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Texte zur kunst 129: Trans perspectives
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Texte zur kunst 81
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On the occasion of its 20th anniversary TEXTE ZUR KUNST organized an international symposium at Theater Hebbel am Ufer (HAU1) in Berlin in December 2010. Under the programmatic title, “Where do you stand, colleague?”, lectures and panels addressed the fundamental question of the relationship between art criticism and social critique. Issue #81 "Where do you stand,(...)
Texte zur kunst 81
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On the occasion of its 20th anniversary TEXTE ZUR KUNST organized an international symposium at Theater Hebbel am Ufer (HAU1) in Berlin in December 2010. Under the programmatic title, “Where do you stand, colleague?”, lectures and panels addressed the fundamental question of the relationship between art criticism and social critique. Issue #81 "Where do you stand, colleague?" compiles all seventeen lectures and statements of the symposium and documents the exhibition "With your art" photographically.
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Issue 85 of Texte zur Kunst is dedicated to art historiography. This is now the third time that we seek to shed light on the methods and principles of this humane discipline, the discourses of which form the crucial foundation of our magazine. While the 1994 issue under the heading “Art History Under Construction” put the import of theories from the Anglo-American(...)
Texte zur Kunst 85: Art History revisited
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Issue 85 of Texte zur Kunst is dedicated to art historiography. This is now the third time that we seek to shed light on the methods and principles of this humane discipline, the discourses of which form the crucial foundation of our magazine. While the 1994 issue under the heading “Art History Under Construction” put the import of theories from the Anglo-American countries to Germany up for debate, an issue from 2006 was concerned with reflecting on the state of affairs of a discipline that at the time was extremely influenced by visual studies and an increasing enthusiasm for “contemporary art”. The current issue, in contrast, focuses on the norms to which historiography is subjected and the effects produced by its view to the past. In seven essays, common art-historical paradigms are called into question and examined a new perspective. Established academic notions are revised on the one hand; while selected themes are taken up to elucidate the principles of knowledge and theory production on the other.
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Texte zur Kunst 86 : June 2012
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Current issue
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June 2012
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Nouveau numéro en librairie / New issue un store!
Texte zur kunst : septembre 2012
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Nouveau numéro en librairie / New issue un store!
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Texte zur Kunst 113 : discrimination
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Texte zur Kunst : the sea
Texte zur Kunst 114 : the sea
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Texte zur Kunst : the sea
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The latest issue is now available at the bookstore! In the current issue of Texte zur Kunst, ''Literature,'' the authors explore the emergence of the genre ''autofiction'': a field in literature that has taken up space between the formally distinct categories of fiction and autobiography.
Texte Zur Kunst 115 : literature
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The latest issue is now available at the bookstore! In the current issue of Texte zur Kunst, ''Literature,'' the authors explore the emergence of the genre ''autofiction'': a field in literature that has taken up space between the formally distinct categories of fiction and autobiography.
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With the help of the neologism ''resortization,'' this issue discusses the structural transformation currently underway in the domain of art, which compels it to resemble a resort-like environment. In particular, this term encapsulates the tendency of various Blue-Chip Galleries to follow their well-to-do clientele into the reclusion of exclusive luxury enclaves such as(...)
Texte zur kunst #127 : resortization
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With the help of the neologism ''resortization,'' this issue discusses the structural transformation currently underway in the domain of art, which compels it to resemble a resort-like environment. In particular, this term encapsulates the tendency of various Blue-Chip Galleries to follow their well-to-do clientele into the reclusion of exclusive luxury enclaves such as Aspen, Saint-Tropez or Monte-Carlo. The issue also engages with the increasing relevance of digital media, which not only plays a growing part in informing processes of recognition but fundamentally influences the conditions under which artistic work is made and experienced.
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Texte zur kunst #128: Art history update
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