Texte zur kunst 133
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The latest issue is now available at the bookstore.
Texte zur kunst 133
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Issue 85 of Texte zur Kunst is dedicated to art historiography. This is now the third time that we seek to shed light on the methods and principles of this humane discipline, the discourses of which form the crucial foundation of our magazine. While the 1994 issue under the heading “Art History Under Construction” put the import of theories from the Anglo-American(...)
Texte zur Kunst 85: Art History revisited
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Issue 85 of Texte zur Kunst is dedicated to art historiography. This is now the third time that we seek to shed light on the methods and principles of this humane discipline, the discourses of which form the crucial foundation of our magazine. While the 1994 issue under the heading “Art History Under Construction” put the import of theories from the Anglo-American countries to Germany up for debate, an issue from 2006 was concerned with reflecting on the state of affairs of a discipline that at the time was extremely influenced by visual studies and an increasing enthusiasm for “contemporary art”. The current issue, in contrast, focuses on the norms to which historiography is subjected and the effects produced by its view to the past. In seven essays, common art-historical paradigms are called into question and examined a new perspective. Established academic notions are revised on the one hand; while selected themes are taken up to elucidate the principles of knowledge and theory production on the other.
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Current issue
Texte zur Kunst 86 : June 2012
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journals and magazines
June 2012
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Texte zur kunst 81
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On the occasion of its 20th anniversary TEXTE ZUR KUNST organized an international symposium at Theater Hebbel am Ufer (HAU1) in Berlin in December 2010. Under the programmatic title, “Where do you stand, colleague?”, lectures and panels addressed the fundamental question of the relationship between art criticism and social critique. Issue #81 "Where do you stand,(...)
Texte zur kunst 81
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On the occasion of its 20th anniversary TEXTE ZUR KUNST organized an international symposium at Theater Hebbel am Ufer (HAU1) in Berlin in December 2010. Under the programmatic title, “Where do you stand, colleague?”, lectures and panels addressed the fundamental question of the relationship between art criticism and social critique. Issue #81 "Where do you stand, colleague?" compiles all seventeen lectures and statements of the symposium and documents the exhibition "With your art" photographically.
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Nouveau numéro en librairie / New issue un store!
Texte zur kunst : septembre 2012
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Nouveau numéro en librairie / New issue un store!
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September 2009
Texte zur Kunst 75: geschmack taste
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September 2009
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Das Individual/The Individual
Texte zur Kunst 104: The individual
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Das Individual/The Individual
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“But Who Is 'They'?" A roundtable discussion with Manuela Bojadz?ijev, Nikita Dhawan, and Christoph Menke, moderated by Helmut Draxler, on refugee and migrant flows as a challenge for political thought. “Overcoming Mute Relations, or Thinking with Your Feet" Angela Melitopoulos in conversation with Susanne Leeb. “The Powers of the False” Sven Lütticken. “Blondes Have Less(...)
Texte zur Kunst 105: They are us
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“But Who Is 'They'?" A roundtable discussion with Manuela Bojadz?ijev, Nikita Dhawan, and Christoph Menke, moderated by Helmut Draxler, on refugee and migrant flows as a challenge for political thought. “Overcoming Mute Relations, or Thinking with Your Feet" Angela Melitopoulos in conversation with Susanne Leeb. “The Powers of the False” Sven Lütticken. “Blondes Have Less Fun" Caroline Busta. “Local Time, or the Presence of an Ancient Past" Susanne Leeb. "Europe's Borders and the Mobile Undercommons" Brigitta Kuster. "Timeline of the 'Alt-Fact'" Daniel Keller.
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Texte Zur Kunst 116 : evil
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"EVIL," the theme of this latest issue of TEXTE ZUR KUNST is often understood as simply the opposite of “good,” and as pure immorality, evil is everywhere today, and somehow also nowhere. It is the “other” par excellence; something we ourselves never are, but by which one always measures one’s own distance. “Evil is over there, not here, not with me.” Given its ubiquity(...)
Texte Zur Kunst 116 : evil
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"EVIL," the theme of this latest issue of TEXTE ZUR KUNST is often understood as simply the opposite of “good,” and as pure immorality, evil is everywhere today, and somehow also nowhere. It is the “other” par excellence; something we ourselves never are, but by which one always measures one’s own distance. “Evil is over there, not here, not with me.” Given its ubiquity today, we offer texts that investigate what this thing we call “evil” is, as it so often functions as the polar opposite of that which people hold to be just and right. Indeed, who could argue that point, and yet. In this issue, we look specifically at evil’s manifestations in the art world, and in film, politics, and theory, always with an eye toward evil as something potentially playful and ironic.
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Texte Zur Kunst 117 : property
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