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Texte zur Kunst 86 : June 2012
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June 2012
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Nouveau numéro en librairie / New issue un store!
Texte zur kunst : septembre 2012
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Nouveau numéro en librairie / New issue un store!
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With the help of the neologism ''resortization,'' this issue discusses the structural transformation currently underway in the domain of art, which compels it to resemble a resort-like environment. In particular, this term encapsulates the tendency of various Blue-Chip Galleries to follow their well-to-do clientele into the reclusion of exclusive luxury enclaves such as(...)
Texte zur kunst #127 : resortization
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With the help of the neologism ''resortization,'' this issue discusses the structural transformation currently underway in the domain of art, which compels it to resemble a resort-like environment. In particular, this term encapsulates the tendency of various Blue-Chip Galleries to follow their well-to-do clientele into the reclusion of exclusive luxury enclaves such as Aspen, Saint-Tropez or Monte-Carlo. The issue also engages with the increasing relevance of digital media, which not only plays a growing part in informing processes of recognition but fundamentally influences the conditions under which artistic work is made and experienced.
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The latest issue is now available at the bookstore.
Texte zur kunst #128: Art history update
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The latest issue is now available at the bookstore.
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The latest issue is now available at the bookstore.
Texte zur kunst 124 : collectivity
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The latest issue is now available at the bookstore.
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The latest issue is now available at the bookstore.
Texte zur kunst 125 : Genres and gestures of dissent
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The latest issue is now available at the bookstore.
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of(...)
Texte Zur Kunst 126: mourning
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of loss and mourning in the context of racist and right-wing violence. At the same time, it draws attention to the transformative powers of grief.
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Texte zur kunst 81
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On the occasion of its 20th anniversary TEXTE ZUR KUNST organized an international symposium at Theater Hebbel am Ufer (HAU1) in Berlin in December 2010. Under the programmatic title, “Where do you stand, colleague?”, lectures and panels addressed the fundamental question of the relationship between art criticism and social critique. Issue #81 "Where do you stand,(...)
Texte zur kunst 81
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On the occasion of its 20th anniversary TEXTE ZUR KUNST organized an international symposium at Theater Hebbel am Ufer (HAU1) in Berlin in December 2010. Under the programmatic title, “Where do you stand, colleague?”, lectures and panels addressed the fundamental question of the relationship between art criticism and social critique. Issue #81 "Where do you stand, colleague?" compiles all seventeen lectures and statements of the symposium and documents the exhibition "With your art" photographically.
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September 2009
Texte zur Kunst 75: geschmack taste
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September 2009
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become(...)
Texte zur Kunst 99: photography
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become the primary base for establishing identity now, for cohering a social body; one that, as the substrate across which today’s human subject is drawn, stands as, in a sense, our material support? As the image’s gaze has become omnipresent, it is perhaps prime time to ask how do we now understand photo-media to operate? What information do we expect it to carry? What facts do we trust it to convey?
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