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Takashi Homma uses fragments collected in camera obscura constructed in metropolitan areas of Japan and the US to build a city image by image. Homma does not seek to index any particular city but to render a shadow world, a city's unconscious caught in a dark chamber, suspended in the camera’s box. The camera obscura offers a repetition, like the reflection shimmering in(...)
Takashi Homma: the narcissistic city
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Takashi Homma uses fragments collected in camera obscura constructed in metropolitan areas of Japan and the US to build a city image by image. Homma does not seek to index any particular city but to render a shadow world, a city's unconscious caught in a dark chamber, suspended in the camera’s box. The camera obscura offers a repetition, like the reflection shimmering in Narcissus’s pool. The narcissistic city is a city transfixed upon its own image – a mirror city, laced with repetition (modular) and reflections (glass). A city looking at its reflection, a city caught in a dark chamber, a city observing its camera obscura inversion – flickering inside the camera’s box.
Photography monographs
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Architects construct models in order to better visualise their projects, to make them more tangible. Even after a building is realised, its model can offer new insights about the creative process of the designer. Photographed by Takashi Homma, the selection in this book comes exclusively from Japanese practices, spanning from the heyday of the Metabolists in the 1960s and(...)
Japanese architectural models: photography by Takashi Homma
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Architects construct models in order to better visualise their projects, to make them more tangible. Even after a building is realised, its model can offer new insights about the creative process of the designer. Photographed by Takashi Homma, the selection in this book comes exclusively from Japanese practices, spanning from the heyday of the Metabolists in the 1960s and 70s to the bubble economys collapse and the 21st century. Included are many notable works, among them Tadao Andos Church of the Light, Kisho Kurokawas Nakagin Capsule Tower, Toyo Itos Serpentine Gallery Pavilion, houses by Itsuko Hasegawa, and Ryue Nishizawas Teshima Art Museum.
Models
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Inspired by the Ed Ruscha series ''Coloured People'', Japanese photographer Takashi Homma’s visited forests on three continents to search for radioactive mushrooms. The mushrooms—gathered in Scandinavia, Fukushima, Chernobyl and Stony Point—were photographed in front of a white background, with occasional photographs from the forests and views that Homma encountered(...)
Symphony : Mushrooms from the forest
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Inspired by the Ed Ruscha series ''Coloured People'', Japanese photographer Takashi Homma’s visited forests on three continents to search for radioactive mushrooms. The mushrooms—gathered in Scandinavia, Fukushima, Chernobyl and Stony Point—were photographed in front of a white background, with occasional photographs from the forests and views that Homma encountered during his hunt. The forest is one of earth’s most primal habitats; in the modern age, it is us who maintain and care for the forest.
Photography monographs
Takashi Homma: 20 Postcards
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Twenty postcards by Japanese photographer Takashi Homma.
October 2013
Takashi Homma: 20 Postcards
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Twenty postcards by Japanese photographer Takashi Homma.
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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,”(...)
New Waves: Takashi Homma 2000-2013
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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,” philosopher and art critic David LaRocca writes that Homma’s photographs “do not evoke the same response in us every time; they are, we are tempted to say, individual (or at least individuated) to such an extent that like each frame from Homma's camera, each instant in the life of this water-as-wave exists as an enigmatic particularity.” Each photograph therefore, provides a unique lens in which to contemplate the complex relationships that arise in viewing each seascape.
Photography monographs