalité. Ce coffret de 7 livres tient lieu de catalogue à l’exposition tenue à l’automne 1998 au Centre national de la photographie à Paris.
Doubles-jeux
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Sophie Calle est une artiste française, installée à New-York et dont le travail inclassable se situe aux limites de la photographie, de l’art conceptuel et de l’expérimentation. Elle doit une partie de son succès au livre de Paul Auster, Léviathan, dans lequel Maria, un personnage de fiction, emprunte beaucoup à la vie de Sophie Calle. Ce dédoublement l’a amenée avec la complicité du romancier à inventer une façon de vivre qui mêle fiction et réalité. Ce coffret de 7 livres tient lieu de catalogue à l’exposition tenue à l’automne 1998 au Centre national de la photographie à Paris.
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books
books
Publication:
December 2002, Paris
December 2002, Paris
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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Never before published in its entirety in English, The Address Book is a key and controversial work in Sophie Calle’s oeuvre. Having found a lost address book on the street in Paris, Calle copied the pages before returning it anonymously to its owner. She then embarked on a search to come to know this stranger by contacting listed individuals — in essence, following him(...)
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Never before published in its entirety in English, The Address Book is a key and controversial work in Sophie Calle’s oeuvre. Having found a lost address book on the street in Paris, Calle copied the pages before returning it anonymously to its owner. She then embarked on a search to come to know this stranger by contacting listed individuals — in essence, following him(...)
Title:
Sophie Calle : the address book
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Never before published in its entirety in English, The Address Book is a key and controversial work in Sophie Calle’s oeuvre. Having found a lost address book on the street in Paris, Calle copied the pages before returning it anonymously to its owner. She then embarked on a search to come to know this stranger by contacting listed individuals — in essence, following him through the map of his acquaintances. Her written accounts of these encounters with friends, family and colleagues — juxtaposed with Calle’s photographs — originally appeared as serial in the newspaper Libération over the course of one month in 1983. As the entries accumulate, so do the vivid impressions of the address book’s owner, Pierre D., while also suggesting ever more complicated stories as information is gifted, parsed, and withheld by the people she encounters. A multitude of details, from the seemingly banal to the potentially revelatory, are not only collaged into a fragile and strangely intimate portrait of Pierre D.; they also accumulate into a collection of miniatures of the people around him as they reveal something, often unknowingly, of themselves. Further layering The Address Book is Calle’s first person narrative in which she interrogates herself—her fears, obsessions, and assumptions—over the course of her pursuit. When Pierre D. learned about the work and its appearance in the newspaper, he threatened to sue (and demanded that Libération publish nude photographs of Calle as a reciprocal invasion of privacy). Calle agreed not to republish the work until after his death. In the almost thirty years since its original publication in France, The Address Book has never been published in full again, only described in Double Game, Calle’s monograph which converses with Paul Auster’s novel Leviathan, and again in the novel itself as a work thought up (but not executed) by the fictional character Maria whom Auster based on Calle. Part conceptual art, part character study, part confession, part essay, this book is, above all, a prism through which desire and the elusory, persona and identity, the private and the public, knowledge and the unknown are refracted in luminous and provocative ways.
Sophie Calle : the address book
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Summary:
Never before published in its entirety in English, The Address Book is a key and controversial work in Sophie Calle’s oeuvre. Having found a lost address book on the street in Paris, Calle copied the pages before returning it anonymously to its owner. She then embarked on a search to come to know this stranger by contacting listed individuals — in essence, following him through the map of his acquaintances. Her written accounts of these encounters with friends, family and colleagues — juxtaposed with Calle’s photographs — originally appeared as serial in the newspaper Libération over the course of one month in 1983. As the entries accumulate, so do the vivid impressions of the address book’s owner, Pierre D., while also suggesting ever more complicated stories as information is gifted, parsed, and withheld by the people she encounters. A multitude of details, from the seemingly banal to the potentially revelatory, are not only collaged into a fragile and strangely intimate portrait of Pierre D.; they also accumulate into a collection of miniatures of the people around him as they reveal something, often unknowingly, of themselves. Further layering The Address Book is Calle’s first person narrative in which she interrogates herself—her fears, obsessions, and assumptions—over the course of her pursuit. When Pierre D. learned about the work and its appearance in the newspaper, he threatened to sue (and demanded that Libération publish nude photographs of Calle as a reciprocal invasion of privacy). Calle agreed not to republish the work until after his death. In the almost thirty years since its original publication in France, The Address Book has never been published in full again, only described in Double Game, Calle’s monograph which converses with Paul Auster’s novel Leviathan, and again in the novel itself as a work thought up (but not executed) by the fictional character Maria whom Auster based on Calle. Part conceptual art, part character study, part confession, part essay, this book is, above all, a prism through which desire and the elusory, persona and identity, the private and the public, knowledge and the unknown are refracted in luminous and provocative ways.
Form:
books
books
Publication:
October 2012
October 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$72.00
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
Title:
Sophie Calle: True stories: Hasselblad Award 2010
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
Sophie Calle: True stories: Hasselblad Award 2010
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
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books
books
Publication:
October 2010
October 2010
Subject:
Photography monographs
Photography monographs
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$32.95
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Textes et photos en forme d'autobiographie et de confidences.
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Textes et photos en forme d'autobiographie et de confidences.
Title:
Sophie Calle: Des histoires vraies
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Textes et photos en forme d'autobiographie et de confidences.
Sophie Calle: Des histoires vraies
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Summary:
Textes et photos en forme d'autobiographie et de confidences.
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books
books
Publication:
February 2015
February 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Sophie: Voir la mer
Sophie: Voir la mer
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For Voir la mer, Sophie Calle invited inhabitants of Istanbul, who often originated from central Turkey, to see the sea for the first time. "I took 15 people of all ages, from kids to one man in his 80s once we were safely by the sea, I instructed them to take away their hands and look at it. Then, when they were ready--for some it was five minutes and for others 15--they(...)
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For Voir la mer, Sophie Calle invited inhabitants of Istanbul, who often originated from central Turkey, to see the sea for the first time. "I took 15 people of all ages, from kids to one man in his 80s once we were safely by the sea, I instructed them to take away their hands and look at it. Then, when they were ready--for some it was five minutes and for others 15--they(...)
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Sophie: Voir la mer
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For Voir la mer, Sophie Calle invited inhabitants of Istanbul, who often originated from central Turkey, to see the sea for the first time. "I took 15 people of all ages, from kids to one man in his 80s once we were safely by the sea, I instructed them to take away their hands and look at it. Then, when they were ready--for some it was five minutes and for others 15--they had to turn to me and let me look at those eyes that had just seen the sea." The project was eventually composed of 14 five-minute videos, made for Calle by Caroline Champetier. Each person is filmed from behind, eventually turning to face the camera, revealing the emotions the experience has evoked.
Sophie: Voir la mer
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For Voir la mer, Sophie Calle invited inhabitants of Istanbul, who often originated from central Turkey, to see the sea for the first time. "I took 15 people of all ages, from kids to one man in his 80s once we were safely by the sea, I instructed them to take away their hands and look at it. Then, when they were ready--for some it was five minutes and for others 15--they had to turn to me and let me look at those eyes that had just seen the sea." The project was eventually composed of 14 five-minute videos, made for Calle by Caroline Champetier. Each person is filmed from behind, eventually turning to face the camera, revealing the emotions the experience has evoked.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$45.95
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After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first(...)
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Summary:
After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first(...)
Title:
Sophie Calle: suite vénitienne
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After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self. This Siglio reissue is a completely new iteration of Suite Vénitienne (first published in 1988 and long out of print), designed in collaboration with Calle to be the definitive English-language edition.
Sophie Calle: suite vénitienne
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Summary:
After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self. This Siglio reissue is a completely new iteration of Suite Vénitienne (first published in 1988 and long out of print), designed in collaboration with Calle to be the definitive English-language edition.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Sophie Calles: ghosts
Sophie Calles: ghosts
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Ghosts deals with important art objects which have been misplaced, damaged, stolen or have otherwise disappeared from public view. In the 1980s and 90s, the Isabella Stewart Gardner museum in Boston and the Earl of Bath’s residence in England both lost some of their most prestigious works to thefts and accidents. In this volume, which combines her series on both museums,(...)
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Ghosts deals with important art objects which have been misplaced, damaged, stolen or have otherwise disappeared from public view. In the 1980s and 90s, the Isabella Stewart Gardner museum in Boston and the Earl of Bath’s residence in England both lost some of their most prestigious works to thefts and accidents. In this volume, which combines her series on both museums,(...)
Title:
Sophie Calles: ghosts
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Ghosts deals with important art objects which have been misplaced, damaged, stolen or have otherwise disappeared from public view. In the 1980s and 90s, the Isabella Stewart Gardner museum in Boston and the Earl of Bath’s residence in England both lost some of their most prestigious works to thefts and accidents. In this volume, which combines her series on both museums, Sophie Calle embarks on a quest to resurrect the memory of these pieces. She explores their personal meaning to those museum employees and others who knew the works intimately, in a series of profiles on each individual.
Sophie Calles: ghosts
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$35.00
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Summary:
Ghosts deals with important art objects which have been misplaced, damaged, stolen or have otherwise disappeared from public view. In the 1980s and 90s, the Isabella Stewart Gardner museum in Boston and the Earl of Bath’s residence in England both lost some of their most prestigious works to thefts and accidents. In this volume, which combines her series on both museums, Sophie Calle embarks on a quest to resurrect the memory of these pieces. She explores their personal meaning to those museum employees and others who knew the works intimately, in a series of profiles on each individual.
Form:
books
books
Publication:
August 2013
August 2013
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Sophie Calle: My all
Sophie Calle: My all
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Over the past 30 years, artist Sophie Calle (born 1953) has orchestrated small moments of life as art, each time establishing a game, then setting its rules for herself and for others. Calle's work springs up around "the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a(...)
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Summary:
Over the past 30 years, artist Sophie Calle (born 1953) has orchestrated small moments of life as art, each time establishing a game, then setting its rules for herself and for others. Calle's work springs up around "the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a(...)
Title:
Sophie Calle: My all
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Summary:
Over the past 30 years, artist Sophie Calle (born 1953) has orchestrated small moments of life as art, each time establishing a game, then setting its rules for herself and for others. Calle's work springs up around "the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a relationship to others that is controlled by the artist," as curator and art critic Christine Macel puts it. Calle has carried out and documented these melancholy games in books, photographs, videos, films and performances. This publication finds the artist experimenting with yet another mediums-the postcard set. Taking stock of her entire oeuvre, this set of postcards functions as a beautiful portfolio of Calle's work, as well as a new investigation of it, in an appropriately nomadic format.
Sophie Calle: My all
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$45.00
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Summary:
Over the past 30 years, artist Sophie Calle (born 1953) has orchestrated small moments of life as art, each time establishing a game, then setting its rules for herself and for others. Calle's work springs up around "the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a relationship to others that is controlled by the artist," as curator and art critic Christine Macel puts it. Calle has carried out and documented these melancholy games in books, photographs, videos, films and performances. This publication finds the artist experimenting with yet another mediums-the postcard set. Taking stock of her entire oeuvre, this set of postcards functions as a beautiful portfolio of Calle's work, as well as a new investigation of it, in an appropriately nomadic format.
Form:
books
books
Publication:
March 2016
March 2016
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
