$45.00
(available to order)
Summary:
In collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles' history of filmmaking and the gallery's former function as a theater.
Olafur Eliasson: reality projector
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$45.00
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Summary:
In collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles' history of filmmaking and the gallery's former function as a theater.
Contemporary Art Monographs
books
Catherine Opie
$28.95
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Summary:
Catherine Opie's urban landscape photographs - a series of views of Los Angeles-area freeways done in 1994-1995 and a recently completed group of works chronicling strip mall buildings along the commercial streets of Los Angeles - are presented in this exhibition catalogue.
Catherine Opie
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$28.95
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Summary:
Catherine Opie's urban landscape photographs - a series of views of Los Angeles-area freeways done in 1994-1995 and a recently completed group of works chronicling strip mall buildings along the commercial streets of Los Angeles - are presented in this exhibition catalogue.
books
January 1900, Los Angeles
Photography monographs
George Byrne: Post truth
$98.00
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Summary:
Turning the spatial flotsam of the Anthropocene, or what architect Rem Koolhaas famously referred to as ''junkspace,'' into candy-colored dreamscapes, photographer George Byrne depicts the gritty urbanism of Los Angeles in sublime otherworldliness. Arriving a decade ago, the Australian artist was immediately enthralled by the sprawling cityscape, mesmerized by the way the(...)
George Byrne: Post truth
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$98.00
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Summary:
Turning the spatial flotsam of the Anthropocene, or what architect Rem Koolhaas famously referred to as ''junkspace,'' into candy-colored dreamscapes, photographer George Byrne depicts the gritty urbanism of Los Angeles in sublime otherworldliness. Arriving a decade ago, the Australian artist was immediately enthralled by the sprawling cityscape, mesmerized by the way the sunlight transformed it into two-dimensional, almost painterly abstractions. In his Post Truth series (2015–20), Byrne reassembles his photos of the urban landscape into striking, ascetic collages of color and geometric fragments, creating postmodernist oases in the metropolis. By masterfully harnessing the malleability of the photographic medium, the photographer situates his work in the space between real and imagined. Byrne’s compositions evoke associations with Miami Beach’s Art Deco, the Memphis Group’s designs, as well as the painting of David Hockney or Ed Ruscha, and at the same time tap into the aesthetics of today’s visual culture played out on Instagram.
Photography monographs