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Photographer Takashi Homma began producing a series of books as an homage to Edward Ruscha in 2014, with each publication taking a new form through its changing subject matter. While the technique is an imitation of Ruscha’s 1964 book ‘Various Small Fires’, this fifth instalment in the series attempts its own adaption of the original by focusing on a theme not examined by(...)
Takashi Homma: various shaped hoses
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Photographer Takashi Homma began producing a series of books as an homage to Edward Ruscha in 2014, with each publication taking a new form through its changing subject matter. While the technique is an imitation of Ruscha’s 1964 book ‘Various Small Fires’, this fifth instalment in the series attempts its own adaption of the original by focusing on a theme not examined by Ruscha. Thus we are presented with all manner of hoses, but mostly garden hoses, looping and snaking randomly as they were abandoned after the last use. Also, as the title suggests, one of the hoses is actually a snake
Photography monographs
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Takashi Homma uses fragments collected in camera obscura constructed in metropolitan areas of Japan and the US to build a city image by image. Homma does not seek to index any particular city but to render a shadow world, a city's unconscious caught in a dark chamber, suspended in the camera’s box. The camera obscura offers a repetition, like the reflection shimmering in(...)
Takashi Homma: the narcissistic city
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Takashi Homma uses fragments collected in camera obscura constructed in metropolitan areas of Japan and the US to build a city image by image. Homma does not seek to index any particular city but to render a shadow world, a city's unconscious caught in a dark chamber, suspended in the camera’s box. The camera obscura offers a repetition, like the reflection shimmering in Narcissus’s pool. The narcissistic city is a city transfixed upon its own image – a mirror city, laced with repetition (modular) and reflections (glass). A city looking at its reflection, a city caught in a dark chamber, a city observing its camera obscura inversion – flickering inside the camera’s box.
Photography monographs
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Architects construct models in order to better visualise their projects, to make them more tangible. Even after a building is realised, its model can offer new insights about the creative process of the designer. Photographed by Takashi Homma, the selection in this book comes exclusively from Japanese practices, spanning from the heyday of the Metabolists in the 1960s and(...)
Japanese architectural models: photography by Takashi Homma
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Architects construct models in order to better visualise their projects, to make them more tangible. Even after a building is realised, its model can offer new insights about the creative process of the designer. Photographed by Takashi Homma, the selection in this book comes exclusively from Japanese practices, spanning from the heyday of the Metabolists in the 1960s and 70s to the bubble economys collapse and the 21st century. Included are many notable works, among them Tadao Andos Church of the Light, Kisho Kurokawas Nakagin Capsule Tower, Toyo Itos Serpentine Gallery Pavilion, houses by Itsuko Hasegawa, and Ryue Nishizawas Teshima Art Museum.
Models
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In this photography theory textbook and art book, Takashi Homma delves into the unique perspectives and techniques of Japanese photography, with a focus on capturing the essence of the self. It outlines his signature philosophy of “seeing” reality objectively – capturing a subject as it is without projecting the photographer’s personal emotions or attachments onto it. For(...)
Takashi Homma: Seeing itself for new photography (Japanese edition)
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In this photography theory textbook and art book, Takashi Homma delves into the unique perspectives and techniques of Japanese photography, with a focus on capturing the essence of the self. It outlines his signature philosophy of “seeing” reality objectively – capturing a subject as it is without projecting the photographer’s personal emotions or attachments onto it. For amateur photographers and professionals alike, the book is a valuable resource for exploring photography’s artistic possibilities in a cultural context. With clear visuals and insightful content, Seeing Itself is a must-have for anyone interested in photography theory and art.
Photography monographs
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The complete edition of Takashi Homma's acclaimed homage reveals the connection between the graceful and intimate sequence of images depicting the girl – which is in fact not Takashi Homma's daughter but the daughter of friends of his – and the city of Tokyo. The girl, captured in various stages of growing up in everyday locations, stares serenely just beyond the camera(...)
Takashi Homma: Tokyo and my daughter
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The complete edition of Takashi Homma's acclaimed homage reveals the connection between the graceful and intimate sequence of images depicting the girl – which is in fact not Takashi Homma's daughter but the daughter of friends of his – and the city of Tokyo. The girl, captured in various stages of growing up in everyday locations, stares serenely just beyond the camera lens, unselfconscious and generally appearing more interested in the person holding the camera than the device itself: in one photograph, she peers out curiously from the backseat of a car, while in another she points her own tiny pink camera back at the photographer. Homma’s photography is imbued with a warmth and sincerity that belies his total familiarity with the subjects at hand; he documents Tokyo’s urban landscape with the same tenderness he brings to portraying the girl.
Takashi Homma: 20 Postcards
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Twenty postcards by Japanese photographer Takashi Homma.
October 2013
Takashi Homma: 20 Postcards
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Twenty postcards by Japanese photographer Takashi Homma.
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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,”(...)
New Waves: Takashi Homma 2000-2013
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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,” philosopher and art critic David LaRocca writes that Homma’s photographs “do not evoke the same response in us every time; they are, we are tempted to say, individual (or at least individuated) to such an extent that like each frame from Homma's camera, each instant in the life of this water-as-wave exists as an enigmatic particularity.” Each photograph therefore, provides a unique lens in which to contemplate the complex relationships that arise in viewing each seascape.
Photography monographs